Douglas Preston - Relic

“What happened to Montague?”

Jörgensen hesitated. “I don’t know,” he replied finally. “He just disappeared one day. Never came back.”

“And the crates?” Margo pressed.

“Montague had been terribly anxious to see those crates, especially Whittlesey’s. But, as I said, he was out of favor, and had been taken off the project. In point of fact, there was no project anymore. The whole expedition had been such a disaster that the top brass just wanted to forget anything had happened. When the crates finally arrived, they sat, unopened. Most of the documentation and provenance had burned up in the crash. Supposedly, there was a journal of Whittlesey’s, but I never saw it. In any case, Montague complained and pleaded, and in the end they gave him the job of doing the initial curating. And then he just up and left.”

“What do you mean, left?” Smithback asked.

Jörgensen looked at him, as if deciding whether or not to answer the question. “He simply walked out of the Museum and never came back. I understand his apartment and all his clothes were abandoned. His family instituted a search and found nothing. But he was a rather strange character. Most people assumed he’d gone off to Nepal or Thailand to find himself.”

“But there were rumors,” Smithback said. It was a statement, not a question.

Jörgensen laughed. “Of course there were rumors! Aren’t there always? Rumors that he embezzled money, rumors that he ran off with a gangster’s wife, rumors that he’d been murdered and dumped in the East River. But he was such a nonentity in the Museum that most people forgot about him in a few weeks.”

[232] “Rumors that the Museum Beast got him?” Smithback asked.

Jörgensen’s smile faded. “Not exactly. But it caused all the rumors of the curse to resurface. Now everyone, they said, who had come in contact with the crates had died. Some of the guards and cafeteria employees—you know those types—said Whittlesey had robbed a temple, that there was something in the crate, a relic with a terrible curse on it. They said the curse followed the relic all the way back to the Museum.”

“Didn’t you want to study the plants that Maxwell sent back?” Smithback asked. “I mean, you’re a botanist, aren’t you?”

“Young man, you know nothing of science. There is no such thing as a botanist per se. I have no interest in the paleobotany of angiosperms. That whole thing was way out of my field. My specialty is the coevolution of plants and viruses. Or was ,” he said with a certain irony.

“But Whittlesey wanted you to take a look at the plants he sent back as packing material,” Smithback continued.

“I have no idea why,” Jörgensen said. “This is the first I’ve heard of it. I never saw this letter before.” With a certain reluctance, he handed it back to Margo. “I’d say it’s a fake, except for the handwriting and the motif.”

There was a silence. “You haven’t said what you thought about Montague’s disappearance,” Margo said at last.

Jörgensen rubbed the bridge of his nose and looked at the floor. “It frightened me.”

“Why?”

There was a long silence. “I’m not sure,” he finally said. “Montague once had a financial emergency and had to borrow money from me. He was very conscientious and went through great difficulties paying it back. It didn’t seem in character for him to just disappear like that. The last time I saw him, he was about to do an [233] inventory of the crates. He was very excited about it.” He looked up at Margo. “I’m not a superstitious man. I’m a scientist. Like I said, I don’t believe in curses and that sort of thing ...” his voice trailed off.

“But—?” Smithback prodded.

The old man shot a glance at Smithback. “Very well,” he glowered. Then he leaned back in his chair and looked at the ceiling. “I told you that John Whittlesey was my friend,” he said. “Before he left, Whittlesey had collected all the stories he could find about the Kothoga tribe. Mostly from lowland tribes living downstream, Yanomamo and the like. I remember him telling me one story the day before he left. The Kothoga, according to a Yanomamo informant, had made a deal with a being called Zilashkee. This was a creature like our Mephistopheles, but even more extreme: all the evil and death in the world emanated from this thing, which slithered around on the peak of the tepui . Or so the legend went. Anyway, according to their arrangement, the Kothoga would get the Zilashkee’s child for a servant in return for killing and eating all of their own children, and vowing forevermore to worship him and only him. When the Kothoga had finished their grisly task, the Zilashkee sent his child to them. But the beast proceeded to run rampant through the tribe, murdering and eating people. When the Kothoga complained, the Zilashkee laughed and said: What did you expect? I am evil . Finally, using magic or herbal spells or some such thing, the tribe managed to control the beast. It couldn’t be killed, you see. So the Zilashkee child remained under the control of the Kothoga, and they used it to do their own malignant bidding. But using it was always a dangerous proposition. The legend says that the Kothoga have been looking for a way to get rid of it ever since.”

Jörgensen looked down at the disassembled motor. “That was the story Whittlesey told me. When I heard about the plane crash, the death of Whittlesey, the disappearance of Montague ... well, I couldn’t help but [234] think the Kothoga had finally managed to unload Zilashkee’s child.”

Picking up a piece of the machine, the old botanist turned it over in his hands with a distant expression. “Whittlesey told me the name of the Zilashkee’s child was Mbwun. He Who Walks On All Fours.” And he dropped the piece with a clank and grinned.

= 33 =

As closing drew near, the visitors began to trickle out toward the Museum exits. The Museum shop—located directly inside the south entrance—did a brisk business.

In the marble hallways leading away from the south entrance, the sounds of conversation and the drumming of feet could be clearly heard. In the Hall of the Heavens near the West entrance, where the opening party for the new exhibition was to be held, the noise was fainter, echoing inside the huge dome like a vaguely remembered dream. And deeper within the Museum, as more laboratories, antique lecture halls, storage vaults, and book-lined offices interposed themselves, the sounds of visitors did not penetrate. The long corridors were dark and silent.

Within the Butterfield Observatory, the noise and bustle could just as well have been on another planet. The staffers, making the most of the curfew, had gone home early. George Moriarty’s office, like all six floors of the observatory, was deathly quiet.

[236] Moriarty stood behind his desk, a balled fist pressed tightly against his mouth. “Damn,” he mumbled.

Suddenly, one foot lashed out in frustration, the heel slamming against a file cabinet behind him and knocking a pile of papers onto the floor. “Damn!” he howled, this time in pain, as he sank into his chair and began rubbing his ankle.

Slowly, the pain lifted, and with it, his funk. Sighing heavily, he looked around the room. “Jeez, George, you always manage to screw things up, don’t you?” he murmured.

He was hopeless socially, he might as well admit it to himself. Everything he did to catch Margo’s attention, everything he did to gain her favor, seemed to backfire. What he’d said about her father was about as tactful as a machine gun.

Suddenly, he swiveled toward his terminal and typed in a command. He’d send her an e-mail message, maybe repair some of his damage. He paused a moment, composing, then began to type.