Louise Penny - The Beautiful Mystery

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The brilliant new novel in the 
 bestselling series by Louise Penny, one of the most acclaimed crime writers of our time No outsiders are ever admitted to the monastery of Saint-Gilbert-Entre-les-Loups, hidden deep in the wilderness of Quebec, where two dozen cloistered monks live in peace and prayer. They grow vegetables, they tend chickens, they make chocolate. And they sing. Ironically, for a community that has taken a vow of silence, the monks have become world-famous for their glorious voices, raised in ancient chants whose effect on both singer and listener is so profound it is known as “the beautiful mystery.” But when the renowned choir director is murdered, the lock on the monastery’s massive wooden door is drawn back to admit Chief Inspector Armand Gamache and Jean-Guy Beauvoir of the Sûreté du Québec. There they discover disquiet beneath the silence, discord in the apparent harmony. One of the brothers, in this life of  prayer and contemplation, has been contemplating murder. As the peace of the monastery crumbles, Gamache is forced to confront some of his own demons, as well as those roaming the remote corridors. Before finding the killer, before restoring peace, the Chief must first consider the divine, the human, and the cracks in between.

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Sébastien nodded. “But the order to wipe them out didn’t come until centuries later.” The monk hesitated and when he spoke again his voice was low, but clear. “Many were mutilated first, and sent back to frighten the others, but it only hardened the Cathar resolve. The leaders gave themselves up, in an effort to appease the Church, but it didn’t work. Everyone was killed, even people who just happened to be in the area. Innocents. When one of the soldiers asked how he was supposed to tell them from the Cathars, he was told to kill them all, and let God sort them out.”

Frère Sébastien looked as though he could see it. As though he’d been there. And Gamache wondered which side of the monastery walls this monk from the Congregation for the Doctrine of the Faith would have been on.

“The Inquisition would’ve done that to the Gilbertines?” Beauvoir asked. He no longer looked dazed. The monk had hauled him back from whatever reverie he’d found.

“It’s not a certainty,” said Sébastien, though that seemed more wishful than real. “But Dom Clément was wise to leave. And wise to hide.”

Sébastien took another deep breath.

“This isn’t heresy,” he looked down at the paper in his hands. “It speaks of bananas and the refrain is Non sum pisces .”

Gamache and Beauvoir looked blank.

“I am not a fish,” said the Dominican.

Gamache smiled and Beauvoir looked simply confused.

“So if it isn’t heresy,” said the Chief, “what is it?”

“It’s a singularly beautiful tune. A chant, I think, though not Gregorian and not a plainchant. It uses all the rules, but then adjusts them slightly, as though the old chant was the foundation, and this,” he tapped the page, “a whole new structure.”

He looked up, first at Beauvoir then over to Gamache. His eyes were excited. The smile on his face back to its radiance.

“I think far from being a mockery of Gregorian chant, it’s actually a homage, a tribute. A celebration, even. The composer used the neumes, but in a way I’ve never seen before. There’re so many of them.”

“Frère Simon made copies so that he and the other monks could transcribe the neumes into notes,” Gamache explained. “He seemed to think the neumes were for different voices. Layers of voices. Harmonizing.”

“Hmmm,” said Frère Sébastien, again lost in the music. His finger rested, awkwardly it seemed to Gamache, on one place on the page. When the monk finally moved it, Gamache saw that the finger had covered a small dot at the very beginning of the music. Before the first neume.

“Is it old?” asked Gamache.

“Oh, no. Not at all. It’s made to look old, of course, but I’d be surprised if this was written more than a few months ago.”

“By whom?”

“Now that I can’t possibly say. But I can tell you, it would have to be by someone who knows a lot about Gregorian chant. About the structure of them. About neumes, of course. But not a great deal of Latin.” He looked at Gamache with barely disguised wonder. “You may have been one of the first people on earth to hear a whole new musical form, Chief Inspector,” said Frère Sébastien. “It must have been thrilling.”

“You know, it was,” admitted Gamache. “Though I had no idea what I was hearing. But after he sang, Frère Simon pointed out something about the Latin. He said that while it’s pretty much just a string of funny phrases, it actually makes sense musically.”

“He’s right.” The monk nodded agreement.

“What do you mean?” asked Beauvoir.

“The words, the syllables, match the notes. Like lyrics, or the words of a poem. The meter has to fit. These words fit the music, but make no sense otherwise.”

“So why’re they there?” Beauvoir asked. “They have to mean something.”

All three stared down at the sheet of music. But it told them nothing.

“Now it’s your turn, mon frère ,” said Gamache. “We’ve told you about the music. It’s your turn to tell us the truth.”

“About why I’m here?”

“Exactly.”

“You think it’s not about the murder of the prior?” the Dominican asked.

“I do. The timing’s off. You couldn’t have come all the way from the Vatican this quickly,” said Gamache. “And even if you could, your reaction when you arrived wasn’t grief shared with fellow monks. It was delight. You greeted these monks as though you’d been looking for them a long time.”

“And I have. The Church has been looking. I mentioned the archives of the Inquisition and finding the warrant ordering the Gilbertines to be investigated.”

Oui ,” said Gamache, growing guarded.

“Well, the investigation never ended. I have scores of predecessors in the Congregation who spent their lifetimes trying to find the Gilbertines. When they died another took over. Not a year, not a day, not an hour has gone by since they disappeared that we haven’t been looking for them.”

“The hounds of the Lord,” said Gamache.

C’est ça . Bloodhounds. We never gave up.”

“But it’s been centuries,” said Beauvoir. “Why would you keep looking? Why would it matter?”

“Because the Church doesn’t like mysteries, except those of its own making.”

“Or God’s?” asked Gamache.

“Those the Church tolerates,” admitted the monk, again with a disarming smile.

“Then how’d you finally find them?” asked Beauvoir.

“Can you guess?”

“If I wanted to guess I would have,” snapped Beauvoir. The confined space was getting to him. He felt the walls closing in. Felt oppressed, by the monastery, by the monk, by the Church. All he wanted was to get out. Get some air. He felt he was suffocating.

“The recording,” said Gamache after a moment’s thought.

Frère Sébastien nodded. “That’s it. The image on the cover of the CD. It was a stylized monk in profile. Almost a cartoon.”

“The robes,” said Gamache.

Oui . The robes were black, with a small bit of white for the hood and chest, and draping over the shoulders. It’s unique.”

Some malady is coming upon us ,” quoted Gamache. “Maybe that’s the malady.”

“The music?” asked Beauvoir.

“Modern times,” said Frère Sébastien. “That’s what came upon the Gilbertines.”

The Chief nodded. “For centuries they’ve sung their chants, in anonymity. But now technology allowed them to transmit it to the world.”

“And to the Vatican,” said Frère Sébastien. “And the Congregation for the Doctrine of the Faith.”

The Inquisition, thought Gamache. The Gilbertines were finally found. Betrayed by their chants.

* * *

The bells rang out and the peals penetrated into the Chapter House.

“I need to hit the toilet,” said Beauvoir, as the three men left the small room. “I’ll catch you later.”

“Fine,” said Gamache and watched Jean-Guy walk back across the Blessed Chapel.

“There you are.”

Chief Superintendent Francoeur walked decisively toward them. He smiled at the monk and nodded, briefly, at Gamache.

“I thought perhaps we could sit together,” said Francoeur.

“With pleasure,” said the monk. He turned to Gamache. “Will you join us?”

“I think I’ll sit over here, quietly.”

Francoeur and Frère Sébastien took a pew near the front and Gamache sat a few rows back and across from them.

It was almost certainly discourteous, he knew. But he also knew he didn’t care. Gamache glared at the back of Francoeur’s head. His eyes drilling into it. He was grateful Jean-Guy had decided to pee instead of pray. One less contact with Francoeur.

God help me , Gamache prayed. Even in this peaceful place he could feel his rage grow at the very sight of Sylvain Francoeur.

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