Louise Penny: Still Life (Three Pines Mysteries)

Framed by the mullions, she saw a pick-up truck drift down rue du Moulin into the village, a beautiful dappled doe draped languidly over its hood. Slowly the truck circled the Commons, halting villagers in mid-step. This was hunting season and hunting territory. But hunters like these were mostly from Montreal or other cities. They’d rent pickups and stalk the dirt roads at dawn and dusk like behemoths at feeding time, looking for deer. And when they spotted one they’d slither to a stop, step out of the truck - and fire. Not all hunters were like that, Clara knew, but enough of them were. Those same hunters would strap the deer on to the hood of their truck and drive around the countryside believing the dead animal on the vehicle somehow announced that great men had done this.

Every year the hunters shot cows and horses and family pets and each other. And, unbelievably, they sometimes shot themselves, perhaps in a psychotic episode where they mistook themselves for dinner. It was a wise person who knew that some hunters—not all, but some—found it challenging to distinguish a pine from a partridge from a person.

Clara wondered what had become of Jane. She was rarely late, so she could easily be forgiven. Clara found it easy to forgive most things in most people. Too easy, her husband Peter often warned. But Clara had her own little secret. She didn’t really let go of everything. Most things, yes. But some she secretly held and hugged and would visit in moments when she needed to be comforted by the unkindness of others.

Croissant crumbs had tumbled on top of the Montreal Gazette left at her table. Between flakes Clara scanned the headlines: ‘Parti Quebecois Vows to Hold Sovereignty Referendum’, ‘Drug Bust in Townships’, ‘Hikers Lost in Tremblant Park’.

Clara lifted her eyes from the morose headlines. She and Peter had long since stopped subscribing to the Montreal papers. Ignorance really was bliss. They preferred the local Williamsburg County News where they could read about Wayne’s cow, or Guylaine’s visiting grandchildren, or a quilt being auctioned for the seniors’ home. Every now and then Clara wondered if they were copping out, running away from reality and responsibility. Then she realised she didn’t care. Besides, she learned everything she really needed to survive right here at Olivier’s Bistro, in the heart of Three Pines.

‘You’re a million miles away,’ came the familiar and well-loved voice. There was Jane, out of breath and smiling, her laugh-lined face pink from the autumn chill and the brisk trot from her cottage across the village green.

‘Sorry I’m late,’ she whispered into Clara’s ear as the two hugged, one tiny, plump and breathless, the other thirty years younger, slim, and still vibrating from the caffeine high. ‘You’re trembling,’ said Jane, sitting down and ordering her own café au lait. ‘I didn’t know you cared so much.’

‘Filthy old hag,’ laughed Clara.

‘I was this morning, that’s for sure. Did you hear what happened?’

‘No, what happened?’ Clara leaned forward eager for the news. She and Peter had been in Montreal buying canvases and acrylics for their work. Both were artists. Peter, a success. Clara as yet was undiscovered and, most of her friends secretly felt, was likely to remain that way if she persisted in her unfathomable works. Clara had to admit her series of warrior uteruses were mostly lost on the buying public, though her household items with bouffant hair and huge feet had enjoyed a certain success. She’d sold one. The rest, roughly fifty of them, were in their basement, which looked a lot like Walt Disney’s workshop.

‘No,’ whispered Clara a few minutes later, genuinely shocked. In the twenty-five years she’d lived in Three Pines she’d never, ever heard of a crime. The only reason doors were locked was to prevent neighbors from dropping off baskets of zucchini at harvest time. True, as the Gazette headline made clear, there was another crop that equaled zucchini in scope: marijuana. But those not involved tried to turn a blind eye.

Beyond that, there was no crime. No break-ins, no vandalism, no assaults. There weren’t even any police in Three Pines. Every now and then Robert Lemieux with the local Sûreté would drive around the Commons, just to show the colors, but there was no need.

Until that morning.

‘Could it have been a joke?’ Clara struggled with the ugly image Jane had painted.

‘No. It was no joke,’ said Jane, remembering. ‘One of the boys laughed. It was kind of familiar, now that I think of it. Not a funny laugh.’ Jane turned her clear blue eyes on Clara. Eyes full of wonderment. ‘It was a sound I’d heard as a teacher. Not often, thank God. It’s the sound boys make when they’re hurting something and enjoying it.’ Jane shivered at the recollection, and pulled her cardigan around her. ‘An ugly sound. I’m glad you weren’t there.’

She said this just as Clara reached across the round dark wood table and held Jane’s cold, tiny hand and wished with all her heart she had been there instead of Jane.

‘They were just kids, you say?’

‘They wore ski masks, so it was hard to tell, but I think I recognised them.’

‘Who were they?’

‘Philippe Croft, Gus Hennessey and Claude LaPierre,’ Jane whispered the names, looking around to make sure no one could overhear.

‘Are you sure?’ Clara knew all three boys. They weren’t exactly the Boy Scout types, but neither were they the sort to do this.

‘No,’ admitted Jane.

‘Better not tell anyone else.’

‘Too late.’

‘What do you mean, “too late”?’

‘I said their names this morning, while it was happening.’

‘Said their names in a whisper?’ Clara could feel the blood tumbling from her fingers and toes, rushing to her core, to her heart. Please, please, please, she silently begged.

‘I yelled.’

Seeing Clara’s expression, Jane hurried to justify herself. ‘I wanted to stop them. It worked. They stopped.’

Jane could still see the boys running away, tripping up du Moulin, out of the village. The one in the brilliant-green mask had turned to look back at her. His hands were still dripping duck manure. The manure put there as autumn mulch for the flower beds on the village green, and not yet spread. She wished she could have seen the boy’s expression. Was he angry? Scared? Amused?

‘So you were right. About their names, I mean.’

‘Probably. I never thought I’d live to see the day this would happen here.’

‘So that was why you were late? You had to clean up?’

‘Yes. Well, no.’

‘Could you be more vague?’

‘Maybe. You’re on the jury for the next Arts Williamsburg show, right?’

‘Yes. We’re meeting this afternoon. Peter’s on it too. Why?’ Clara was almost afraid to breathe. Could this be it? After all her cajoling and gentle ribbing, and sometimes not-so-gentle shoving, was Jane about to do it?

‘I’m ready.’ Jane gave the biggest exhale Clara had ever seen. The force of it sent a squall of croissant flakes from the front page of the Gazette on to Clara’s lap.

‘I was late,’ said Jane slowly, her own hands beginning to tremble, ‘because I had to decide. I have a painting I’d like to enter into the show.’

With that she started to cry.

Jane’s art had been an open secret in Three Pines for ever. Every now and then someone walking in the woods or through a field would stumble upon her, concentrating on a canvas. But she’d made them swear that they wouldn’t approach, wouldn’t look, would avert their eyes as though witnessing an act almost obscene, and certainly would never speak of it. The only time Clara had seen Jane angry was when Gabri had come up behind her while she’d been painting. He thought she’d been joking when she’d warned them never to look.