C. Palov - Ark of Fire

Ignoring the painful crick in his neck, he continued to study the glass panels, forcing himself to examine only those images specific to the Old Testament. Moses consecrating Aaron. The ascent of Elijah. Samson and Delilah.

As they continued to the next group of glass panels, he caught sight of a leather-clad blur out of the corner of his eye. The size and heft of the blurred figure were similar to that of the assailant in Oxford; he slowed his step. Almost instantly, his heartbeat escalated, goose bumps prickling his skin. He knew this feeling. He’d had had it any number of times when he worked for Her Majesty’s service. Something in Denmark most definitely stank to high heaven.

Muscles tightening, he slowly turned to face the enemy.

It took but an instant to verify that the “enemy” was simply a tourist. Though the robust physique was similar, the facial features were completely off cue.

Bloody hell, but he was on edge.

And had been since the incident on High Street.

“Is something the matter?” Edie inquired. “All of a sudden, you’re looking awfully tight around the jaw.”

“No, no, nothing is the matter,” he assured her, taking her by the elbow and steering her toward the aisle of the cathedral choir. To one side of them, massive columns supported incised stone arches; on the other side, stained glass windows beautifully gleamed.

“Ah! The famed Typology Windows,” he announced, effectively changing the subject. Knowing that the Typology Windows had been created prior to the thirteenth century, he angled his head to examine the upper panes of glass, ignoring the bolt of pain that traveled from his nape to the base of his spine.

Edie elbowed him in the ribs. “Explanation, please. In case you’ve forgotten, I’m a novice at this.”

“Typology was a tool often used in the Middle Ages to certify the legitimacy of the New Testament with stories taken from the Old,” he explained. “A typical example would be the tale of Jonah and the whale. According to the Old Testament, Jonah remained within the whale’s belly for three days and three nights.”

“Prefiguring Jesus being entombed for the same length of time,” she astutely commented.

“Precisely. Usually, the stories were paired, one to the other, thus reinforcing a particular theological point through the manipulation of biblical imagery.”

“Thought control at its very best.”

He winked at her. “How else does one control the masses?”

“Hey, look, it’s Noah and the Ark!” she exclaimed, pointing to a half-roundel. Placing a hand to her mouth, she stifled a burst of laughter. “Yeah, I know, wrong ark. Although at this point, I’m happy to see any ark.”

Not nearly so enthused, Caedmon led the way to the next panel. Again, he began the slow process of identifying each and every biblical figure, his gaze systematically beginning at the top and moving downward. A monumental window, the panel was divided into seven horizontal registers, each register containing three separate scenes. When he came to the fifth register, he did a double take.

“Bloody hell . . . I think I found it.”

Edie’s eyes slowly panned the length of the window, opening wide when they hit upon the telltale image. “Oh my gosh! It’s a four-sided gold box.”

“Actually, it’s the four-sided gold box. None other than the Ark of the Covenant.” Barely able to contain his excitement, he had an overwhelming urge to laugh aloud, to raise his voice to the heavens and whoop with joy. Instead, he pulled Edie into his arms, hugging her close. “We found it,” he whispered in her ear. “We actually found the bloody thing.’”

Disengaging her right arm, Edie excitedly pointed to the window in question. “Did you notice the two baby geese in the basket?”

He nodded, certain they’d found the very panel that Philippa intended them to find. The scene, The Presentation of Christ , detailed the well-known New Testament story of Mary and Joseph presenting the infant Jesus to the high priest in the temple at Jerusalem. Two seemingly innocuous items within the scene fairly screamed at him: Joseph carrying a basket that contained two goslings, and Mary, holding the baby Jesus aloft, standing before the Ark of the Covenant.

“Yesterday you and Sir Kenneth were rambling about the medieval comparisons between the Mother Mary and the Ark of the Covenant. Is this what you were talking about?”

Deciding not to take issue with the “rambling” charge, he nodded. “It was a religious concept known as Faederis Arca . No less a theologian than St. Bernard of Clairvaux explicitly compared the womb of Mary to the Ark of the Covenant; for as the Ark contained the Ten Commandments, so Mary carried the New Covenant within her womb.”

“The symbolism of the Old Testament reinforcing the New Testament.”

“Precisely.”

Clearly excited, Edie yanked the Virgin Air bag off her shoulder. Unzipping it, she hurriedly riffled through its contents, removing her digital camera.

Excitement was soon replaced with a crestfallen expression. “It’s a dead dog,” she muttered, showing him the darkened display. “And as you know, the digital camera has yet to be invented that will run on a drained battery.” She glanced at the exit door located on the far side of the nave. “I could run out and buy some new batteries at one of the souvenir shops.”

Caedmon checked his watch. “I don’t know if you’ll have enough time. The cathedral is set to close in twenty minutes. The digital photo will have to wait until the morning.”

“Do you really want to wait that long? Yeah, we found the window, but now we have to figure out what it means. And to do that, we’ll gonna need a picture.”

“I agree. However—”

She put a staying hand on his chest. “Don’t move. I’ll be right back.”

Obediently standing by, he watched as Edie rushed toward the northwest transept. When she disappeared from sight, he returned his gaze to the stained glass panel. As he stared, spell-bound, the distinctive scent of incense wafted through the chill air. It suddenly occurred to him that here, within the confines of one of the world’s great cathedrals, where man-made bread daily became God’s flesh, anything was possible.

Turning away from the panel, he watched as Edie returned with a bespectacled, long-haired young man in tow. “This is William. He’s agreed to do a quick line drawing of the stained glass window.”

A man of few words, William removed an artist’s sketch pad from his satchel. Paying them scant attention, he negligently leaned against a nine-hundred-year-old column and began to draw.

“I earlier noticed him sketching the St. Thomas Memorial inside the transept,” Edie explained.

“Ah! A budding artist.”

“More like a budding con artist,” she replied, lowering her voice to a hushed whisper. “He refused to put pencil to paper for less than fifty bucks. Since we need an image in order to decipher the window, I agreed to his terms.”

The silent seconds ticked past. Caedmon anxiously checked his watch, hoping the young artist completed his masterpiece before the docents herded them to the nearest exit.

“What happens if we actually find the Ark?” Edie asked, staring at the four-sided gold box in the glass panel.

I’ve asked the same question myself, love.

And still he didn’t have an answer. Only a mounting sense of excitement.

The Ark of the Covenant.

Truly, the stuff of dreams.

Having yet to utter a word, the art student ripped a sheet of white paper from his sketch pad. Paper in hand, he walked over to where they stood and silently handed Edie the drawing he’d made. She, in turn, handed him a small wad of American bills. Transaction concluded, she politely thanked him for his services.