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Rob Zombie: Lords of Salem

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Lords of Salem: краткое содержание, описание и аннотация

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From the singular mind of horror maestro Rob Zombie comes a chilling plunge into a nightmare world where evil runs in the blood... THE LORDS OF SALEM Heidi Hawthorne is a thirty-seven-year-old FM radio DJ and a recovering drug addict. Struggling with her newfound sobriety and creeping depression, Heidi suddenly receives an anonymous gift at the station-a mysteriously shaped wooden box branded with a strange symbol. Inside the box is a promotional record for a band that identifies themselves only as The Lords. There is no other information. She decides to play it on the radio show as a joke, and the moment she does, horrible things begin to happen. The strange music awakens something evil in the town. Soon enough, terrifying murders begin to happen all around Heidi. Who are The Lords? What do they want? As old bloodlines are awakened and the bodies start to pile up, only one thing seems certain: all hell is about to break loose.

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“Battling devils is sweaty work,” claimed Dean, beating out his smoking beard. Through his mask, his brother gave a muffled laugh. The writhing of the women had slowed now. They were beginning to look stunned and confused, many not entirely sure of where they were. Some had begun to cover their nakedness, seeing the Magnus brothers leering down at them now that the fire was taken care of.

“Don’t lose your heads, brothers,” Hawthorne cautioned the Magnuses.

Dean brandished his mask, the death’s head damaged and partly burned through. “But I already have,” he claimed, shaking it. “I already have!”

Hawthorne frowned. The line between the good that they were trying to preserve and the evil they were hoping to stomp out was murky at times, and he could not help but feel that the Magnus brothers remained straddled there, one foot on either side of the line. They were willing to be God’s instruments, but had things been just a little different, the brothers might have tipped in the other direction and served the Devil. Better not to think of it, Hawthorne told himself. Better to simply accept the pair for what they had to offer.

Margaret Morgan still stood there, playing her violin, seemingly oblivious to the brothers or Hawthorne or Mather. What was that melody? Where had he heard it before? Why did he feel so sleepy, as if he had no desire to move? It was haunting, seemed to draw him deep within himself, and as she played it he felt dark shadows begin to flit around him, gathering closer. Mather, he saw, standing beside Morgan, was similarly affected, but Hawthorne watched him reach out with a great deal of struggle within him and drag the violin away from her.

As soon as the melody stopped, Hawthorne felt himself again, and control over his limbs returned. He strode forward as Mather broke the violin on his knee and tossed it to the ground.

“Margaret Morgan,” he said in a loud voice. “I, together with my brothers in Christ Jesus, Dean Magnus, Virgil Magnus, and Samuel Mather, bear witness against you for consorting with the Devil.”

Margaret Morgan stood motionless, unblinking, her face as slack and expressionless as if she were sleeping or dead. Hawthorne reached out and shook her shoulder, found her body as rigid as if it were made of wood.

“Margaret Morgan,” he said again. “In the name of God and his angels, I call upon you to confess your crimes and turn away from the Devil and his minions.”

This time she turned her head and blinked once and then smiled. “Satan will not desert me,” she said. “You shall see.”

“Satan!” shouted Mather, his eyes darting all around him. “We command thee to leave this place!”

“It is too late!” said Morgan. “We have unleashed him and you cannot confine him again. It is too late!”

She began to wave her hands and speak in a guttural, unknown language, and suddenly Hawthorne again felt a great, overwhelming tiredness. He could not move. He tried to reach his hand toward Morgan but it seemed to move so slowly that he could not believe that it would ever arrive. For a moment, Mather beside him was shouting but then he suddenly trailed off, his voice dying in his mouth. Morgan opened her eyes wide, and Hawthorne saw they were sparking with a reflected fire even though the fire in the pit was now out. Or an inner fire, he thought. From Hell. She opened her mouth and smiled, a wicked, hideous smile.

Then Dean Magnus struck her in the back of the head with the haft of his ax and she collapsed in a heap. And Hawthorne found he could move again. He took a deep breath.

“Did you kill her?” he asked.

Dean shook his head. “Just unconscious,” he said. “Do you want me to?”

Hawthorne shook his head. “No,” he said. “We’ll bring them back for a proper trial. We will follow God’s laws and give them that.”

“Wouldn’t it be better to kill them now?” asked Mather. “We know they are witches. We know what we have seen.”

Hawthorne shook his head. “They will die as witches,” he said. “That is beyond question. But even witches must be given a chance to confess and repent before they die.” He turned to the Magnus brothers. “Bind their hands and gag them,” he said. “And be certain that the gags are secure.” He gestured to the floor, at Margaret Morgan’s crumpled body. “Especially for that one,” he said.

Chapter Six

The building had only one entrance, a heavy door in bound iron, which was now barred. Inside, it was lit by torches and there were no windows, no other way out besides the door that you entered by. That door was colloquially called the Portal of Judgment. Those who passed through it with their hands bound were rarely allowed to leave alive.

There was only a single room, a long beaten metal trough running down the center of it. The trough was heaped with dry sticks and tinder. Affixed at intervals within it were wooden posts. To these were bound the members of the coven, sometimes alone, sometimes two to a post, all of them tightly gagged. They were positioned to face a forged metal throne. It had jagged spikes in place of the seat and arms and straps to hold the condemned in place. The spikes and the metal itself were stained reddish brown with dried blood. The accused were made to sit on the chair, gently at first, the spikes pricking the skin and making it bleed, and then the straps were drawn tight and as the accused screamed and cried and begged for mercy the spikes were forced deeper and deeper. It was the Chair of God, though what went on in it could hardly be considered godly. Yet sometimes, Hawthorne told himself, you had to inflict suffering if you were to cleanse this mortal coil of sin and perdition.

Beside him stood Judge Mather, a sheaf of papers in his hand, his death’s head mask still on but rolled back now to reveal his face. Hawthorne wore his the same way—it was tradition, a way of acknowledging that the witchfinder and the judge were one and the same. These were, Hawthorne knew, the charges. Always the same, only the names having changed. He knew what was coming, remembering from the last time the plague had struck: Found guilty of commerce with the Devil. Condemned to death by the very fire that shall be your eternal dwelling in the Hell that you have embraced and that awaits you to consume you.

It was very late, hours past midnight but still well shy of the beginnings of morning light. But Mather had insisted that the trial be held that same night, immediately, before the witches had a chance to gather themselves and call evil down upon the town. Hawthorne, having felt Margaret Morgan’s power, had to agree. This was a coven to be reckoned with. Better if they were done away with directly, before they could do any further damage.

Still, wouldn’t it be better to wait until morning, to consider all afresh and with clear eyes in the daytime? Wasn’t the night the Devil’s favorite haunt, and did not God rule with the iron hand of justice in the cold light of day?

But what was done was done, Hawthorne told himself. The trial had begun. There was no stopping it now.

Beside him, Mather cleared his throat and began to read, his voice stentorian and charged with holy indignation.

“To the honor of Salem, Massachusetts, be it this day of sixteen September sixteen ninety-two. Clovis Hales, Mary Goodwin, Abigail Hennessy, Sarah Easter, Martha Bishop, and Elizabeth Jacobs, you stand guilty of granting permission to Satan…”

His voice dipped for a moment when he said the unholy one’s name. When he continued, his voice was more solemn, less thunderous.

“… and other unholy spectral beings to be engaged in unholy alliances with such apparitions upon your specific persons.”

Before them the bound witches struggled and tried to cry out through their gags, their eyes dark and angry with displeasure. Hawthorne’s gaze moved from angry face to angry face. No, he thought, there is no remorse here. There shall be no forgiveness either. They shall all rot in Hell.

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