Jeffery Deaver - The Kill Room

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It was a "million-dollar bullet," a sniper shot delivered from over a mile away. Its victim was no ordinary mark: he was a United States citizen, targeted by the United States government, and assassinated in the Bahamas. The nation's most renowned investigator and forensics expert, Lincoln Rhyme, is drafted to investigate. While his partner, Amelia Sachs, traces the victim's steps in Manhattan, Rhyme leaves the city to pursue the sniper himself. As details of the case start to emerge, the pair discovers that not all is what it seems.
When a deadly, knife-wielding assassin begins systematically eliminating all evidence-including the witnesses-Lincoln's investigation turns into a chilling battle of wits against a cold-blooded killer.

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Supplemental information: Journalist, interviewing Moreno. Born Puerto Rico, living in Argentina.

Victim 3: Simon Flores.

COD: Gunshot wound, details to come.

Supplemental information: Moreno’s bodyguard. Brazilian national, living in Venezuela.

Suspect 1: Shreve Metzger.

Director, National Intelligence and Operations Service.

Mentally unstable? Anger issues.

Manipulated evidence to illegally authorize Special Task Order?

Divorced. Law degree, Yale.

Suspect 2: Sniper.

Code name: Don Bruns.

Information Services datamining Bruns.

Voiceprint obtained.

Crime scene report, autopsy report, other details to come.

Rumors of drug cartels behind the killings. Considered unlikely.

Crime Scene 2.

Sniper nest of Don Bruns, 2000 yards from Kill Room, New Providence Island, Bahamas.

May 9.

Crime scene report to come.

Supplemental Investigation.

Determine identity of Whistleblower.

Unknown subject who leaked the Special Task Order.

Sent via anonymous email.

Contacted NYPD Computer Crimes Unit to trace; awaiting results.

Hands on her hips, Amelia Sachs studied the whiteboard.

She noted Rhyme glance without interest at her flowing script. He wouldn’t pay much attention to what she’d written until hard facts—evidence, mostly, in his case—began to appear.

It was just the three of them at the moment, Sachs, Laurel and Rhyme. Lon Sellitto had gone downtown to recruit a specially picked canvass-and-surveillance team from Captain Bill Myers’s Special Services operation; with secrecy a priority, Laurel didn’t want to use regular Patrol Division officers.

Sachs returned to her desk. She didn’t do well sitting still and that was largely what she’d been doing for the past two hours. Confined here, the bad habits returned: She’d dig one nail into another, scratch her scalp to bleeding. Fidgety by nature, she felt a compulsion to walk, to be outside, to drive. Her father had coined an expression that was her anthem:

When you move they can’t getcha…

The line had meant several things to Herman Sachs. Certainly it could refer to his job, their job—he too had been a cop, a portable, walking his beat in the Deuce, Times Square, at a time when the murder rate in the city was at an all-time high. Fast of foot, fast of thought, fast of eye could keep you alive.

Life in general too. Moving… The briefer you were a target for any harm, the better, whether from lovers, bosses, rivals. He’d recited those words a lot, up until he died (some things, your own failing body, for instance, you can’t outrun).

But all cases require backgrounding and paperwork and that was particularly true in this one, where facts were hard to come by and the crime scene inaccessible. So Sachs was in desk job prison at the moment, plowing through documents and canvassing—discreetly—via phone. She turned from the board and sat once more as she absently dug a thumbnail into the quick of a finger. Pain spread. She ignored it. A faint swirl of red appeared on a piece of intelligence she was reading and she ignored this too.

Some of the tension was due to the Overseer, which was how Sachs had come to think of Nance Laurel. She wasn’t used to anyone looking over her shoulder, even her superiors—and as a detective third, Amelia Sachs had a lot of those. Laurel had fully moved in now—with two impressive laptops up and running—and had had even more thick files delivered.

Was she going to have a folding cot brought in next?

The unsmiling, focused Laurel, on the other hand, wasn’t the least edgy. She hunched over documents, clattered away loudly and irritatingly at the keyboards and jotted notes in extremely small, precise lettering. Page after page was examined, notated and organized. Passages on the computer screen were read carefully and then rejected or given a new incarnation via the laser printer and joined their comrades in the files of People v. Metzger, et al.

Sachs rose, walked to the whiteboards again and then returned to the dreaded chair, trying to learn what she could about Moreno’s trip to New York on April 30 through May 2. She’d been canvassing hotels and car services. She was getting through to human beings about two-thirds of the time, leaving messages the rest.

She glanced across the room toward Rhyme; he was on the phone, trying to get the Bahamian police to cooperate. His expression explained that he wasn’t having any more luck than she was.

Then Sachs’s phone buzzed. The call was from Rodney Szarnek, with the NYPD Computer Crimes Unit, an elite group of thirty or so detectives and support staff. Although Rhyme was a traditional forensic scientist, he and Sachs had worked more and more closely with CCU in recent years; computers and cell phones—and the wonderful evidence they retained, seemingly forever—were crucial to running successful investigations nowadays. Szarnek was in his forties, Sachs estimated, but his age was hard to determine for sure. Szarnek projected youth—from his shaggy hair to his uniform of wrinkled jeans and T-shirt to his passionate love of “boxes,” as he called computers.

Not to mention his addiction to loud and usually bad rock music.

Which now blared in the background.

“Hey, Rodney,” Sachs now said, “could we de-volume that a bit. You mind?”

“Sorry.”

Szarnek was key to finding the whistleblower who’d leaked the STO. He was tracing the anonymous email with its STO kill order attachment, working backward from the destination, the Manhattan District Attorney’s Office, and trying to find where the leaker had been when he sent it.

“It’s taking some time,” the man reported, over a faint 4/4 rock beat of bass and drum. “The email was routed through proxies halfway around the world. Well, actually all the way around the world. So far I’ve traced it back from the DA’s Office to a remailer in Taiwan and from there to Romania. And I’ll tell you, the Romanians are not in a cooperating mode. But I got some information on the box he was using. He tried to be smart but he tripped up.”

“You mean you found the brand of his computer?”

“Possibly. His agent user string…Uhm, do you know what that is?”

Sachs confessed she didn’t.

“It’s information your computer sends out to routers and servers and other computers when you’re online. Anybody can see it and find out exactly what your operating system and browser are. Now, your whistleblower’s box was running Apple’s OS Nine two two and Internet Explorer Five for Mac. That goes back a long time. It really narrows the field. I’m guessing he had an iBook laptop. That was the first portable Mac to have an antenna built in so he could’ve logged into Wi-Fi for the upload without any separate modem or server.”

An iBook? Sachs had never heard of it. “How old, Rodney?”

“Over ten years. Probably one he bought secondhand and paid cash for it, so it couldn’t be traced back to him. That’s where he tried to be smart. But he didn’t figure that we could find out the brand.”

“What would it look like?”

“If we’re lucky it’ll be a clamshell model—they came two-toned, white and some bright colors, like green or tangerine. They’re shaped just what they sound like.”

“Clams.”

“Well, rounded. There’s a standard rectangular model too, solid graphite, square. But it’d be big. Twice as thick as today’s laptops. That’s how you could recognize it.”

“Good, Rodney. Thanks.”

“I’ll stay on the router. The Romanians’ll cave. I just need to negotiate.”

Up with the music, and the line went dead.

Sachs glanced around and found Nance Laurel looking at her, the expression on the ADA’s face both blank and inquisitive. How did she manage that? Sachs told the woman and Rhyme about the cybercrime cop’s response. Rhyme nodded, unimpressed, and returned to the phone. He said nothing. Sachs supposed he was on hold.

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