Daniel Abraham - Inside Straight

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Inside Straight: краткое содержание, описание и аннотация

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In 1946, an alien virus that rewrites human DNA was accidentally unleashed in the skies over New York City. It killed ninety percent of those it infected. Nine percent of those who survived mutated into tragically deformed creatures. And one percent gained superpowers. The
shared-universe series, created and edited since 1987 by
#1 bestseller George R. R. Martin along with Melinda Snodgrass, is the tale of the history of the world since then—and of the heroes among that one percent.
Originally begun in 1986, long before George R. R. Martin became a household name among fantasy readers ("The American Tolkien"—
magazine), the
series earned a reputation among connoisseurs for its smart reimagining of the superhero idea. Now, with
, the Wild Cards continuity jumps forward to a new generation of major characters, entirely accessible to Martin's hundreds of thousands of new readers, with all-original stories by Martin himself, along with Daniel Abraham, Michael Cassutt, and Stephen Leigh, among others.

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Curveball turned to Ana. “Earth Witch, you try something. We’ve got to do something.

Ana shook her head. She wasn’t going to open a hole in the ground just for the sake of doing something and run the risk of undermining the whole building. They hadn’t been too successful so far, but that would take the cake of failures.

She said, “Maybe we could try the fire hose.” Stupid idea, yeah. That didn’t mean they had to stare at her like she was an idiot—like they were doing now.

Curveball and Drummer Boy glanced at each other, then ran to the hose and fire hydrant. They wrestled with it for a minute, without making progress. Buttoning up his shirt, Hive helpfully observed, “I don’t think you’re doing that right.”

“Then you do it, Bugsy!” Drummer Boy said. He dropped the hose, which he’d been hoisting with all six hands.

The heavy nozzle yanked out of Curveball’s grip. “Hey!”

“Shit,” Drummer Boy muttered. “Here, let me try.” Using brute force, he manhandled the nozzle into place and managed to wrench open the valve on the hydrant. The hose filled, writhed, and twisted out of their grip, spraying a sheet of water across the pavement.

“Watch it!” Hive shouted as a tail of the spray caught him.

“Stop standing there and help!” Curveball shot back.

Grabbing hold of the nozzle and pinning it down while Curveball attempted to wrestle with the hose, Drummer Boy muttered, “This is great. This is just great.”

The baby’s crying seemed to get louder.

They managed to maneuver the fire hose in place to spray water at the blazing windows, but by this time the flames were monstrous, engulfing the building. Shouting continued to emanate from within—more people needing rescue. They didn’t have much time, and the minutes dragged painfully.

Then Curveball said, “Oh my God.” She cupped her hands to her face and shouted, “Hardhat! He’s gonna jump! The guy’s jumping!”

From one of the third-story windows, a man was climbing over the sill. Hardhat came running. “Where?”

“To the right!”

Drummer Boy dropped the hose and made a dash for the window, as if he could actually catch a falling body, but it was too late. Hardhat only laid one of his I beams down before the victim landed.

“Motherfucker!” Hardhat shouted. Drummer Boy gave an angry shake of an arm.

They had no way of getting inside. They couldn’t pull anyone out.

“Would somebody do something?” Curveball yelled. She kept saying that.

Hardhat, sweat and soot smearing his face, turned on her. “What the fuck you want me to do? Blow pixie dust out my ass? I’ve been doing something!”

Gardener tried to step in. “Arguing isn’t going to help anything.”

“At least we’re good at that,” Hive said, and he actually smiled.

Then they all started shouting at each other.

Some team , Ana thought.

“Maybe I can make it look like we’re doing a good job,” Wild Fox said, flicking his fox tail. Suddenly, another Wild Fox—a young Asian guy with floppy black hair and a quirky grin, fur-covered fox ears, and a luxurious fox tail poking out the back of his jeans, swishing like a banner behind him—ran from the building, carrying the latest teen pop star in his arms. She wrapped her arms around his neck and planted dozens of kisses on him.

Ana looked at him. “I thought your illusions don’t show up on camera. That isn’t going to help us.”

He frowned. “Crap.” The vision before them popped out of existence.

Then, an air horn blared. The flow of water from the fire hose slowed and stopped, cut off from another source. Floodlights snapped on, drowning the area in blazing white light. The seven Hearts squinted against the glare.

Inside the building, the fires died as the feeds from gas nozzles shut off. Four people walked from the building—perfectly safe, uninjured. They were stuntmen, wearing protective suits and helmets. A fifth climbed off the stunt mat set up at the side of the building. Hollywood magic at its finest. They removed their masks and smirked at the seven aces as they passed. The three who’d actually been rescued weren’t any less accusing.

From a side doorway leading into the Hollywood backlot, a woman emerged. She wore designer jeans and a fitted, cream-colored blouse. With her statuesque frame and long brunette hair, she was already stunning, but one feature stood out above all the others: her wings, mottled white and beige, spectacular even folded back.

Peregrine crossed her arms and regarded the seven would-be heroes, who avoided her gaze. “That was a little underwhelming. But I think I’ll save any more criticism for the judges. Go home and wait for your next call.”

A half-dozen cameras captured the failure from every angle.

Team Hearts had their own Humvee for use during the show, tricked out and painted with their logo. The marketing gurus had thought of everything.

Hardhat drove, and for a long time no one said a word.

Finally, Hive broke the silence. “Well. That could have gone better.”

Crammed into his seat in back, Drummer Boy snorted a laugh.

After that, the seven passengers glared silently out their own windows. The camera planted in the dashboard captured an image of profound disappointment, and it would play on millions of TV sets for all the world to see.

~ ~ ~

Ana Cortez—Earth Witch, so-called—thought through the scenario again and again, and wondered what she could have done. Dug a hole. Dug a ditch. Undermined the building. And what good would that have done? None. Now the team had lost, and one of them would get voted off.

Almost, she wished she’d get the boot so she could go home and forget about all this.

Team Hearts headquarters was a sprawling West Hollywood manor, with a gated driveway, stucco walls, a luscious lawn and flourishing garden—the kind of place that played well on television and promoted the fantasy of a Southern California paradise.

All of it was just a backdrop for the drama.

Curveball—Kate Brandt—stormed from the garage into the combined kitchen and dining area. In her, the stunned disappointment of their failure had changed to fury. Jaw set, she turned on her slower teammates.

“They should have given us some kind of warning. If we’d been able to plan—”

Hive laughed. “That’s the whole point. We’re not supposed to plan. We’re supposed to face the unknown. Battle the unexpected.” Arms raised, he flashed his hands to emphasize his sarcasm.

“I thought they’d start with something small,” Andrew Yamauchi, Wild Fox, said. His tail revealed his disappointment, hanging almost to the floor. “Rescuing kittens from trees or something.”

Hardhat—T.T. Taszycki—leaned against the counter. “Makes you wonder what the fuck is next, don’t it?”

Hive just wouldn’t let up. “Look at it this way—that farce back there was highly entertaining. It should get us a lot of air time.”

Curveball turned on him. “Would you shut up? There was nothing entertaining about that! We were awful!”

Curveball and Hive faced each other down across the too bright kitchen, and any friendly sparks that had lit between them over the last week vanished. The others lurked around the edges of the room. Even Drummer Boy, all seven feet of him, managed to slink out of their way.

Jonathan Hive was too slick. He had a studied detachment, a journalistic objectivity that went a little too far—he was always an observer. He’d put himself on the outside, and he was used to commenting on everything.

He regarded Curveball and said with wry amazement, “You’re actually taking all this seriously, aren’t you? That’s kinda cute.”

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