Emily Jenkins - Toys Come Home

Blop! Blop!

Plastic actually seems to like it.

When she’s not being thrown in the air or rolled across the room, and when the Girl has gone to school and the toys have the house to themselves all morning, Plastic spends her time looking through the books on the shelves. Lumphy or the toy mice get them down for her, and she reads rather quickly, even if she doesn’t understand all the words.

“What is a croissant?” she asks StingRay one day.

“A kind of monster.”

“Oh. Okay. And what is a snickerdoodle?”

“Another kind of monster.”

“Okay.” Plastic reads on.

StingRay and Lumphy are looking out the window at the guy next door raking leaves in his yard.

“Why is the sky blue?” asks Plastic after a few minutes.

“Blue is the best color,” says StingRay.

“Why? Why is it the best color?” Plastic leaves her book and bounces up to rest near her friends on the windowsill.

“It just always has been.”

“Why do we call it blue?”

“Because it sounds like ‘blew,’ as in ‘I blew out the candles.’ ” StingRay rears up to explain better. “And everybody knows that wind is blue. And breath is blue. If you were painting them in a painting, you’d paint them blue.”

“Or gray,” says Lumphy.

“If you wanted it to be right, you’d paint them blue,” says StingRay.

“And why are we here?” says Plastic. “That’s the thing I really need to know.”

“What do you mean, why are we here?” StingRay asks.

“Why are we here in the Girl’s room? In this town, on this planet?” explains Plastic.

StingRay doesn’t know what to say.

Plastic bounces, expectantly. “I thought you would know.”

“We. We—” StingRay still can’t reply.

The toys are waiting for an answer.

“I’ll tell you later,” says StingRay, finally. “Right now I have some important stuff to do.”

“Why did you have to ask that, Plastic?” moans Lumphy. “It makes my head hurt thinking about it.”

“Sorry!” Plastic rolls around him apologetically.

StingRay’s head hurts, too. But she doesn’t mention it.

. . . . .

That night, Lumphy can’t sleep. His eyes feel sore and heavy, but he keeps thinking about the question Plastic asked. Why are we here? In the Girl’s room? In this town? On this planet?

Lumphy doesn’t know.

And he can tell that StingRay doesn’t know. Which is pretty worrying, because StingRay knows nearly everything.

Lumphy’s eyes stay open all night.

The next morning, when the people are away at work and school, Plastic starts asking questions again.

“What’s a robot?”

“Something that’s not alive but seems alive,” answers StingRay.

Plastic thinks this answer over. “Are we robots?” she asks, finally.

“Certainly not.” StingRay is pretty sure.

“And how come we’re here, again?” Plastic asks. “I forgot what you said yesterday.”

“Stop asking that!” Lumphy barks. “Stop asking how come! Stop asking why! You are making my head hurt again.”

Plastic stops, like she did before. But she asks again the next day. And the next.

She is really trying not to ask, she honestly is—but she just wants to know. So, so badly. Evening after evening, the question pops out.

Why are we here?

Then: night after night, Lumphy cannot sleep.

Wondering.

Wondering.

Why he is here. Why any of them are here.

Why the mice are here.

The Girl.

StingRay, Sheep, Plastic, the rocking horse.

It is scary that StingRay doesn’t know, and scary that there might not be an answer at all.

. . . . .

One Saturday night, StingRay wakes at two a.m. The Girl is breathing deeply in sleep and the rest of the room is dark and quiet, just like it always is—but something is different. StingRay looks around.

The one-eared sheep is asleep under the rocking horse.

Plastic is quiet on the windowsill.

But Lumphy is not on his shelf.

StingRay scans the room. Lumphy is not on the carpet. Not in the corner. Not anywhere.

Bonk! StingRay hits the floor. She has a bad feeling about this.

Boing! Plastic follows her. She never sleeps very heavily.

Together, they scoot down the hall and peek into the grown-up bedroom.

Nothing.

Silently, they inch to the top of the stairs.

The television is on, down in the living room.

Fwap! Gobble-a gobble-a.

Fwap! Gobble-a gobble-a.

Boing, boing, boing!

Fwap! Gobble-a gobble-a.

Bonk!

StingRay and Plastic go downstairs.

All the lights in the living room are on! Lumphy is sitting very close to the television with a dazed look on his face.

“No TV at night!” StingRay chides him. “You could wake the people. No TV and no lights. You know that.”

“I need it,” Lumphy moans. “I need the light. I need the TV.”

“How come?” Plastic wants to know.

“Dread,” says Lumphy. “I have dread.”

“What’s that?” Plastic is feeling rather bouncy, now that she’s fully awake. She zooms around the living room.

“It has to do with too much dark. And not knowing why we’re here. And not sleeping,” says Lumphy. “I just need the light really bad.”

“You have to turn it off,” says StingRay with authority. “I’ll get you a flashlight.”

Plastic bounces herself at the light switches and then at the television. The TV goes off and the room falls into darkness.

StingRay rummages in a kitchen drawer she knows about, bringing back a large red flashlight and flipping it on.

They all three sit there, looking at the beam of the flashlight playing against the wall.

“Still dread,” says Lumphy. “Dread and more dread.”

“How about another flashlight?” StingRay rushes back to the drawer and brings another.

Lumphy turns it on. He stares at the pool of light it makes, darker and yellower than that made by the other flashlight.

“Still dread,” he says, after a while.

“Look at my shadow!” says Plastic. She bounces across the beams of light. “Look at me go! Hey, do you know why shadows get bigger and smaller? Why do shadows get bigger and smaller?”

“Why are we here?” moans Lumphy.

“You should go upstairs to bed,” says StingRay. “I think you’re really tired.”

“I can’t sleep,” says Lumphy. “I can’t sleep for all the wondering.”

StingRay is quite tired herself. She is used to sleeping all night with the Girl. But she will not leave her friend when he needs her. “Come with me,” she tells him. “There’s a light in the linen closet. The people will never notice it’s on. You can lie in there with the towels and sheets and things.”

She leads the way, even though she is a little nervous about the mean towel club that Bobby Dot mentioned so long ago. She has never spoken with any towel but TukTuk, but StingRay knows that the purple grown-up towels inhabit both the adult bathroom and the linen closet at the far end of the hall. She squashes down her fear and lurches up the stairs, pushing with her tail. Plastic and Lumphy follow.

When they get to the closet, StingRay slides one flipper underneath the door and pulls sharply. It pops open, and Plastic bounces herself at the light switch inside.

“Sleeping!”

“Sleeping!”

“Sleeping!”

A chorus of purple towels, stacked neatly one on top of the other, sits on a low shelf. Higher up are sheets, pillowcases, boxes of tissues, and rolls of toilet paper.

“Hello!” cries Plastic. “How’s it going in here?”