Марк Мэнсон: The Subtle Art of Not Giving a F*ck

CONTENTS

CHAPTER 1: Don’t Try

The Feedback Loop from Hell

The Subtle Art of Not Giving a Fuck

So Mark, What the Fuck Is the Point of This Book Anyway?

CHAPTER 2: Happiness Is a Problem

The Misadventures of Disappointment Panda

Happiness Comes from Solving Problems

Emotions Are Overrated

Choose Your Struggle

CHAPTER 3: You Are Not Special

Things Fall Apart

The Tyranny of Exceptionalism

B-b-b-but, If I’m Not Going to Be Special or Extraordinary, What’s the Point?

CHAPTER 4: The Value of Suffering

The Self-Awareness Onion

Rock Star Problems

Shitty Values

Defining Good and Bad Values

CHAPTER 5: You Are Always Choosing

The Choice

The Responsibility/Fault Fallacy

Responding to Tragedy

Genetics and the Hand We’re Dealt

Victimhood Chic

There Is No “How”

CHAPTER 6: You’re Wrong About Everything (But So Am I)

Architects of Our Own Beliefs

Be Careful What You Believe

The Dangers of Pure Certainty

Manson’s Law of Avoidance

Kill Yourself

How to Be a Little Less Certain of Yourself

CHAPTER 7: Failure Is the Way Forward

The Failure/Success Paradox

Pain Is Part of the Process

The “Do Something” Principle

CHAPTER 8: The Importance of Saying No

Rejection Makes Your Life Better

Boundaries

How to Build Trust

Freedom Through Commitment

CHAPTER 9: . . . And Then You Die

Something Beyond Our Selves

The Sunny Side of Death

Acknowledgments

About the Author

Credits

Copyright

About the Publisher

CHAPTER 1Don’t Try

Charles Bukowski was an alcoholic, a womanizer, a chronic gambler, a lout, a cheapskate, a deadbeat, and on his worst days, a poet. He’s probably the last person on earth you would ever look to for life advice or expect to see in any sort of self-help book.

Which is why he’s the perfect place to start.

Bukowski wanted to be a writer. But for decades his work was rejected by almost every magazine, newspaper, journal, agent, and publisher he submitted to. His work was horrible, they said. Crude. Disgusting. Depraved. And as the stacks of rejection slips piled up, the weight of his failures pushed him deep into an alcohol-fueled depression that would follow him for most of his life.

Bukowski had a day job as a letter-filer at a post office. He got paid shit money and spent most of it on booze. He gambled away the rest at the racetrack. At night, he would drink alone and sometimes hammer out poetry on his beat-up old typewriter. Often, he’d wake up on the floor, having passed out the night before.

Thirty years went by like this, most of it a meaningless blur of alcohol, drugs, gambling, and prostitutes. Then, when Bukowski was fifty, after a lifetime of failure and self-loathing, an editor at a small independent publishing house took a strange interest in him. The editor couldn’t offer Bukowski much money or much promise of sales. But he had a weird affection for the drunk loser, so he decided to take a chance on him. It was the first real shot Bukowski had ever gotten, and, he realized, probably the only one he would ever get. Bukowski wrote back to the editor: “I have one of two choices—stay in the post office and go crazy . . . or stay out here and play at writer and starve. I have decided to starve.”

Upon signing the contract, Bukowski wrote his first novel in three weeks. It was called simply Post Office. In the dedication, he wrote, “Dedicated to nobody.”

Bukowski would make it as a novelist and poet. He would go on and publish six novels and hundreds of poems, selling over two million copies of his books. His popularity defied everyone’s expectations, particularly his own.

Stories like Bukowski’s are the bread and butter of our cultural narrative. Bukowski’s life embodies the American Dream: a man fights for what he wants, never gives up, and eventually achieves his wildest dreams. It’s practically a movie waiting to happen. We all look at stories like Bukowski’s and say, “See? He never gave up. He never stopped trying. He always believed in himself. He persisted against all the odds and made something of himself!”

It is then strange that on Bukowski’s tombstone, the epitaph reads: “Don’t try.”

See, despite the book sales and the fame, Bukowski was a loser. He knew it. And his success stemmed not from some determination to be a winner, but from the fact that he knew he was a loser, accepted it, and then wrote honestly about it. He never tried to be anything other than what he was. The genius in Bukowski’s work was not in overcoming unbelievable odds or developing himself into a shining literary light. It was the opposite. It was his simple ability to be completely, unflinchingly honest with himself—especially the worst parts of himself—and to share his failings without hesitation or doubt.

This is the real story of Bukowski’s success: his comfort with himself as a failure. Bukowski didn’t give a fuck about success. Even after his fame, he still showed up to poetry readings hammered and verbally abused people in his audience. He still exposed himself in public and tried to sleep with every woman he could find. Fame and success didn’t make him a better person. Nor was it by becoming a better person that he became famous and successful.

Self-improvement and success often occur together. But that doesn’t necessarily mean they’re the same thing.

Our culture today is obsessively focused on unrealistically positive expectations: Be happier. Be healthier. Be the best, better than the rest. Be smarter, faster, richer, sexier, more popular, more productive, more envied, and more admired. Be perfect and amazing and crap out twelve-karat-gold nuggets before breakfast each morning while kissing your selfie-ready spouse and two and a half kids goodbye. Then fly your helicopter to your wonderfully fulfilling job, where you spend your days doing incredibly meaningful work that’s likely to save the planet one day.

But when you stop and really think about it, conventional life advice—all the positive and happy self-help stuff we hear all the time—is actually fixating on what you lack . It lasers in on what you perceive your personal shortcomings and failures to already be, and then emphasizes them for you. You learn about the best ways to make money because you feel you don’t have enough money already. You stand in front of the mirror and repeat affirmations saying that you’re beautiful because you feel as though you’re not beautiful already. You follow dating and relationship advice because you feel that you’re unlovable already. You try goofy visualization exercises about being more successful because you feel as though you aren’t successful enough already.

Ironically, this fixation on the positive—on what’s better, what’s superior—only serves to remind us over and over again of what we are not, of what we lack, of what we should have been but failed to be. After all, no truly happy person feels the need to stand in front of a mirror and recite that she’s happy. She just is .

There’s a saying in Texas: “The smallest dog barks the loudest.” A confident man doesn’t feel a need to prove that he’s confident. A rich woman doesn’t feel a need to convince anybody that she’s rich. Either you are or you are not. And if you’re dreaming of something all the time, then you’re reinforcing the same unconscious reality over and over: that you are not that.