Carlos Castaneda - The Teachings of Don Juan - A Yaqui Way of Knowledge

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Carlos Castaneda was a graduate student in anthropology at the University of California, Los Angeles, gathering information on various medicinal herbs used by the Indians in Sonora, Mexico, when he met the old Yaqui Indian, Don Juan. The Teachings of Don Juan, his first book, is the story of the first period the two men spent together as master and pupil. This was followed by the other volumes in the series, A Separate Reality, Journey to Ixtlan, Tales of Power, The Second Ring of Power and The Eagle's Gift, all of which are published in Arkana. He also wrote the Art of Dreaming (1993).
Carlos Castaneda died in 1998. In its obituary for him the Guardian wrote 'It is hard to find a New Age celebrity who won't admit to having been influenced by Castaneda's powerful prose and paradigm-busting philosophy… Few critics would deny author Joyce Carol Oates's assessment of his books as «remarkable works of art»'

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I asked, 'What does the second portion do?'

'The second portion of the devil's weed is used for seeing. With it, a man can soar through the air to see what is going on at any place he chooses.'

'Can a man actually fly through the air, don Juan?'

'Why not? As I have already told you, the devil's weed is for those who seek power. The man who masters the second portion can use the devil's weed to do unimaginable things to gain more power.'

'What kind of things, don Juan?'

'I can't tell you that. Every man is different.'

Monday, 28 January 1963

Don Juan said: 'If you complete the second step successfully, I can show you only one more step. In the course of learning about the devil's weed, I realized she was not for me, and I did not pursue her path any further.'

'What made you decide against it, don Juan?'

'The devil's weed nearly killed me every time I tried to use her. Once it was so bad I thought I was finished. And yet, I could have avoided all that pain.'

'How? Is there a special way to avoid pain?'

'Yes, there is a way.'

'Is it a formula, a procedure, or what?'

'It is a way of grabbing onto things. For instance, when I was learning about the devil's weed I was too eager. I grabbed onto things the way kids grab onto candy. The devil's weed is only one of a million paths. Anything is one of a million paths [un camino entre cantidades de caminos]. Therefore you must always keep in mind that a path is only a path; if you feel you should not follow it, you must not stay with it under any conditions. To have such clarity you must lead a disciplined life. Only then will you know that any path is only a path, and there is no affront, to oneself or to others, in dropping it if that is what your heart tells you to do. But your decision to keep on the path or to leave it must be free of fear or ambition. I warn you. Look at every path closely and deliberately. Try it as many times as you think necessary. Then ask yourself, and yourself alone, one question. This question is one that only a very old man asks. My benefactor told me about it once when I was young, and my blood was too vigorous for me to understand it. Now I do understand it. I will tell you what it is: Does this path have a heart? All paths are the same: they lead nowhere. They are paths going through the bush, or into the bush. In my own life I could say I have traversed long, long paths, but I am not anywhere. My benefactor's question has meaning now. Does this path have a heart? If it does, the path is good; if it doesn't, it is of no use. Both paths lead nowhere; but one has a heart, the other doesn't. One makes for a joyful journey; as long as you follow it, you are one with it. The other will make you curse your life. One makes you strong; the other weakens you.'

Sunday, 21 April 1963

On Tuesday afternoon, 16 April, don Juan and I went to the hills where his Datura plants are. He asked me to leave him alone there, and wait for him in the car. He returned nearly three hours later carrying a package wrapped in a red cloth. As we started to drive back to his house he pointed to the bundle and said it was his last gift for me.

I asked if he meant he was not going to teach me any more. He explained that he was referring to the fact that I had a plant fully mature and would no longer need his plants.

Late in the afternoon we sat in his room; he brought out a smoothly finished mortar and pestle. The bowl of the mortar was about six inches in diameter. He untied a large package full of small bundles, selected two of them, and placed them on a straw mat by my side; then he added four more bundles of the same size from the pack he had carried home. He said they were seeds, and I had to grind them, into a fine powder. He opened the first bundle and poured some of its contents into the mortar. The seeds were dried, round and caramel yellow in colour.

I began working with the pestle; after a while he corrected me. He told me to push the pestle against one side of the mortar first, and then slide it across the bottom and up against the other side. I asked what he was going to do with the powder. He did not want to talk about it.

The first batch of seeds was extremely hard to grind. It took me four hours to finish the job. My back ached because of the position in which I had been sitting. I lay down and wanted to go to sleep right there, but don Juan opened the next bag and poured some of the contents into the mortar. The seeds this time were slightly darker than the first ones, and were lumped together. The rest of the bag's contents was a sort of powder, made of very small, round, dark granules.

I wanted something to eat, but don Juan said that if I wished to learn I had to follow the rale, and the rule was that I could only drink a little water while learning the secrets of the second portion.

The third bag contained a handful of live, black, grain weevils. And in the last bag were some fresh white seeds, almost mushy soft, but fibrous and difficult to grind into a fine paste, as he expected me to do. After I had finished grinding the contents of the four bags, don Juan measured two cups of a greenish water, poured it into a clay pot, and put the pot on the fire. When the water was boiling he added the first batch of powdered seeds. He stirred it with a long, pointed piece of wood or bone which he carried in his leather pouch. As soon as the water boiled again he added the other substances one by one, following the same procedure. Then he added one more cup of the same water, and let the mixture simmer over a low fire.

Then he told me it was time to mash the root. He carefully extracted a long piece of Datura root from the bundle he had carried home. The root was about sixteen inches long. It was thick, perhaps an inch and a half in diameter. He said it was the second portion, and again he had measured the second portion himself, because it was still his root. He said the next time I tried the devil's weed I would have to measure my own root.

He pushed the big mortar towards me, and I proceeded to pound the root in exactly the same way he had mashed the first portion. He directed me through the same steps, and again we left the mashed root soaking in water, exposed to the night air. By that time the boiling mixture had solidified in the clay pot. Don Juan took the pot from the fire, placed it inside a hanging net, and hooked it to a beam in the middle of the room.

About eight o'clock in the morning of 17 April, don Juan and I began to leach the root extract with water. It was a clear, sunny day, and don Juan interpreted the fine weather as an omen that the devil's weed liked me; he said that with me around he could remember only how bad she had been with him.

The procedure we followed in leaching the root extract was the same I had observed for the first portion. By late afternoon, after pouring out the top water for the eighth time, there was a spoonful of a yellowish substance in the bottom of the bowl.

We returned to his room where there were still two little sacks he had not touched. He opened one, slid his hand inside, and wrinkled the open end around his wrist with the other hand. He seemed to be holding something, judging by the way his hand moved inside the bag. Suddenly, with a swift movement, he peeled the bag off his hand like a glove, turning it inside out, and shoved his hand close to my face. He was holding a lizard. Its head was a few inches from my eyes. There was something strange about the lizard's mouth. I gazed at it for a moment and then recoiled involuntarily. The lizard's mouth was sewed up with rude stitches. Don Juan ordered me to hold the lizard in my left hand. I clutched it; it wriggled against my palm. I felt nauseated. My hands began to perspire.

He took the last bag, and, repeating the same motions, he extracted another lizard. He also held it close to my face. I saw that its eyelids were sewed together. He ordered me to hold this lizard in my right hand.

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