John McGahern - The Collected Stories

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These 34 funny, tragic, bracing, and acerbic stories represent the complete short fiction of one of Ireland's finest living writers. On struggling farms, in Dublin's rain-drenched streets, or in parched exile in Franco's Spain, McGahern's characters wage a confused but touching war against the facts of life.

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‘Yes.’

The small family cars were making their careful way home across the bridge after their Sunday outings to their cold ham and tomato and lettuce, the wind blowing from the mouth of the river, gulls screeching above the stink of its low tide, as I forced the inanities towards an invitation.

‘Would you come with me for a drink?’

‘Why?’ She blushed as she looked me full in the face.

‘Why not?’

‘I said I’d be back for tea.’

‘We can have sandwiches.’

‘But why do you want me to?’

‘I’d like very much if you come. Will you come?’

‘All right I’ll come but I don’t know why.’

It was how we began, the wind blowing from the mouth of the river while the Blanchardstown Fife and Drum downed their first thirst-quencher in the Scotch House.

They’d nothing but beef left in Mooney’s after the weekend. We had stout with our sandwiches. Soon, in the drowsiness of the stout, we did little but watch the others drinking. I pointed out a poet to her. I recognized him from his pictures in the paper. His shirt was open-necked inside a gabardine coat and he wore a hat with a small feather in its band. She asked me if I liked poetry.

‘When I was younger,’ I said. ‘Do you?’

‘Not very much.’

She asked me if I could hear what the poet was saying to the four men at his table who continually plied him with whiskey. I hadn’t heard. Now we both listened. He was saying he loved the blossoms of Kerr Pinks more than roses, a man could only love what he knew well, and it was the quality of the love that mattered and not the accident. The whole table said they’d drink to that, but he glared at them as if slighted, and as if to avoid the glare they called for a round of doubles. While the drinks were coming from the bar the poet turned aside and took a canister from his pocket. The inside of the lid was coated with a white powder which he quickly licked clean. She thought it was baking soda. Her father in the country took baking soda for his stomach. We had more stout and we noticed, while each new round was coming, the poet turned away from the table to lick clean the fresh coat of soda on the inside of the canister lid.

That was the way our first evening went. People who came into the pub were dripping with rain and we stayed until they’d draped the towels over the pump handles and called ‘Time’ in the hope the weather would clear, but it did not.

The beat of rain was so fierce when we came out that the street was a dance of glass shapes, and they reminded me of blackened spikes on the brass candleshrine which hold the penny candles before the altar.

‘Does it remind you of the candlespikes?’ I asked.

‘Yes, now that you mention it.’

Perhaps the rain, the rain will wash away the poorness of our attempts at speech, our bodies will draw closer, closer than our speech, I hoped, as she returned on the throat my kiss in the bus, and that we’d draw closer to a meal of each other’s flesh; and from the bus, under the beat of rain on the umbrella, we walked beyond Fairview church.

‘Will I be able to come in?’ I asked.

‘It would cause trouble.’

‘You have your own room?’

‘The man who owns the house watches. He would make trouble.’

Behind the church was a dead end overhung with old trees, and the street lights did not reach as far as the wall at its end, a grey orchard wall with some ivy.

‘Can we stay here a short time, then?’

I hung upon the silence, afraid she’d use the rain as excuse, and breathed when she said, ‘Not for long, it is late.’

We moved under the umbrella out of the street light, fumbling for certain footing between the tree roots.

‘Will you hold the umbrella?’

She took the imitation leather with the white stitching in her hands.

Our lips moved on the saliva of our mouths as I slowly undid the coat button. I tried to control the trembling so as not to tear the small white buttons of the blouse. Coat, blouse, brassière, as names of places on a road. I globed the warm soft breasts in hands. I leaned across the cold metal above the imitation leather she held in her hands to take the small nipples gently in teeth, the steady beat on the umbrella broken by irregular splashes from the branches.

Will she let me? I was afraid as I lifted the woollen skirt; and slowly I moved hands up the soft insides of the thighs, and instead of the ‘No’ I feared and waited for, the handle became a hard pressure as she pressed on my lips.

I could no longer control the trembling as I felt the sheen of the knickers, I drew them down to her knees, and parted the lips to touch the juices. She hung on my lips. She twitched as the fingers went deeper. She was a virgin.

‘It hurts.’ The cold metal touched my face, the rain duller on the sodden cloth by now.

‘I won’t hurt you,’ I said, and pumped low between her thighs, lifting high the coat and skirt so that the seed fell free into the mud and rain, and after resting on each other’s mouth I replaced the clothes.

Under the umbrella, one foot asleep, we walked past the small iron railings of the gardens towards her room, and at the gate I left her with, ‘Where will we meet again?’

We would meet at eight against the radiators inside the Metropole.

We met against those silver radiators three evenings every week for long. We went to cinemas or sat in pubs, it was the course of our love, and as it always rained we made love under the umbrella beneath the same trees in the same way. They say the continuance of sexuality is due to the penis having no memory, and mine each evening spilt its seed into the mud and decomposing leaves as if it was always for the first time.

Sometimes we told each other stories. I thought one of the stories she told me very cruel, but I did not tell her.

She’d grown up on a small farm. The neighbouring farm was owned by a Pat Moran who lived on it alone after the death of his mother. As a child she used to look for nests of hens that were laying wild on his farm and he often brought her chocolates or oranges from the fairs. As she grew, feeling the power of her body, she began to provoke him, until one evening on her way to the well through his fields, where he was pruning a whitethorn hedge with a billhook, she lay in the soft grass and showed him so much of her body beneath the clothes that he dropped the billhook and seized her. She struggled loose and shouted as she ran, ‘I’ll tell my Daddy, you pig.’ She was far too afraid to tell her father, but it was as if a wall came down between her and Pat Moran who soon afterwards sold his farm and went to England though he’d never known any other life but that of a small farmer.

She’d grown excited in the telling and asked me what I thought of the story. I said that I thought life was often that way. She then asked me if I had any stories in my life. I said I did, but there was one story that I read in the evening paper that interested me most, since it had indirectly got to do with us.

It was a report of a prosecution. In the rush hour at Bank Station in London two city gents had lost tempers in the queue and assaulted each other with umbrellas. They had inflicted severe injuries with the umbrellas. The question before the judge: was it a case of common assault or, much more serious, assault with dangerous weapon with intent to wound? In view of the extent of the injuries inflicted it had not been an easy decision, but eventually he found for common assault, since he didn’t want the thousands of peaceable citizens who used their umbrellas properly to feel that when they travelled to and from work they were carrying dangerous weapons. He fined and bound both gentlemen to the peace, warned them severely as to their future conduct, but he did not impose a prison sentence, as he would have been forced to do if he’d found the umbrella to be a dangerous weapon.

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