John McGahern - The Barracks

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Elizabeth Reegan, after years of freedom — and loneliness, marries into the enclosed Irish village of her upbringing. Moving between tragedy and savage comedy, desperation and joy, this was John McGahern's first novel.

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She smiled and nodded flattering approval. She had seen doctors and nurses ill and getting well again and dying as she had seen people from every other way of making a living getting well and dying too; and it made small difference. No one was very privileged in that position. Money and a blind faith in God were the most use but there came a point when pain obliterated the comfort of private rooms and special care as it did faith and hope. The young and old, the ugly and the beautiful, the failures and the successes took on such a resemblance to each other in physical suffering that it seemed to light a kind of truth. If anything made a difference it was the individual man and woman and that not very much. No one was good company sick. No one died well or got better well, they did it day by desperate day, and none of them wanted to do it alone, and it was no more strange than the fact that none of them had wanted to live alone. Doctors and nurses found they’d learned very little about suffering from the practice of their profession when it came to their own turn and she knew that neither she nor he were likely to be exceptions.

“At seven so,” she heard him say.

“At seven,” she nodded.

She was on the steps in the March sunlight, between the black railings, wondering if she still had her handbag, the door with the brass plate closing behind her. Not until seven would he ring. She had that much time. She came down the stone steps to the footpath, stood a moment at the corner of the railings and then she found herself walking desperate down Main Street. In flashes her mind brought her to stops. Where did Main Street lead to but to Bridge Street and Bridge Street led to St Patrick’s Terrace or the Dublin Road and where in the name of Jesus did they lead but to other streets and roads and towns and countries? What could she do? Where could she go? She wanted to cry out in the street. She could face nothing.

And then her feet took over, carrying her forward, jostling her against the shoppers; the mindless ease and constancy of their rhythm seeping into her blood with its illusion of habitual order, wore down her strength till it reduced her to a longing for a chair, and she went into a café at the Bridge and ordered coffee and cakes.

There was no use in worrying, she tried to tell herself as she sipped the wonderfully scalding coffee, there might be nothing the matter yet, the doctor had said that nothing’d be known till after the hospital examination. It had been inevitable that she’d have to go away to hospital from the beginning, that was why she’d put it off so long, but she could not reason. It involved her life in its death and the wave of terror came again.

What was her life? Was she ready to cry halt and leave? Had it achieved anything or been given any meaning? She was no more ready to die now than she had been twenty years ago. There was the after-life, hell and heaven and purgatory between, Jesus Christ on the right hand of God, but her childhood and adolescence over they had never lived as flesh in her mind, except when she dreamed. She had naïvely trusted that she’d be given some sign or confirmation before the end, or that she’d discover something, something she knew not what, some miracle of revelation perhaps, but she had been given nothing and had discovered nothing. She was as blind as she had ever been. She hadn’t even started to be ready and she felt she had to try and grip the table or something, for it was absolutely inconceivable that she could die. What was it all about? Where was she going? What was she doing? What was it all about?

And then a single voice of memory broke across her agitation and she grew calm to listen. “What the hell is all this living and dying about anyway, Elizabeth? That’s what I’d like to be told,” Michael Halliday would beat out at a certain stage of drunkenness, especially in the months before the car crash on the Leytonstone Road that ended his life, when the affair between them had already failed. She had loved him. She had hung upon his words but they had different meaning then, she had seen them as the end of love, she was seeing them now with her own life.

Names came. The London Hospital Tavern, The Star and Garter, The Blind Beggar in Whitechapel Road; the prettier pubs of the city with always the vases of red and yellow on the counter, their names like The Load of Hay enough to remember.

Halliday had fine black hair that took a sheen when brushed, brown eyes, and thick dark brows, hands that had never to toughen themselves to toil; the grain of his throat was coarse and with his pale skin she liked him best in blue.

In this café by the river images crowded every other source of life out of her mind. Her senses were shut. Her awareness of the café, the river coming white and broken between dark rocks in the arches beyond the side-windows, the shopping street shifting backwards and forwards outside the glass door were greyed away. She was in London, with Halliday, the enriched and indestructible days about her, “What the hell is all this living and dying about anyway, Elizabeth? That’s what I’d like to know,” removed to the fixity of death and memory and coming now like a quality of laughter.

She’d known him for months on the wards and in the theatre before he had asked her out. It wasn’t easy for her to accept, though she had always liked him. He was a doctor, would probably be yet a surgeon: she was an Irish nurse, trained because it had seemed better than barmaid or skivvy, suffering every week, “So you’re Irish, are you!” in the tone that it’s a miracle you seem civilized. Going out with Halliday would cause the other nurses to hate her: she’d be grasping above her station; and he was an odd bird in the hospital, a bit mysterious and apart, belonging to no set, but known as a drinker, not much liked, the herd instinct immediately smelling an outsider, and he was to blame himself, for he went to no trouble to pay it the lip service with which it is often satisfied. But Elizabeth went out with him. She didn’t care what they said or thought, she’d been already coming into herself. She was less and less awed by the conversations and people and things that had dominated her earlier life. She was already reading, getting books out of the little public library beside Aldgate East Station, beginning to see her life in its passage, it’d end and never repeat itself, and she felt it unique and all the days precious. If she lived the life other people lived, looked on it the way they looked, she’d have no life of her own. She did not want an ensured imitation of other people’s lives any more, she wanted her own, and with the wild greed of youth. Safe examples that had gone before were no use — her mother and father and the nurses about her — she could break her way out of the whole set-up. The impossible became turned by fierce desire into the possible, the whole world beginning again as it always has to do when a single human being discovers his or her uniqueness, everything becoming strange and vital and wondrous in this the only moment of real innocence, when after having slept for ever in the habits of other lives, suddenly, one morning, the first morning of the world, she had woken up to herself.

She had loved Halliday and had counted no cost. She could feel again her excitement bringing him back the first real books she’d been ever given and crying, “But they’re real! They’re not stories even. They’re about my life.”

“No, dear Elizabeth. Not exactly,” he laughed, but sharing her wild delight. “You feel and see them with your own life, so much that it becomes real as your own, but it’s not yours. It’s somebody else’s, Elizabeth. All real lives are profoundly different and profoundly the same. Sweet Jesus, Elizabeth, profoundly is an awful balls of a word, isn’t it? But there’s very few either real books or people. They’re few and far between,” he ended savagely.

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