Lori Ostlund - After the Parade

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After the Parade: краткое содержание, описание и аннотация

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From Flannery O’Connor and Rona Jaffe Award winner Lori Ostlund, a deeply moving and beautiful debut novel about a man who leaves his longtime partner in New Mexico for a new life in San Francisco, launching him on a tragicomic road trip and into the mysteries of his own Midwestern childhood.
Sensitive, big-hearted, and achingly self-conscious, forty-year-old Aaron Englund long ago escaped the confines of his Midwestern hometown, but he still feels like an outcast. After twenty years under the Pygmalion-like direction of his older partner Walter, Aaron at last decides it is time to stop letting life happen to him and to take control of his own fate. But soon after establishing himself in San Francisco — where he alternates between a shoddy garage apartment and the absurdly ramshackle ESL school where he teaches — Aaron sees that real freedom will not come until he has made peace with his memories of Morton, Minnesota: a cramped town whose four hundred souls form a constellation of Aaron’s childhood heartbreaks and hopes.
After Aaron’s father died in the town parade, it was the larger-than-life misfits of his childhood — sardonic, wheel-chair bound dwarf named Clarence, a generous, obese baker named Bernice, a kindly aunt preoccupied with dreams of The Rapture — who helped Aaron find his place in a provincial world hostile to difference. But Aaron’s sense of rejection runs deep: when Aaron was seventeen, Dolores — Aaron’s loving, selfish, and enigmatic mother — vanished one night with the town pastor. Aaron hasn’t heard from Dolores in more than twenty years, but when a shambolic PI named Bill offers a key to closure, Aaron must confront his own role in his troubled past and rethink his place in a world of unpredictable, life-changing forces.
Lori Ostlund’s debut novel is an openhearted contemplation of how we grow up and move on, how we can turn our deepest wounds into our greatest strengths. Written with homespun charm and unceasing vitality, After the Parade is a glorious new anthem for the outsider.

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Mr. Rehnquist took off his hat and laughed. “Miss Meeks,” he announced. “That’s the kiddie-garden teacher. I guarantee she’s anything but meek.” Aaron did not know the word meek . Mr. Rehnquist gave a half chuckle and exposed his head again. “Good luck,” he said gravely and winked.

* * *

Aaron’s new room contained three beds, two of them bunked, the third beneath the window. That night, he climbed into the bottom bunk and fell asleep quickly, exhausted from unpacking and adjusting to a new house. When he awakened, he was not sure how long he had been asleep or what had roused him. He thought it was the silence. His mother had said it would take time to adjust to the stillness of the country after living in town his whole life. He drank the water that she had set by his bed. Then, because the hallway light was on, he got up to look for her.

Everything about the house felt wrong, not just the placement of walls and doors and rooms but even the small things: the resistance of the bathroom faucet handles, the way his chair caught on the linoleum when he slid back from the table, the quiet of the refrigerator at night. He went through Mr. Rehnquist’s house, turning on lights, but when he reached for the switch in the kitchen, it was not where he thought it should be. He was years from developing an affinity for metaphor, years from the moment that his eighteen-year-old self would stand in Walter’s house on his first night there, his hand fluttering like a moth against the wall as it searched for the switch, and think, This fumbling in the dark is how life will always be .

He could not find his mother anywhere. He walked through the house again, calling for her, but there was no answer. His mother was gone.

Finally, he opened the door of her closet and there she was, sitting on a chair beneath a bare lightbulb. “Aaron!” she said, sounding happy to see him. “Can you believe the size of this closet? I don’t know what to do with all this space.”

“It’s really big,” he agreed. He did not tell her how scared he’d been, did not ask whether she had heard him calling. He knew she had.

“Come sit with me,” she said, and he went in, closed the door, and crouched on the floor. He thought it must be late, but he did not remind her that he was starting school the next day because he liked sitting with her in the closet, which smelled of trees and something chemical-like.

“Aaron, do you remember the time your father let me drive his squad car?”

“No,” he said. “I don’t remember.”

“Of course you don’t, Silly Billy. You were just a baby. We set your carrier on the backseat, went out in the country, past Dilworth, and switched places. I drove and ran the sirens. You slept through it all. It was a magnificent feeling, Aaron.”

She smiled and touched her hand to her hair. Her nails were pink. “You’re wearing nail polish,” he said. His mother had always scoffed at nail polish.

“My roommate in the hospital gave it to me. I was trying to stop biting my nails, and she told me the polish would taste so awful I’d just quit.” Her nails looked as chewed up as ever. “It didn’t help at all,” she said sadly. “The problem is the polish doesn’t taste that bad, not like my roommate said it would, but tonight I thought I’d give it another shot.”

His mother had said nothing about a roommate. He pictured them lying side by side in their hospital beds, watching television, because his mother had explained to him after he came back from his aunt’s house that in the hospital everyone watched a lot of television. Until then, he had imagined her days filled with shots and thermometers, doctors and nurses giving her medicine and taking her temperature.

“What else did you do in the hospital?” he had asked.

“Well, I slept a lot. And we went to the cafeteria to eat. I always tried to sit by myself, but the nurses put other people with me, people who were very sick, and sometimes I had to help these people because they didn’t know how to do things.”

“What things didn’t they know how to do?” he had asked.

“Oh, you know,” she said. “Cut their food or open their milk or spread butter on their bread. There was one man who always sat holding an unopened ice cream bar against his forehead until it melted and ran down his face, so finally one night I took it from him and ripped it open, but when I handed it back to him, it fell on the floor.”

“Then what happened?”

His mother shrugged. “He cried, and after that I ate my meals in my room.”

Aaron tried to imagine people who couldn’t open a milk carton or spread butter on their food, a man who cried about ice cream. “Is that why they were in the hospital?” he asked. “Because they didn’t know how to do those things?”

His mother thought about this. “I guess so,” she’d said, and that had been the end of the discussion. Not once had she mentioned a roommate.

He looked up at her sitting on her chair, the Packers’ chair, with her pink fingernails. “What was your roommate’s name?” he asked.

“Her name was Helen,” she said. “Helen Ludtke. She was from Barnesville.”

“Where’s Barnesville?” he asked.

“I guess I don’t know exactly where it is,” she said. “Near here. Well, near Moorhead. Her husband used to drive in after chores, so it couldn’t have been far.”

“Was she very sick?” Aaron asked.

“Yes,” said his mother. “I think she was. They finally took her to a different hospital where she could stay longer. She didn’t want to go, but her husband begged her. The doctors told him he could either take her home or send her to the other hospital but there was nothing more they could do. They had eight children. Can you imagine?”

“It must be very noisy,” he said, thinking about how his cousins sounded when they were getting ready for school. His mother had not said anything about his time there, except when she found the Bible his aunt had slipped in with his dress shoes. “They never miss a chance,” she’d said, but added, “I don’t know how the hospital tracked them down, but it was good of them to take you in.”

“Yes,” his mother agreed. “It must be very noisy. Both his mother and Helen’s mother were staying at the farm to help out with the kids. I think it was actually relaxing for him to come to the hospital. He’d pack his supper, or probably one of the mothers packed it, and he would sit on Helen’s bed and talk to her while he ate.”

“What did they talk about?” Aaron asked.

“Once he told her the well was running silt and he needed to get the witcher out. Another time he said, ‘I had to put the little dog down. It took a bite out of Henry.’ He brought her things from the kids, drawings and cards, some dream bars the girls made. Almost every night, he said, ‘Your mother, my mother, the kids. I’m going nuts.’ The night he talked to the doctor, he turned around as he was leaving. ‘You need to get over this ’cause I can’t take much more,’ he said. He was crying. The next morning, Helen was gone. She left the nail polish on my nightstand.” His mother studied her pink-tipped fingers. “I liked Helen Ludtke. She was a fine roommate.”

“What was wrong with her?” Aaron asked.

His mother did not answer right away. Around them everything was quiet — the closet, their new house, the world outside. He thought about what his mother had said when she told him they were moving to Mortonville: “It’s not a place for starting over.”

“Well,” his mother said finally, “she had another baby, and then she got scared.”

“Scared of what?”

“She was scared the baby would get hurt.”

“Hurt how?”

“Well, she was afraid to clean the house because she thought she might vacuum the baby up. That was the first thing. Then she started worrying she might bake the baby in the oven while she was making supper, so she was afraid to cook.”

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