Lori Ostlund - After the Parade

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After the Parade: краткое содержание, описание и аннотация

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From Flannery O’Connor and Rona Jaffe Award winner Lori Ostlund, a deeply moving and beautiful debut novel about a man who leaves his longtime partner in New Mexico for a new life in San Francisco, launching him on a tragicomic road trip and into the mysteries of his own Midwestern childhood.
Sensitive, big-hearted, and achingly self-conscious, forty-year-old Aaron Englund long ago escaped the confines of his Midwestern hometown, but he still feels like an outcast. After twenty years under the Pygmalion-like direction of his older partner Walter, Aaron at last decides it is time to stop letting life happen to him and to take control of his own fate. But soon after establishing himself in San Francisco — where he alternates between a shoddy garage apartment and the absurdly ramshackle ESL school where he teaches — Aaron sees that real freedom will not come until he has made peace with his memories of Morton, Minnesota: a cramped town whose four hundred souls form a constellation of Aaron’s childhood heartbreaks and hopes.
After Aaron’s father died in the town parade, it was the larger-than-life misfits of his childhood — sardonic, wheel-chair bound dwarf named Clarence, a generous, obese baker named Bernice, a kindly aunt preoccupied with dreams of The Rapture — who helped Aaron find his place in a provincial world hostile to difference. But Aaron’s sense of rejection runs deep: when Aaron was seventeen, Dolores — Aaron’s loving, selfish, and enigmatic mother — vanished one night with the town pastor. Aaron hasn’t heard from Dolores in more than twenty years, but when a shambolic PI named Bill offers a key to closure, Aaron must confront his own role in his troubled past and rethink his place in a world of unpredictable, life-changing forces.
Lori Ostlund’s debut novel is an openhearted contemplation of how we grow up and move on, how we can turn our deepest wounds into our greatest strengths. Written with homespun charm and unceasing vitality, After the Parade is a glorious new anthem for the outsider.

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His favorite restaurant was T-28, a Macau diner, the name a handy mnemonic derived from its location at the corner of Taraval and Twenty-Eighth. At T-28, nobody asked how he was, only what he wanted. He found this deeply appealing and had eaten there every night his first week in San Francisco, drawn to the lack of pleasantries and inexpensive food, until the bubble burst: low on cash, he missed a night, and when he returned, the waitress slapped down his menu and said, “Hey, long time no see.” He imagined her sitting in an ESL class, memorizing such expressions and waiting for an opportunity to use them, to say, “Breakfast special already finished. Early bird gets the worm.” He did not begrudge her the chance to use her knowledge, but he missed the way it had been.

His morning walk took him down Noriega Street, where he stopped in front of a bank to read the exchange rates posted in the front window, noting which countries’ currencies were listed, because this told him something about his neighborhood, and which currencies had risen or fallen, because this told him something about the world. From Noriega, he walked over several blocks to Golden Gate Park, where he lingered longest. Often, the bison were out, a herd that was kept there — in the middle of a city — to commemorate the lost American frontier. He liked to watch them and think about the irony of this. His last stop before exiting the park was a lake, man-made, where he sat on a bench watching a group of elderly Chinese doing tai chi, teenagers smoking pot before school, and a boy and his grandfather who came frequently, though not every morning, to motor a toy sailboat across the lake.

He preferred to begin his days in silence and found that walking to work eased him into the world. There was also the fare he saved by not taking the bus. He worried about money now that he was on his own, not because he had relied on Walter — he had not — but there was something reassuring about a household with two incomes. Mainly, he was avoiding the bus because of the twins, who were always on board. He had come to suspect that they had no destination, that riding the bus was what they did, the way that other people went to jobs.

The twins were identical. They dressed alike, usually in zippered, gray sweaters over emerald green cowboy shirts with snap buttons, and groomed each other like cats, one tamping down the other’s cowlick with moistened fingertips, straightening his collar, rebuttoning his shirt, zipping his sweater to a point just above the heart. It was as though the public nature of the bus allowed them to more fully enter their own secret world. Aaron could not look away.

Twins were popping up everywhere. In class, Yoshi, who had recently become the father of fraternal twins, raised his hand to note that twins were highly unusual in Japan. Only here in America did you see twins with regularity, said Pilar, the Spaniard, turning Yoshi’s children into a by-product of their parents’ temporary expatriation. Several of her classmates nodded in vehement agreement.

Aaron knew that he should point out the obvious: the United States was nothing more than an aggregate of the world’s populations and it seemed unlikely that the genetic capabilities of these same populations would change so drastically on American soil. But he did not disabuse the class of its theory, for he had noticed that the students were sometimes skeptical of his views on topics other than grammar. They would not be convinced, for example, that homelessness was not caused by laziness or that Americans did not all eat old food, as one of the Bolors had suggested.

“What is ‘old food’ anyway?” he had asked, perplexed by the deceptive simplicity of the words.

“Food that is old,” another student said, because they all understood the charge being made. In fact, they had an arsenal of anecdotal evidence, stories of host mothers who prepared frozen waffles with expiration dates years past, of babysitting for families who ate around mold and expected them to do the same. He tried to explain that they were arguing from exception, assuring them that most Americans did not eat spoiled food or feed it to guests, but he stopped because he saw that they needed to believe these things. They spent their days cleaning houses and delivering pizzas to people who counted change in front of them, convinced of their dishonesty or inability to subtract, or, more likely, some combination of the two, being told — as they accepted a fifty-three-cent tip — how grateful they must feel to be in this country.

And generally they were grateful. They were young, most of them, and thought about their lives the way that young people do: with anticipation and the sense that their futures would build like symphonies, one great note following the next. But there was a difference between feeling grateful and having gratitude demanded of you.

* * *

Aaron encountered his first twins the summer he was five, when he and his parents embarked on a two-week vacation marked by long stretches in the car, six or seven hours at a time. It was hot that summer, and they rarely spoke as they drove, which had less to do with the heat than with the sort of family they were. Along the way, he learned to read his first words— stop, population, and vacancy —but mainly he stared at the back of his father’s head, bristly with its policeman haircut. He had not realized, until then, how white his father’s scalp was, like the inside of a potato at the moment it’s split open.

“How much longer?” Aaron could not keep from asking. Prisoners, students, passengers on long sea voyages, children in cars: they all know well the slowing that occurs because their time does not truly belong to them. His mother gave cryptic responses involving hours and minutes, words that meant nothing to him, while his father threatened to pull over and give him “a good spanking” if he did not shut up, which did mean something. It was how his father spoke of spankings, employing the adjective good as though the spanking represented some obvious moral truth.

After several days of this, days defined by the heat and the sight of his father’s head riding squarely before him, Aaron asked instead, “How many Adam-12 s until we get there?” referring to a half-hour television program about policemen that he and his father watched each Saturday.

“Four,” said his mother, too enthusiastically, and so the Adam-12 system for telling time was established.

The vacation started at the Paul Bunyan Park in Bemidji, where cement statues of Paul and Babe the Blue Ox stood beside the shore of Lake Bemidji. The Englunds had visited the park twice before, the three visits merging in Aaron’s memory so that years later he could not remember which time they saw a roller coaster being built or which time his father pointed to a family of four and leaned toward him, whispering, “Look, Aaron, there go some Jews.” In the family photo album, there were three different shots of him standing between Paul and Babe, one to commemorate each visit, the changes in those young versions of himself obvious, despite the fact that whoever took the pictures (he assumed it was his father) had stood far back in order to capture the full height of Paul Bunyan, leaving Aaron an incidental presence at the statue’s feet.

He did know it was during the last visit that his father became angry at him for refusing to go on the rides. “So you’re just going to go through life a chickenshit?” his father asked as they stood to the side of the Tilt-A-Whirl, watching other children board the cars excitedly. In his pretend-casual voice, his father added, “Really, I don’t see how you’re going to manage in school.” Aaron did not say that he wondered this also.

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