William Gass - In the Heart of the Heart of the Country

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IN THIS SUITE of five short pieces — one of the unqualified literary masterpieces of the American 1960s — William Gass finds five beautiful forms in which to explore the signature theme of his fiction: the solitary soul's poignant, conflicted, and doomed pursuit of love and community. In their obsessions, Gass's Midwestern dreamers are like the "grotesques" of Sherwood Anderson, but in their hyper-linguistic streams of consciousness, they are the match for Joyce's Dubliners.
First published in 1968, this book begins with a beguiling thirty-three page essay and has five fictions: the celebrated novella "The Pedersen Kid," "Mrs. Mean," "Icicles," "Order of Insects," and the title story.

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For all those not in love there’s law: to rule… to regulate… to rectify. I cannot write the poetry of such proposals, the poetry of politics, though sometimes — often — always now — I am in that uneasy peace of equal powers which makes a State; then I communicate by passing papers, proclamations, orders, through my bowels. Yet I was not a State with you, nor were we both together any Indiana. A squad of Pershing Rifles at the moment, I make myself Right Face! Legislation packs the screw of my intestines. Well, king of the classroom’s king of the hill. You used to waddle when you walked because my sperm between your legs was draining to a towel. Teacher, poet, folded lover — like the politician, like those drunkards, ill, or those who faucet-off while pissing heartily to preach upon the force and fullness of that stream, or pause from vomiting to praise the purity and passion of their puke — I chant, I beg, I orate, I command, I sing—

Come back to Indiana — not too late!

(Or will you be a ranger to the end?)

Good-bye… Good-bye… oh, I shall always wait

You, Larry, traveler—

stranger,

son,

—my friend—

my little girl, my poem by heart, my self, my childhood.

But I’ve heard Batista described as a Mason. That dries up my pity, melts my hate. Back from the garage where I have overheard it, I slap the mended fender of my car to laugh, and listen to the metal stinging tartly in my hand.

PEOPLE

Their hair in curlers and their heads wrapped in loud scarves, young mothers, fattish in trousers, lounge about in the speedwash, smoking cigarettes, eating candy, drinking pop, thumbing magazines, and screaming at their children above the whir and rumble of the machines.

At the bank a young man freshly pressed is letting himself in with a key. Along the street, delicately teetering, many grandfathers move in a dream. During the murderous heat of summer, they perch on window ledges, their feet dangling just inside the narrow shelf of shade the store has made, staring steadily into the street. Where their consciousness has gone I can’t say. It’s not in the eyes. Perhaps it’s diffuse, all temperature and skin, like an infant’s, though more mild. Near the corner there are several large overalled men employed in standing. A truck turns to be weighed on the scales at the Feed and Grain. Images drift on the drugstore window. The wind has blown the smell of cattle into town. Our eyes have been driven in like the eyes of the old men. And there’s no one to have mercy on us.

VITAL DATA

There are two restaurants here and a tearoom. two bars. one bank, three barbers, one with a green shade with which he blinds his window. two groceries. a dealer in Fords. one drug, one hardware, and one appliance store. several that sell feed, grain, and farm equipment. an antique shop. a poolroom. a laundromat. three doctors. a dentist. a plumber. a vet. a funeral home in elegant repair the color of a buttercup. numerous beauty parlors which open and shut like night-blooming plants. a tiny dime and department store of no width but several floors. a hutch, homemade, where you can order, after lying down or squirming in, furniture that’s been fashioned from bent lengths of stainless tubing, glowing plastic, metallic thread, and clear shellac. an American Legion Post and a root beer stand. little agencies for this and that: cosmetics, brushes, insurance, greeting cards and garden produce — anything — sample shoes — which do their business out of hats and satchels, over coffee cups and dissolving sugar. a factory for making paper sacks and pasteboard boxes that’s lodged in an old brick building bearing the legend OPERA HOUSE, still faintly golden, on its roof. a library given by Carnegie. a post office. a school. a railroad station. fire station. lumberyard. telephone company. welding shop. garage… and spotted through the town from one end to the other in a line along the highway, gas stations to the number five.

EDUCATION

In 1833, Colin Goodykoontz, an itinerant preacher with a name from a fairytale, summed up the situation in one Indiana town this way:

Ignorance and her squalid brood. A universal dearth of intellect. Total abstinence from literature is very generally practiced…. There is not a scholar in grammar or geography, or a teacher capable of instructing in them, to my knowledge…. Others are supplied a few months of the year with the most antiquated & unreasonable forms of teaching reading, writing & cyphering…. Need I stop to remind you of the host of loathsome reptiles such a stagnant pool is fitted to breed! Croaking jealousy; bloated bigotry; coiling suspicion; wormish blindness; crocodile malice!

Things have changed since then, but in none of the respects mentioned.

BUSINESS

One side section of street is blocked off with sawhorses. Hard, thin, bitter men in blue jeans, cowboy boots and hats, untruck a dinky carnival. The merchants are promoting themselves. There will be free rides, raucous music, parades and coneys, pop, popcorn, candy, cones, awards and drawings, with all you can endure of pinch, push, bawl, shove, shout, scream, shriek, and bellow. Children pedal past on decorated bicycles, their wheels a blur of color, streaming crinkled paper and excited dogs. A little later there’s a pet show for a prize — dogs, cats, birds, sheep, ponies, goats — none of which wins. The whirlabouts whirl about. The Ferris wheel climbs dizzily into the sky as far as a tall man on tiptoe might be persuaded to reach, and the irritated operators measure the height and weight of every child with sour eyes to see if they are safe for the machines. An electrical megaphone repeatedly trumpets the names of the generous sponsors. The following day they do not allow the refuse to remain long in the street.

MY HOUSE, THIS PLACE AND BODY

I have met with some mischance, wings withering, as Plato says obscurely, and across the breadth of Ohio, like heaven on a table, I’ve fallen as far as the poet, to the sixth sort of body, this house in B, in Indiana, with its blue and gray bewitching windows, holy magical insides. Great thick evergreens protect its entry. And I live in .

Lost in the corn rows, I remember feeling just another stalk, and thus this country takes me over in the way I occupy myself when I am well… completely — to the edge of both my house and body. No one notices, when they walk by, that I am brimming in the doorways. My house, this place and body, I’ve come in mourning to be born in. To anybody else it’s pretty silly: love. Why should I feel a loss? How am I bereft? She was never mine; she was a fiction, always a golden tomgirl, barefoot, with an adolescent’s slouch and a boy’s taste for sports and fishing, a figure out of Twain, or worse, in Riley. Age cannot be kind.

There’s little hand-in-hand here… not in B. No one touches except in rage. Occasionally girls will twine their arms about each other and lurch along, school out, toward home and play. I dreamed my lips would drift down your back like a skiff on a river. I’d follow a vein with the point of my finger, hold your bare feet in my naked hands.

THE SAME PERSON

Billy Holsclaw lives alone — how alone it is impossible to fathom. In the post office he talks greedily to me about the weather. His head bobs on a wild flood of words, and I take this violence to be a measure of his eagerness for speech. He badly needs a shave, coal dust has layered his face, he spits when he speaks, and his fingers pick at his tatters. He wobbles out in the wind when I leave him, a paper sack mashed in the fold of his arm, the leaves blowing past him, and our encounter drives me sadly home to poetry — where there’s no answer. Billy closes his door and carries coal or wood to his fire and closes his eyes, and there’s simply no way of knowing how lonely and empty he is or whether he’s as vacant and barren and loveless as the rest of us are — here in the heart of the country.

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