Jung-myung Lee - The Investigation

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Fukuoka Prison, 1944. Beyond the prison walls the war rages; inside a man is found brutally murdered. Watanabe, a young guard with a passion for reading, is tasked with finding the killer. The victim, Sugiyama — also a guard — was feared and despised throughout the prison and investigations have barely begun when a powerful inmate confesses. But Watanabe is unconvinced; and as he interrogates both the suspect and Yun Dong-ju, a talented Korean poet, he begins to realise that the fearsome guard was not all he appeared to be. As Watanabe unravels Sugiyama’s final months, he begins to discover what is really going on inside this dark and violent institution, which few inmates survive: a man who will stop at nothing to dig his way to freedom; a governor whose greed knows no limits; a little girl whose kite finds her an unlikely friend. And Yun Dong-ju — the poet whose works hold such beauty they can break the hardest of hearts. As the war moves towards its devastating close and bombs rain down upon the prison, Watanabe realises that he must find a way to protect Yun Dong-ju, no matter what it takes. His This decision will lead the young guard back to the investigation — where he will discover a devastating truth…

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Giant steel doors and a looming brick wall guarded the main entrance to Fukuoka Prison. The central facilities looked like a person prone, with the head facing the north and both arms outstretched. Fukuoka Prison had been a regional prison until three years before, when it was elevated to national status. With the Pacific War the country fell into chaos. Anti-war intellectuals and criminals ran wild, beyond the reach of the police. The prison was extended repeatedly, but still it couldn’t handle the massive influx of prisoners. But the authorities had deemed it necessary to have internment facilities to isolate the anti-Japanese Koreans, who were quick to erupt with complaints, and decided on Fukuoka Prison, away from the heart of the country.

The administrative offices, including the warden’s office, were sited in the central facilities. Japanese prisoners who were accorded special treatment were held in Ward One. Wards Two and Three split off at the end of the administrative wing. In Ward Two were vicious murderers or robbers, and long-term prisoners. Ward Three was reserved for anti-Japanese Korean rebels and death-row inmates. Lesser Japanese criminals were held in Wards Four and Five, which were added onto Ward Three to the west. Despite the additions, the prison still overflowed with inmates. Ward Three in particular teemed with incidents, accidents and trouble. Prisoners went on hunger strikes, violence was frequent and executions were common. These Koreans were determined to be the most vicious, dangerous inmates and they were treated accordingly. The most robust and strongest guards were assigned there and every order was given with the swing of a club. Countless prisoners were beaten to death.

The dark scent of tobacco and mahogany washed over me as I stood at attention in the warden’s office. The bracing morning air came through the open window. An award certificate stamped with the Emperor’s royal seal was hanging on the wall and underneath it, side by side, were the crest of the samurai and the Rising Sun. A long military knife and a gleaming rifle were displayed on a solid-wood cabinet. Warden Hasegawa, whose balding pate was ringed with a thatch of hair, waved a long baton as though it were an extension of his body, his eyes closed. His chestnut-brown trousers were sharply creased and badges flashed on his chest. A man’s powerful, elegant singing, edged with sadness, reverberated in the room. A record was spinning on the phonograph, which stood on a table draped with red velvet. The warden’s office, complete with elegant floor-to-ceiling windows, sonorous singing and blinding morning sun, was a sanctuary. I had no idea that such a plush space existed in this drab brick building. Hasegawa picked up the needle and the phonograph’s crackling halted. Stroking his neatly trimmed moustache, he seemed to revel in the music’s lingering resonance.

‘Watanabe Yuichi, Ward Three, sir!’

Hasegawa moved the baton to his other hand and stood up. The thoughtful middle-aged man enjoying a mellifluous song quickly transformed into a cold prison warden, his smile stiffening and his eyes emitting a chill. ‘I already heard all about the dead guard, from Maeda.’

I wondered why he’d called me in. That was when it dawned on me — I was the last person who had seen Sugiyama alive. I clenched my molars to still my trembling lips.

‘Are you a student-soldier?’ His voice, as sharp as a hawk’s talons, sank into me as if I were a field mouse.

Was I a suspect? ‘Yes, sir. I was a liberal-arts student at the Third High School in Kyoto.’

‘Lucky fellow. Your friends who were conscripted at the same time would have been sent to the Southern Front. You were assigned in Japan — to a prison, at that — not even to a military battalion.’ His eyes glinted as he appraised me. ‘You’ll take this incident.’

Did he mean I should take care of the funeral? Or was he accusing me of the murder? It would have been preferable to go to the Southern Front. ‘I will report the murder to the Special Higher Police,’ I managed to squeak.

Hasegawa nodded and looked at me with his piercing gaze. ‘Right. That would be the standard procedure. But here in Fukuoka Prison we can’t follow standard procedures. We have the most dangerous elements of the archipelago here — men who need to be eliminated from society, people who shouldn’t have been born to begin with. You can’t employ common sense with them. The military can’t do anything with them, let alone the Special Higher Police. Everything that happens here is a battle, and we’re the only ones equipped to deal with what goes on in here. So don’t bring up the goddamn police again!’

There was nothing I could say in reply.

‘Take over this investigation. Find out which criminal element killed Sugiyama Dozan and why. Get yourself immediately to the head guard’s office and request assistance. He’ll see to it that you don’t have any difficulty with this investigation. He’ll get you the documents you need and set up interrogations with the prisoners. I want to know immediately if anything new is revealed!’

I clacked my heels together and froze at attention, feeling lost. I gave him a military salute, turned around and left.

The guard office was at the end of the administrative ward, where Wards Two and Three split off. Behind the wooden door were the guardroom and the holding cell, a neutral space between the prisoners and the guards. At one end of the guardroom was a shabby office, sectioned off by temporary walls. I opened the crooked door. Water was boiling in the kettle on top of the rusty stove, tended to by Maeda, his dress-uniform cap pressed firmly over his eyebrows. He never took off that cap; it made him taller, covered his balding head, and cast an authoritative shadow over his close-set eyes, drooping eyebrows and flat nose. Nearing fifty, Maeda looked much older than his years; he’d spent his entire life trapped in the brown uniform, surrounded by people who’d reached the end of their lives. He nodded to me and murmured, ‘So it’s finally come to this.’

I wasn’t sure if he was addressing me. ‘Did you know Sugiyama- san would be killed?’

His face became impassive, as though a curtain had been drawn. He tossed a file onto his desk, the Ward Three shift report. He licked his finger and flipped through the document. ‘I’m not the only one who thought something would happen to him. I didn’t know it would be in this horrible way. ’

‘What kind of shit was Sugiyama involved in?’ I deliberately chose to call him by name, without the polite — san . That removed any suggestion of sympathy.

Maeda softened. ‘When he came back from Nomonhan, he couldn’t rid himself of his wartime habits. He treated prisoners as if they were enemies. He acted as if he were waging battle. I mean, someone had to. The prisoners here look submissive, but don’t be fooled. They’ll rip you apart if you give them the chance. Sugiyama became an animal, too.’

Outside, the wind blew through the gaunt spindle trees, creating a piping sound. The kettle on top of the stove stopped boiling; the fire was dying down.

‘This isn’t just a guard’s death!’ Maeda shouted suddenly. ‘This is war. They’ve declared war! The murderer is here, somewhere. Let me tell you, Ward Three is a different beast. It’s where the worst of the criminals go, the most vicious — Koreans, traitors and Communists. This place stinks of blood. They bare their fangs and rip into each other. If you aren’t careful, you could end up just like Sugiyama.’ His words dripped with hatred and derision.

The coal in the furnace crackled. I didn’t know what he was talking about. I felt like a pilot who’d made an emergency landing in enemy territory, unsure of which direction I was facing. But I had to do my job. I picked up the file Maeda had tossed aside. I opened its worn, glossy cover. I inhaled the scent of sweet paper, losing myself for a moment in delicious ink and fragrant trees. The last entry was dated 22 December.

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