Edward Aubyn - At Last

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A
Notable Book of 2012
One of
's Best Fiction Books 2011
One of
's Best Books of 2012
One of
's Top 10 Fiction Books of 2012
Here, from the writer described by
as "our purest living prose stylist" and whom Alan Hollinghurst has called "the most brilliant English novelist of his generation," is a work of glittering social comedy, profound emotional truth, and acute verbal wit.
is also the stunning culmination of one of the great fiction enterprises of the past two decades in the life of the English novel.
As readers of Edward St. Aubyn's extraordinary earlier works-
and the Man Booker Prize finalist
are well aware, for Patrick Melrose, "family" has always been a double-edged sword.
begins as friends, relatives, and foes trickle in to pay final respects to his mother, Eleanor. An American heiress, Eleanor married into the British aristocracy, giving up the grandeur of her upbringing for "good works" freely bestowed on everyone but her own son, who finds himself questioning whether his transition to a life without parents will indeed be the liberation he had so long imagined.
The service ends, and family and friends gather for a final party. Amid the social niceties and social horrors, Patrick begins to sense the prospect of release from the extremes of his childhood, and at the end of the day, alone in his room, the promise some form of safety. .
.

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‘They say one should never speak ill of the dead,’ said Julia, ‘and so I’d better get a move on. I’ve always thought that Nicholas Pratt was perfectly ghastly. I’m not a particular friend of Amanda’s, but he seems to have ruined his daughter’s life. Of course you’d know more about that than I do.’

Johnny had no trouble staying silent.

‘Why don’t you stop being so horrible?’ said Robert passionately. ‘He’s an old man who’s really ill and he might hear what you’re saying, and he can’t even answer back.’

‘Yes,’ said Thomas, ‘it’s not fair because he can’t answer back.’

Julia at first seemed more bewildered than annoyed, and when she finally spoke it was with a wounded sigh.

‘Well, you know it’s time to leave a party when the children start to mount a joint attack on your moral character.’

‘Could you say goodbye to Patrick for me?’ she said, kissing Johnny abruptly on both cheeks and ignoring the two boys. ‘I can’t quite face it after what’s happened — to Nicholas, I mean.’

‘I hope we didn’t make her angry,’ said Robert.

‘She made herself angry, because it was easier for her than being upset,’ said Johnny.

Only seconds after her departure, Julia was forced back into the room by the urgent arrival of the waitress, two ambulance men, and an array of equipment.

‘Look!’ said Thomas. ‘An oxygen tank and a stretcher. I wish I could have a go!’

‘He’s over here,’ said the waitress unnecessarily.

Nicholas felt his wrist being lifted. He knew his pulse was being taken. He knew it was too fast, too slow, too weak, too strong, everything wrong. A rip in his heart, a skewer through his chest. He must tell them he was not an organ donor, or they would steal his organs before he was dead. He must stop them! Call Withers! Tell them to put a stop to it at once . He couldn’t speak. Not his tongue, they mustn’t take his tongue. Without speech, thoughts plough on like a train without tracks, buckling, crashing, ripping everything apart. A man asks him to open his eyes. He opens his eyes. Show them he’s still compos mentis, compost mentis, recycled parts. No! Not his brain, not his genitals, not his heart, not fit to transplant, still writhing with self in an alien body. They were shining a light in his eyes, no, not his eyes; please don’t take his eyes. So much fear. Without a regiment of words, the barbarians, the burning roofs, the horses’ hooves beating down on fragile skulls. He was not himself any more; he was under the hooves. He could not be helpless; he could not be humiliated; it was too late to become somebody he didn’t know — the intimate horror of it.

‘Don’t worry, Nick, I’ll be with you in the ambulance,’ a voice whispered in his ear.

It was the Irish woman. With him in the ambulance! Gouging his eyes out, fishing around for his kidneys with her nimble fingers, taking a hacksaw out of her spiritual tool box. He wanted to be saved. He wanted his mother; not the one he had actually had, but the real one he had never met. He felt a pair of hands grip his feet and another pair of hands slip around his shoulders. Hung, drawn, and quartered: publicly executed for all his crimes. He deserved it. Lord have mercy on his soul. Lord have mercy.

The two ambulance men looked at each other and on a nod lifted both ends of Nicholas at once and placed him on the stretcher they had spread out beside him.

‘I’m going with him in the ambulance,’ said Annette.

‘Thank you,’ said Patrick. ‘Will you call me from the hospital if there’s any news?’

‘Surely,’ said Annette. ‘Oh, it’s a terrible shock for you,’ she said, giving Patrick an unexpected hug. ‘I’d better go.’

‘Is that woman going with him?’ asked Nancy.

‘Yes, isn’t it kind of her?’

‘But she doesn’t even know him. I’ve known Nicholas forever. First it’s my sister and now it’s practically my oldest friend. It’s too impossible.’

‘Why don’t you follow her?’ said Patrick.

‘There is one thing I could do for him,’ said Nancy, with a hint of indignation, as if it was a bit much to expect her to be the only person to show any real consideration. ‘Miguel, his poor driver, is waiting outside without the least idea of what’s happened. I’ll go and break the news to him, and take the car on to the hospital, so it’s there if Nicholas needs it.’

Nancy could think of at least three places she might stop on the way. The examination was bound to take ages, in fact Nicholas might already be dead, and it would help to take poor Miguel’s mind off the dreadful situation if he drove her around all afternoon. She had no cash for taxis, and her swollen feet were already bulging out of the ruthlessly elegant inside edges of her two-thousand-dollar shoes. People said she was incorrigibly extravagant, but the shoes would have cost two thousand dollars each , if she hadn’t bought them parsimoniously in a sale. She had no prospect of getting any cash for the rest of the month, punished by her beastly bankers for her ‘credit history’. Her credit history, as far as she was concerned, was that Mummy had written a lousy will that allowed her evil stepfather to steal all of Nancy’s money. Her heroic response had been to spend as if justice had been done, as if she were restoring the natural order of the world by cheating shopkeepers, landlords, decorators, florists, hairdressers, butchers, jewellers, and garage owners, by withholding tips from coatcheck girls, and by engineering rows with staff so that she could sack them without pay.

On her monthly trip to the Morgan Guaranty — where Mummy had opened an account for her on her twelfth birthday — she collected fifteen thousand dollars in cash. In her reduced circumstances, the walk to Sixty-Ninth Street was a Venus flytrap flushed with colour and shining with adhesive dew. She often arrived home with half her month’s money spent; sometimes she counted out the entire sum and, seeming mystified by the missing two or three thousand, managed to walk away with a pink marble obelisk or a painting of a monkey in a velvet jacket, promising to come back that afternoon, marking another black spot in the complex maze of her debt, another detour on her city walks. She always gave her real telephone number, with one digit changed, her real address, one block uptown or downtown, and an entirely false name — obviously. Sometimes she called herself Edith Jonson, or Mary de Valençay, to remind herself that she had nothing to be ashamed of, that there had been a time when she could have bought a whole city block, never mind a bauble in one of its shops.

By the middle of the month she was invariably flat broke. At that point she fell back on the kindness of her friends. Some had her to stay, some let her add her lunches and her dinners to their tabs at Jimmy’s or Le Jardin, and others simply wrote her a large cheque, reflecting that Nancy had barged to the front of the queue again and that the victims of floods, tsunamis and earthquakes would simply have to wait another year. Sometimes she created a crisis that forced her trustees to release more capital in order to keep her out of prison, driving her income inexorably lower. For Eleanor’s funeral, she was staying with her great friends the Tescos, in their divine apartment in Belgrave Square, a lateral conversion across five buildings on two floors. Harry Tesco had already paid for her air ticket — first class — but she was going to have to break down sobbing in Cynthia’s little sitting room before going to the opera tonight, and tell her the terrible pressure she was under. The Tescos were as rich as God and it really made Nancy quite angry that she had to do anything so humiliating to get more money out of them.

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