Edward Aubyn - At Last

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A
Notable Book of 2012
One of
's Best Fiction Books 2011
One of
's Best Books of 2012
One of
's Top 10 Fiction Books of 2012
Here, from the writer described by
as "our purest living prose stylist" and whom Alan Hollinghurst has called "the most brilliant English novelist of his generation," is a work of glittering social comedy, profound emotional truth, and acute verbal wit.
is also the stunning culmination of one of the great fiction enterprises of the past two decades in the life of the English novel.
As readers of Edward St. Aubyn's extraordinary earlier works-
and the Man Booker Prize finalist
are well aware, for Patrick Melrose, "family" has always been a double-edged sword.
begins as friends, relatives, and foes trickle in to pay final respects to his mother, Eleanor. An American heiress, Eleanor married into the British aristocracy, giving up the grandeur of her upbringing for "good works" freely bestowed on everyone but her own son, who finds himself questioning whether his transition to a life without parents will indeed be the liberation he had so long imagined.
The service ends, and family and friends gather for a final party. Amid the social niceties and social horrors, Patrick begins to sense the prospect of release from the extremes of his childhood, and at the end of the day, alone in his room, the promise some form of safety. .
.

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‘He only saw the funny side of things that didn’t have one,’ said Patrick. ‘That’s not a sense of humour, just a form of cruelty.’

‘Well, cruelty and laughter,’ said Nicholas, struggling to take off his overcoat next to the row of brass hooks on the far side of the hall, ‘have always been close neighbours.’

‘Close without being incestuous,’ said Patrick. ‘In any case, I have to deal with the people who have come to mourn my mother, however much you may miss my other amazing parent.’

Taking advantage of the tangle that had briefly turned Nicholas’s overcoat into a straitjacket, Patrick doubled back to the entrance of the club.

‘Ah, look, there’s Mummy,’ he said, at last releasing Thomas onto the chequerboard floor and following him as he ran towards Mary.

‘I hate to sound like Greta Garbo, but “I want to be alone”,’ said Patrick in a ludicrous Swedish accent.

‘Again!’ said Mary. ‘Why don’t these feelings come over you when you are alone? That’s when you phone up to complain that you don’t get invited to parties any more.’

‘That’s true, but it’s not my mother’s after-funeral sandwiches that I have in mind. Listen, I’ll just whizz around the block, as if I was having a cigarette, and then I promise I’ll come back and be totally present.’

‘Promises, promises,’ said Mary, with an understanding smile.

Patrick saw Julia, Erasmus, and Annette coming in behind Mary and felt the stranglehold of social responsibility. He wanted to leave more than ever but at the same time realized that he wouldn’t be able to. Annette spotted Nicholas across the hall.

‘Poor Nick, he’s got into a real muddle with his overcoat,’ she said, rushing to his rescue.

‘Let me help you with that.’ She pulled at Nicholas’s sleeve and released his twisted shoulder.

‘Thank you,’ said Nicholas. ‘That fiend, Patrick, saw that I was trussed up like a turkey and simply walked away.’

‘Oh, I’m sure he didn’t mean to,’ said Annette optimistically.

Having parked his car, Johnny arrived and added to the weight of guests forcing Patrick back into the hall. As he was pushed inside by the collective pressure, Patrick saw a half-familiar grey-haired woman stepping into the club with an air of tremendous determination and asking the hall porter if there was a party for Eleanor Melrose’s funeral.

He suddenly remembered where he had seen her before. She had been in the Priory at the same time as him. He met her when he was about to leave on his abortive visit to Becky. She had surged up to him at the front door, wearing a dark green sweater and a tweedy skirt, and started to talk in an urgent and over-familiar way, blocking his path to the exit.

‘You leaving?’ she asked, not pausing for an answer. ‘I must say I don’t envy you. I love it here. I come here for a month every year, does me the world of good, gets me away from home. The thing is, I absolutely loathe my children. They’re monsters. Their father, whose guts I loathe, never disciplined them, so you can imagine the sort of horrors they’ve turned into. Of course I’ve had my part to play. I mean, I lay in bed for ten months not uttering a single syllable and then when I did start talking I couldn’t stop because of all the things that had piled up during the ten months. I don’t know what you’re in here for officially, but I have a feeling. No, listen to me. If I have one word of advice it’s “Amitriptyline”. It’s absolutely wonderful. The only time I was happy was when I was on it. I’ve been trying to get hold of it ever since, but the bastards won’t give me any.’

‘The thing is I’m trying to stop taking anything,’ said Patrick.

‘Don’t be so stupid; it’s the most marvellous drug.’

She followed him out onto the steps after his cab arrived. ‘ Amitriptyline ,’ she shouted, as if he’d been the one to tell her about it, ‘you lucky thing!’

He had not followed her fierce advice and taken up Amitriptyline; in fact in the next few months he had given up the oxazepam and the antidepressants and stopped drinking alcohol altogether.

‘It’s so weird,’ said Patrick to Johnny as they climbed the staircase to the room designated for the party, ‘a woman arrived just now who was in the Priory at the same time as me last year. She’s a complete loony.’

‘It’s bound to happen in a place like that,’ said Johnny.

‘I wouldn’t know, being completely normal,’ said Patrick.

‘Perhaps too normal,’ said Johnny.

‘Just too damn normal,’ said Patrick, pounding his fist into his palm.

‘Fortunately, we can help you with that,’ said Johnny, in the voice of a wise paternalistic American doctor, ‘thanks to Xywyz, a breakthrough medication that only employs the last four letters of the alphabet.’

‘That’s incredible!’ said Patrick, wonder-struck.

Johnny dashed through a rapid disclaimer: ‘Do not take Xywyz if you are using water or other hydrating agents. Possible side-effects include blindness, incontinence, aneurism, liver failure, dizziness, skin rash, depression, internal haemorrhaging, and sudden death.’

I don’t care,’ wailed Patrick, ‘I want it anyway. I gotta have it.’

The two men fell silent. They had been improvising little sketches for decades, since the days when they smoked cigarettes and later joints on the fire escape during breaks at school.

‘She was asking about this party,’ said Patrick, as they reached the landing.

‘Maybe she knew your mother.’

‘Sometimes the simplest explanations are the best,’ Patrick conceded, ‘although she might be a funeral fanatic having a manic episode.’

The sound of uncorking bottles reminded Patrick that it was only a year since Gordon, the wise Scottish moderator, had interviewed him before he joined the Depression Group for daily sessions. Gordon drew his attention to ‘the alcoholic behind the alcohol’.

‘You can take the brandy out of the fruitcake,’ he said, ‘but you’re still left with the fruitcake.’

Patrick, who had spent the night in a state of seething hallucination and cosmic unease, was not in the mood to agree with anything.

‘I don’t think you can take the brandy out of the fruitcake,’ he said, ‘or the eggs out of the soufflé, or the salt out of the sea.’

‘It was only a metaphor,’ said Gordon.

Only a metaphor!’ Patrick howled. ‘Metaphor is the whole problem, the solvent of nightmares. At the molten heart of things everything resembles everything else: that’s the horror.’

Gordon glanced down at Patrick’s sheet to make sure he had taken his latest dose of oxazepam.

‘What I’m really asking,’ he persevered, ‘is what have you been self-medicating for, at the end of the day, if not depression?’

‘Borderline personality, narcissistic rage, schizoid tendencies…’ Patrick suggested some plausible additions.

Gordon roared with therapeutic laughter. ‘Excellent! You’ve come in with some self-knowledge under your belt.’

Patrick glanced down the stairwell to make sure the Amitriptyline woman wasn’t nearby.

‘I saw her twice,’ he told Johnny, ‘once at the beginning of my stay and once in the middle, when I was starting to get better. The first time she lectured me on the joys of Amitriptyline, but the second time we didn’t even talk, I just saw her delivering the same speech to someone from my Depression Group.’

‘So, she was a sort of Ancient Mariner of Amitriptyline.’

‘Exactly.’

Patrick remembered his second sighting of her very clearly, because it had taken place on the pivotal day of his stay. A raw clarity had started to take over from the withdrawal and delirium of his first fortnight. He spent more and more time alone in the garden, not wanting to drown in the chatter of a group lunch, or spend any more time in his bedroom than he already did. One day he was sitting on the most secluded bench in the garden when he suddenly started to cry. There was nothing in the patch of pasty sky or the partial view of a tree that justified his feeling of aesthetic bliss; no wood pigeons thrummed on the branch, no distant opera music drifted across the lawn, no crocuses shivered at the foot of the tree. Something unseen and unprovoked had invaded his depressive gaze, and spread like a gold rush through the ruins of his tired brain. He had no control over the source of his reprieve. He had not reframed or distanced his depression; it had simply yielded to another way of being. He was crying with gratitude but also with frustration at not being able to secure a supply of this precious new commodity. He felt the depths of his own psychological materialism and saw dimly that it stood in his way, but the habit of grasping at anything that might alleviate his misery was too strong, and the sense of gratuitous beauty that had shimmered through him disappeared as he tried to work out how it could be captured and put to use.

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