William Boyd - Bamboo - Essays and Criticism

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On the heels of Boyd's Costa (formerly Whitbread) Award winner,
, an erudite and entertaining collection of essays and opinions from one of our generation's most talented writers. "Plant one bamboo shoot-cut bamboo for the rest of your life." William Boyd's prolific, fruitful career is a testament to this old Chinese saying. Boyd penned his first book review in 1978-the proverbial bamboo shoot-and we've been reaping the rewards ever since. Beginning with the Whitbread Award-winning
, William Boyd has written consistently artful, intelligent fiction and firmly established himself as an international man of letters. He has done nearly thirty years of research and writing for projects as diverse as a novel about an ecologist studying chimpanzees (
), an adapted screenplay about the emotional lives of soldiers (
, which he also directed), and a fictional biography of an American painter (
). All the while, Boyd has been accruing facts and wisdom-and publishing it in the form of articles, essays, and reviews.
Now available for the first time in the United States,
gathers together Boyd's writing on literature, art, the movie business, television, people he has met, places he has visited and autobiographical reflections on his African childhood, his years at boarding school, and the profession of novelist. From Pablo Picasso to the Cannes Film Festival, from Charles Dickens to Catherine Deneuve, from mini-cabs to Cecil Rhodes, this collection is a fascinating and surprisingly revealing companion to the work of one of Britain's leading novelists.

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Much of this home decorating was subsidized by profits from the house shop. This sold nothing apart from sweets, soft drinks and ice cream and did a roaring trade. It was considered completely normal, in the hour of free time between end of prep and lights out, for one person to consume, say, a litre of Coca-Cola, a packet of Jaffa Cakes and a packet of digestive biscuits, a Mars bar, a slab of chocolate, some packets of crisps, some strips of liquorice and a couple of dozen aniseed balls. Everybody, while his money lasted, seemed to eat constantly. As one rose through the ranks kettles were permitted and, along with them, “brewing” privileges. By the end of my school career I was allowed a toaster. During an average day I might drink between twenty and thirty mugs of instant coffee and eat two large white sliced loaves of bread.

Apart from eating and drinking, the other memory I retain of living in the house was the noise. Certain periods of the day were radio hours. As if on command, dozens of radios and record players would start up. Very little classical music was played. In my era the sophisticated public schoolboy listened to Jimi Hendrix, the Grateful Dead and Cream.

We had a television (black-and-white) in the house common room. Its use was very restricted. Far and away the most popular programme was Top of the Pops. I am sure its producers have no idea of the profound influence and effect this programme had on a generation of public schoolboys. I do not know if it commands the same allegiance today, but I would wager that during the last five years of the 1960s 99 percent of public schoolboys religiously watched the programme every week during term time. Everything stopped for Top of the Pops. In the entire school nothing moved. In our house sixty boys would somehow cram themselves into the common room to watch it on Thursday nights. And, pathetic as it may seem today, we didn’t watch it so much for the music but for the girls in the studio audience. The programme was accompanied throughout by the grunts and groans, the whoops and sighs, of group passion. It was, I believe, in every public school in the land, a spontaneous, countrywide expression of terrible lust.

The house was large, but it felt curiously constricted. In the summer one could get outside, but during the winter there was nowhere else to go. Curiously, there was not much traffic between houses, except at senior level. Going into another house in the school was like going into another country, but with the added disadvantage that its inhabitants constantly drew attention to your strangeness. Few events were more unsettling than, as a junior boy, to have to deliver a message to a boy in another house. To be jeered at as an alien was the best you could expect; more often you would be set upon. We were members not so much of different houses as of different tribes. The houses all had different atmospheres, almost different ideologies. One house was corrupt, full of villains; one was full of eccentrics; one house was obsessively self-interested. My house, at least when I first joined it, was very hard.

We had had a succession of popular and ineffectual housemasters. There was no discipline. A new housemaster was strenuously trying to impose his authority. But when he retired to his flat at the end of the day the old regime established itself. The source of the problem was a group of boys in the sixteen-to-seventeen age bracket. They were “bad” in the sense that they had no interest in promotion. In the evenings they terrorized juniors with a kind of candid ruthlessness that I still find chilling to recall. They would roam the junior studies, four or five of these roughs, and beat people up at random, extort money or food, rifle letters and lockers in search of diversion. One felt in a way rather like a medieval peasant during the Hundred Years War: one never knew when another marauding army might march by, randomly distributing death and destruction. It was comparatively short-lived, this period of capricious thuggery, but it provided me with a full catalogue of the resourceful cruelties of the adolescent mind. Later the attitude of the house changed to something altogether more genial, but I will always remember my years as a junior, even though I was relatively unscathed. W. H. Auden said he detested fascism because at public school he lived in a fascist state. It is rarely a constant state of affairs, but it is not difficult for private life in a boarding school temporarily to take on certain fascist characteristics. It is the sense of being a victim, or potential victim, that lingers on: the way a house can become at certain moments a place of genuine terror and fear; the way you sacrifice all principles in order to save your skin; the ease with which the ideology of the dominant group seduces you. This is, of course, the private, unadministered life of a boarding house, but in a crucial sense it is the reality of being a boarder in a boys’ public school. Its opposite is what I call “the prison governor’s view of the prison.” That has a reality too, but it is for public and official consumption. The inmates experience something entirely different, vital and basic.

If you are lucky, everything changes at school as you grow older, stronger and more senior. Those few to whom this transformation and relaxation does not apply are the saddest products of the system. But for the majority the tenor of the daily round eventually establishes itself as tolerable. However, the last year or two at school, although the most privileged, can also be the most irritating. Most people experience this, and no doubt most people have their own reasons. On reflection, I wonder if my own vague disquiet was not to do with a subconscious reaction against the unrelenting absence of privacy that one experiences as the norm in a boarding school. Looking back at it now, years later, I realize that of my nine years at boarding school I actually spent three years on holiday and a full six at school. So for those six years, for example, I usually bathed and showered in the company of eight or a dozen other people; I relieved myself in what was effectively a public lavatory; I dressed and undressed, to order, in a crowded locker room; and, except for my final year, I slept in a room that never had fewer than four people in it and on occasions had fourteen. As a way of life — I am trying to be objective about it — this seems to me to be positively bizarre, not to say noisome and rebarbative. Five years in the same house is not only five years of crowding personalities; it is also five years of enforced proximity to the bodies that accommodate those personalities. The house was not a place for the fastidious.

Few people ever wield power as absolute as that possessed by a public-school prefect. Perhaps if you are an officer in the army, it may be similar, but really I feel it is more akin to something you might encounter in a feudal or totalitarian society, in so far as your power is subject to your whim. Boys may not be allowed to administer corporal punishment, but apart from that the head of house at a public school can — or certainly could — exercise a degree of control over the sixty boys in his charge that, day by day, could be said to be greater even than that of the housemaster.

The power operates on two basic levels. First, you can order people to do things: to shave, to repolish their shoes, to comb their hair, to have their hair cut, to run instead of walk and so on. On the second level you can deprive them of things: their freedom (by enforcing detention), their pleasures (you can forbid them to watch TV or ride a bicycle, reduce their pocket money, confiscate their possessions). A prefect may not be able to beat anybody, but if he works at it, and if the transgressions persist, he could probably have a boy beaten. Conceivably, if the circumstances were right, he could get a boy expelled. It is perhaps sufficient to say that, if he feels like it, a head of house can make the life of anybody in his house absolute hell.

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