Lorrie Moore - 100 Years of the Best American Short Stories

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The Best American Short Stories These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 
is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the 
 International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, 
was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, 
, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of 
since 2007. She is the author of the novels 

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“In God’s name, Ralph! Ralph! Please, Ralph. For the children’s sake, Ralph. Don’t go, Ralph. Please don’t go, Ralph!” Her eyes were white and large, and she began to pant in her fright. She tried to head him off, but he took her by the shoulder and pushed her out of the way.

“Forgive me, Ralph! Please . Ralph!”

He slammed the kitchen door, started across the porch. Behind him, she jerked open the door, clattered over the dustpan as she rushed onto the porch. She took his arm at the porch door, but he shook her loose. “Ralph!” But he jumped down the steps onto the walk.

When he was across the driveway and walking rapidly down the sidewalk, he could hear her at the door yelling for him. Her voice seemed to be coming through a kind of murk. He looked back: she was still calling, limned against the doorway. My God, he thought, what a sideshow it was. Fat men and bearded ladies.

2.

He had to stop and lean against a car for a few minutes before going on. But two well-dressed couples were coming down the sidewalk toward him, and the man on the outside, near the curb, was telling a story in a loud voice. The others were already laughing. Ralph pushed off from the car and crossed the street. In a few minutes he came to Blake’s, where he stopped some afternoons for a beer with Dick Koenig before picking up the children from nursery school.

It was dark inside. The air was warm and heavy with the odor of beer and seemed to catch at the top of his throat and make it hard for him to swallow. Candles flickered dimly in long-necked wine bottles at some of the tables along the left wall when he closed the door. He glimpsed shadowy figures of men and women talking with their heads close together. One of the couples, near the door, stopped talking and looked up at him. A box-like fixture in the ceiling revolved overhead, throwing out pale red and green lights. Two men sat at the end of the bar, and a dark cutout of a man leaned over the jukebox in the corner, his hands splayed out on each side of the glass.

The man is going to play something. Ralph stands in the center of the floor, watches him. He sways, rubs his wrist against his forehead, and starts out.

“Ralph! — Mr. Wyman, sir!”

He stopped, looked around. David Parks was calling to him from behind the bar. Ralph walked over, leaned heavily against the bar before sliding onto a stool.

“Should I draw one, Mr. Wyman?” He had the glass in his hand, smiling.

He worked evenings and weekends for Charley Blake. He was 26, married, had two children, babies. He attended Harris Junior College on a football scholarship, and worked besides. He had three mouths to feed now, along with his own. Four mouths altogether. Not like it used to be. David Parks. He had a white bar towel slung over his shoulder.

Ralph nodded, watched him fill the glass.

He held the glass at an angle under the tap, slowly straightened it as the glass filled, closed the tap, and cut off the head with a smooth, professional air. He wiped the towel across the gleaming surface of the bar and set the glass in front of Ralph, still smiling.

“How’s it going, Mr. Wyman? Didn’t hear you come in.” He put his foot up on a shelf under the bar. “Who’s going to win the game next week, Mr. Wyman?”

Ralph shook his head, brought the beer to his lips. His shoulders ached with fatigue from being held rigid the last hour.

David Parks coughed faintly. “I’ll buy you one, Mr. Wyman. This one’s on me.” He put his leg down, nodded assurance, and reached under his apron into his pocket.

“Here. I have it right here.” Ralph pulled out some change, examined it in his hand from the light cast by a bare bulb on a stand next to the cash register. A quarter, nickel, two dimes, pennies. He laid down the quarter and stood up, pushing the change back into his pocket. The man was still in front of the jukebox, leaning his weight on one leg. The phone rang.

Ralph opened the door.

“Mr. Wyman! Mr. Wyman, for you, sir.”

Outside he turned around, trying to decide what to do. He wanted to be alone, but at the same time he thought he’d feel better if other people were around. Not here though. His heart was fluttering, as if he’d been running. The door opened behind him and a man and woman came out. Ralph stepped out of the way and they got into a car parked at the curb. He recognized the woman as the receptionist at the children’s dentist. He started off walking.

He walked to the end of the block, crossed the street, and walked another block before he decided to head downtown. It was eight or ten blocks and he walked hurriedly, his hands balled into his pockets, his shoes smacking the pavement. He kept blinking his eyes and thought it incredible he could still feel tired and fogged after all that had happened. He shook his head. He would have liked to sit someplace for a while and think about it, but he knew he could not sit, could not yet think about it. He remembered a man he saw once sitting on a curb in Arcata: an old man with a growth of beard and a brown wool cap who just sat there with his arms between his legs. But a minute later it snapped into his mind, and for the first time he tried to get a clear look at it; himself, Marian, the children — his world. But it was impossible. He wondered if anyone could ever stand back far enough from life to see it whole, all in one piece. He thought of an enormous French tapestry they’d seen two or three years ago that took up one wall of a room in the De Young Museum. He tried to imagine how all this would seem twenty years from now, but there was nothing. He couldn’t picture the children any older, and when he tried to think about Marian and himself, there was only a blank space. Then, for a minute, he felt profoundly indifferent, somehow above it, as if it did not concern him. He thought of Marian without any emotion at all. He remembered her as he had seen her a little while ago; face crumpled, tears running off her nose. Then Marian on the floor, holding onto the chair, blood on her teeth: “Why did you hit me?”… Marian reaching under her dress to unfasten her garter belt… She raises her dress slowly as she leans back in the seat.

He stopped and thought he was going to be sick. He moved off onto the edge of a lawn. He cleared his throat several times and kept swallowing, looked up as a car of yelling teenagers went by and gave him a long blast on their musical horn. Yes, there was a vast amount of evil loose in the world, he thought, and it only awaited an opportunity, the propitious moment to manifest itself… But that was an academic notion. A kind of retreat. He spat ahead of him on the walk and put his heel on it. He mustn’t let himself find solace in that kind of thinking. Not now. Not anymore, if he could help it. If he was going to think about it — and he knew he must, sooner or later tonight — he must begin simply, from the essentials: with the fact that his wife had let herself be fucked, yes, fucked, by another man. And this, this he knew was evil: he felt it in his bones.

He came to Second Street, the part of town people called Two Street. It started here at Shelton, under the street light where the old rooming houses ended, and ran for four or five blocks on down to the pier, where fishing boats tied up. He’d been down here once, two years ago, to a second-hand store to look through the dusty shelves of old books. There was a liquor store across the street, and he could see a man standing outside in front of the glass door, looking at a newspaper.

Ralph crossed under the street light, read the headlines on the newspaper the man had been looking at, and went inside. A bell over the door tinkled. He hadn’t noticed a bell that tinkled over a door since he was a child. He bought some cigarettes and went out again.

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