Lorrie Moore - 100 Years of the Best American Short Stories

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The Best American Short Stories These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 
is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the 
 International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, 
was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, 
, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of 
since 2007. She is the author of the novels 

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He spent four days in D.C. General Hospital, his first trip back to Washington since a court appearance more than three years before. His entire body was paralyzed for two days, and one nurse confided to him the day he left that he had been near death. In the end, after the infection had done its work, there was not much left of the tattoo except an “o” and an “r,” which were so deformed they could never pass for English, and a few roses that looked more like red mud. When he returned to prison, the tattoo man offered to give back the cigarettes and the money, but Caesar never gave him an answer, leading the man to think that he should watch his back. What happened to Caesar’s tattoo and to Caesar was bad advertising, and soon the fellow had no customers at all.

Something had died in the arm and the shoulder, and Caesar was never again able to raise the arm more than thirty-five degrees. He had no enemies, but still he told no one about his debilitation. For the next few months he tried to stay out of everyone’s way, knowing that he was far more vulnerable than he had been before the tattoo. Alone in the cell, with no one watching across the way, he exercised the arm, but by November he knew at last he would not be the same again. He tried to bully Watson Rainey as much as he could to continue the façade that he was still who he had been. And he tried to spend more time with Cathedral.

But the man Cathedral had killed had become a far more constant visitor. The dead man, a young bachelor who had been Cathedral’s next-door neighbor, never spoke. He just opened Cathedral’s cell door inward and went about doing things as if the cell were a family home — straightening wall pictures that only Cathedral could see, turning down the gas on the stove, testing the shower water to make sure that it was not too hot, tucking children into bed. Cathedral watched silently.

Caesar went to Cathedral’s cell one day in mid-December, six months before they freed him. He found his friend sitting on the bottom bunk, his hands clamped over his knees. He was still outside the cell when Cathedral said, “Caes, you tell me why God would be so stupid to create mosquitoes. I mean, what good are the damn things? What’s their function?” Caesar laughed, thinking it was a joke, and he had started to offer something when Cathedral looked over at him with a devastatingly serious gaze and said, “What we need is a new God. Somebody who knows what the fuck he’s doing.” Cathedral was not smiling. He returned to staring at the wall across from him. “What’s with creatin bats? I mean, yes, they eat insects, but why create those insects to begin with? You see what I mean? Creatin a problem and then havin to create somethin to take care of the problem. And then comin up with somethin for that second problem. Man oh man!” Caesar slowly began moving away from Cathedral’s cell. He had seen this many times before. It could not be cured even by great love. It sometimes pulled down a loved one. “And roaches. Every human bein in the world would have the sense not to create roaches. What’s their function, Caes? I tell you, we need a new God, and I’m ready to cast my vote right now. Roaches and rats and chinches. God was out of his fuckin mind that week. Six wasted days, cept for the human part and some of the animals. And then partyin on the seventh day like he done us a big favor. The nerve of that motherfucker. And all your pigeons and squirrels. Don’t forget them. I mean really.”

In late January, they took Cathedral somewhere and then brought him back after a week. He returned to his campaign for a new God in February. A ritual began that would continue until Caesar left: determine that Cathedral was a menace to himself, take him away, bring him back, then take him away when he started campaigning again for another God.

There was now nothing for Caesar to do except try to coast to the end on a reputation that was far less than it had been in his first years at Lorton. He could only hope that he had built up enough good will among men who had better reputations and arms that worked 100 percent.

In early April, he received a large manila envelope from his attorney. The lawyer’s letter was brief. “I did not tell them where you are,” he wrote. “They may have learned from someone that I was your attorney. Take care.” There were two separate letters in sealed envelopes from his brother and sister, each addressed to “My Brother Caesar.” Dead people come back alive, Caesar thought many times before he finally read the letters, after almost a week. He expected an announcement about the death of his father, but he was hardly mentioned. Caesar’s younger brother went on for five pages with a history of what had happened to the family since Caesar had left their lives. He ended by saying, “Maybe I should have been a better brother.” There were three pictures as well, one of his brother and his bride on their wedding day, and one showing Caesar’s sister, her husband, and their two children, a girl of four or so and a boy of about two. The third picture had the girl sitting on a couch beside the boy, who was in Caesar’s father’s lap, looking with interest off to the left, as if whatever was there were more important than having his picture taken. Caesar looked at the image of his father — a man on the verge of becoming old. His sister’s letter had even less in it than the lawyer’s: “Write to me, or call me collect, whatever is best for you, dear one. Call even if you are on the other side of the world. For every step you take to get to me, I will walk a mile toward you.”

He had an enormous yearning at first, but after two weeks he tore everything up and threw it all away. He would be glad he had done this as he stumbled, hurt and confused, out of his sister’s car less than half a year later. The girl and the boy would be in the back seat, the girl wearing a red dress and black shoes, and the boy in blue pants and a T-shirt with a cartoon figure on the front. The boy would have fallen asleep, but the girl would say, “Nighty-night, Uncle,” which she had been calling him all that evening.

An ex-offenders’ group, the Light at the End of the Tunnel, helped him to get a room and a job washing dishes and busing tables at a restaurant on F Street. The room was in a three-story building in the middle of the 900 block of N Street, Northwest, a building that, in the days when white people lived there, had had two apartments of eight rooms or so on each floor. Now the first-floor apartments were uninhabitable and had been padlocked for years. On the two other floors, each large apartment had been divided into five rented rooms, which went for twenty to thirty dollars a week, depending on the size and the view. Caesar’s was small, twenty dollars, and had half the space of his cell at Lorton. The word that came to him for the butchered, once luxurious apartments was “warren.” The roomers in each of the cut-up apartments shared two bathrooms and one nice-sized kitchen, which was a pathetic place because of its dinginess and its fifty-watt bulb and because many of the appliances were old or undependable or both. Caesar’s narrow room was at the front, facing N Street. On his side of the hall were two other rooms, the one next to his housing a mother and her two children. He would not know until his third week there that along the other hall was Yvonne Miller.

There was one main entry door for each of the complexes. In the big room to the left of the door into Caesar’s complex lived a man of sixty or so, a pajama-clad man who was never out of bed in all the time Caesar lived there. He could walk, but Caesar never saw him do it. A woman, who told Caesar one day that she was “a home health-care aide,” was always in the man’s room, cooking, cleaning, or watching television with him. His was the only room with its own kitchen setup in a small alcove — a stove, icebox, and sink. His door was always open, and he never seemed to sleep. A green safe, three feet high, squatted beside the bed. “I am a moneylender,” the man said the second day Caesar was there. He had come in and walked past the room, and the man had told the aide to have “that young lion” come back. “I am Simon and I lend money,” the man said as Caesar stood in the doorway. “I will be your best friend, but not for free. Tell your friends.”

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