Lorrie Moore - 100 Years of the Best American Short Stories

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The Best American Short Stories These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 
is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the 
 International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, 
was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, 
, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of 
since 2007. She is the author of the novels 

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While I hurried a sari and blouse into a plastic bag, Asha leaned against a wall of our bedroom, drinking water. It was three. Rajinder, in his undershirt and pajama pants, sat on the bed’s edge and stared at the floor. I felt no fear, perhaps because Asha had said the heart attack was not so bad, or perhaps because I just did not care. The rushing and the banging on doors appeared to be the properly melodramatic behavior when one’s father might be dying.

An auto-rickshaw was waiting for us downstairs, triangular, small, with plasticized cloth covering its frame. It seemed like a vehicle for desperate people. Before getting in, I looked up and saw Rajinder. He was leaning against the railing. The moon was yellow and uneven behind him. I waved and he waved back. Such formalities, I thought, and then we were off, racing through dark, abandoned streets.

“Ma’s fine. He screamed so loud,” Asha said. She is a few inches taller than I am, and although she too is not pretty, she uses makeup that gives angles to her round face. Asha sat slightly turned on the seat so that she could face me. “A thousand times we told him, Lose weight,” she said, shaking her head impatiently. “When the doctor gave him that diet, he said, ‘Is that before or after breakfast?’” She paused and added in a tight whisper, “He’s laughing now.”

I felt lonely sitting there while the city was silent and dark and we talked of our father without concern. “He wants to die,” I said softly. I enjoyed saying such serious words. “He is so unhappy. I think our hopes are made when we are young, and we can never adjust them to the real world. He was nearly national champion in wrestling, and for the past thirty-seven years he has been examining government schools to see that they have the right PE equipment. He loves eating, and that is as fine a way to die as any.”

“If he wants to die, wonderful; I don’t like him. But why is he making it difficult for us?”

Her directness shocked me and made me feel that my sentimentality was dishonest. The night air was still bitter from the evening traffic. “He is a good man,” I said unsteadily.

“The way he treated us all. Ma is like a slave.”

“They are just not good together. It’s no one’s fault.”

“How can it be no one’s fault?”

“His father was an alcoholic.”

“How long can you use your parents as an excuse?”

I did not respond at first, for I thought Asha might be saying this because I had always used Ma and Pitaji to explain away my failures. Then I said, “Look how good he is compared with his brothers. He must have had something good inside that let him be gentler than them. We should love him for that part alone.”

“That’s what he is relying on. It’s a big world. A lot of people are worth loving. Why love someone mediocre?”

Broken glass was in the hallways of the hospital, and someone had urinated in the elevator. When we came into the yellow room that Pitaji shared with five other men, he was asleep. His face looked like a shiny brown stone. He was on the bed nearest the window. Ma sat at the foot of his bed, her back to us, looking out at the fading night.

“He will be all right,” I said.

Turning toward us, Ma said, “When he goes, he wants to make sure we all hurt.” She was crying. “I thought I did not love him, but you can’t live this long with a person and not love just a bit. He knew that. When they were bringing him here, he said, ‘See what you’ve done, demoness.’”

Asha took Ma away, still crying. I spent the rest of the night dozing in a chair next to his bed.

We fell into a pattern. Ma usually came in the morning, around eight, and I replaced her, hours later. Asha would take my place at three and stay until six, and then Ma’s brother or his sons would stay until Ma returned.

I had thought I would be afraid of being in the hospital, but it was very peaceful. Pitaji slept most of the day and night because of the medicines, waking up every now and then to ask for water and quickly falling asleep again. A nice boy named Rajeeve, who also was staying with his father, told me funny stories about his family. At night Asha and I slept on adjacent cots on the roof. Before she went to bed, she read five pages of an English dictionary. She had been accepted into a postdoctoral program in America. She did not brag about it as I would have. Like Ma, Asha worked very hard, as if that were the only way to live and one needn’t talk about it, and as if, like Ma, she assumed that we are all equally fortunate. But sometimes Asha would shout a word at me—“Alluvial!”—and then look at me as if she were waiting for a response. Once, Rajinder came to drop off some clothes, but I was away. I did not see him or talk with him for the two weeks.

Sometimes Pitaji could not sleep and he would tell me stories of his father, a schoolteacher, who would take Pitaji with him to the saloon, so that someone would be there to guide him home when he was drunk. Pitaji was eight or nine then. His mother beat him for accompanying Dadaji, but Pitaji, his breath sounding as if it were coming through a wet cloth, said that he was afraid Dadaji would be made fun of if he walked home alone. Pitaji told the story quietly, as if he were talking about someone else, and as soon as he finished, he changed the subject. I could not tell whether Pitaji was being modest or was manipulating me by pretending modesty.

He slept most of the day, and I sat beside him, listening to his little green transistor radio. The June sun filled half the sky, and the groundskeeper walked around the courtyard of the hospital in wide circles with a water bag as large as a man’s body slung over one shoulder. He was sprinkling water to keep the dust settled. Sometimes I hummed along to Lata Mangeshkar or Mohammed Rafi singing that grief is no letter to be passed around to whoever wants to read.

There were afternoons when Pitaji became restless and whispered conspiratorially that he had always loved me most. Watching his face, puffy from the drugs, his nose broad and covered with blackheads, as he said again that Ma did not talk to him or that Asha was indifferent to his suffering, I felt exhausted. When he complained to Asha, “Your mother doesn’t talk to me,” she answered, “Maybe you aren’t interesting.”

Once, four or five days before we took him home, as he was complaining, I got up from the chair and went to look out the window. Beyond the courtyard was a string of yellow-and-black auto-rickshaws waiting under eucalyptus trees. I wanted desperately for Asha to come, so that I could leave, and bathe, and lie down to dream of a house with a red-tiled roof near the sea. “You must forgive me,” Pitaji said as I looked out the window. I was surprised, for I could not remember his ever apologizing. “I sometimes forget that I will die soon and so act like a man who has many years left.” I felt frightened, for I suddenly wanted to love him but could not trust him enough.

From then until we went home, Pitaji spoke little. Once, I forgot to bring his lunch from home and he did not complain, whereas before he would have screamed and tried to make me feel guilty. A few times he began crying to himself for no reason, and when I asked why, he did not answer.

Around eleven the day Pitaji was released, an ambulance carried Ma, Pitaji, and me to the Old Vegetable Market. Two orderlies, muscular men in white uniforms, carried him on a stretcher up three flights of stairs into the flat. The flat had four rooms and was part of a circle of dilapidated buildings that shared a courtyard. Fourteen or fifteen people turned out to watch Pitaji’s return. Some of the very old women, sitting on cots in the courtyard, asked who Pitaji was, although he had lived there for twenty years. A few children climbed into the ambulance and played with the horn until they were chased out.

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