Laura Restrepo - Hot Sur

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From revered Colombian writer Laura Restrepo comes the smart, thrilling story of a young woman trying to outrun a nightmare.
María Paz is a young Latin American woman who, like many others, has come to America chasing a dream. When she is accused of murdering her husband and sentenced to life behind bars, she must struggle to keep hope alive as she works to prove her innocence. But the dangers of prison are not her only obstacles: gaining freedom would mean facing an even greater horror lying in wait outside the prison gates, one that will stop at nothing to get her back. Can María Paz survive this double threat in a land where danger and desperation are always one step behind, and safety and happiness seem just out of reach?

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“It has his trademark, a ritual over a cadaver,” Ming responded as he fed mosquito larvae to the iridescent and bluish Wan-Sow, the best of his bettas. Ming meant that unexpected forces were pushing Sleepy Joe to more dangerous levels. “If Sleepy Joe is Eagles’s murderer, it would mean that the guy is getting close, Cleve.”

If he is the murderer, he is among us. Although it is highly unlikely that he’ll remain wandering around there, given that since the night of the murder the area is crawling with patrol cars. The cops come by our house at least twice a week, calling out at every door to make sure everything is okay. This has become for us a protective barrier against Sleepy Joe, and at the same time the greatest threat, because if they discover María Paz, she is history. That is, those who can do us in are also our protectors; damned spot we’re in, so dual and complex. As the Coen brothers scripted for George Clooney in O Brother, Where Art Thou? “Damn! We’re in a tight spot.”

For now, I have María Paz by my side in this attic refuge, and she is my only reality. She peruses my books while eating cheese, leaving them all greasy. For long periods, she does nothing, she wastes all the hot water while showering, she brushes Skunko and paints her toenails. Afterward, she lies on my bed and watches some reality shows that I think are horrible but that she won’t miss and then recounts them to me episode by episode in complete detail. First thing in the morning, she does aerobics following the instructions of a woman called Vera in a program called In Shape with Vera . She has a double portion of ice cream for breakfast, later she puts on my clothes, that is if she doesn’t remain in her pajamas all day, and entertains herself rummaging through my drawers and disorganizing my things. She sits by the side of the window hidden behind the curtain to spy on the deer that ravage our garden and the moose that turn over our garbage cans looking for food. She appears serene, light — I would say radiant, in any case — very beautiful. I am madly in love with her.

But I live in a state of alertness with my hairs standing on end. I spend many hours psychoanalyzing the brother-in-law, dissecting his personality. For obvious reasons, I have been interested more in his story than the story of the murdered brother. Arms trafficking seems like a very ordinary subject matter, one more chapter in the kind of corruption that is eternal. And besides, I hate cops, and any atrocities that they are accused of committing are possible and likely probable. In contrast, I have reached some interesting conclusions about Sleepy Joe. As a child, he must have always been scared to death. In general, those types of bullies have been bullied themselves, they become abusers because they have been abused, anybody who reads comic books knows that. I imagine that in his case, old childhood fears must have reemerged in adulthood, creating a sick and distorted ritualization. María Paz recounted that when Sleepy Joe was a boy, the mother forced him to recite a prayer called “A Thousand Jesuses” that was a repetition of the name a thousand times. Jesus, Jesus, Jesus. Of course, maybe this wasn’t the best tactic, a thousand Jesuses is an exaggerated number of Jesuses; you can go a little nuts during the few hours on your knees repeating Jesus in Slovak.

She has also told me that in the bedroom of Greg, Sleepy Joe, and the rest of the siblings, there hung a large portrait of the baby Jesus nailed to a white cross. Not the adult Jesus but the baby Jesus. Crucified. Such a thing, a child as a crucificado .

I would not have been able to open my eyes with that portrait in the room, that would have been the least of it, but I would not have become a master criminal because of it. Who knows what else could have happened to him, from what root the tendency toward evil had sprouted.

There must have been other things, because in the end being the son of a mother who says the rosary every day does not automatically lead you to nail a dog to a wall. It was too obvious to look automatically for Christian roots to any perversions, but perhaps the drama has less to do with Christianity than with the Carpathians, their region of origin, mountain ranges that I imagine gloomy and menacing, boulders cut by picks and vertigo-inducing cliffs, with frozen landscapes and a national history crisscrossed with everyday butcheries and cruelties. The whole Slovakia thing may be nothing, I couldn’t even pick out its exact location on a map, but that’s how I imagine it during my nights of insomnia. Then I remembered about the lands of Vlad Tepes, Dracula, the insatiable impaler who liked to eat his dinner among the dozens of Turks whom he had ordered to be strung from behind. And don’t some of Sleepy Joe’s actions seem Dracula-like: Corina and the broomstick?

Isn’t it easy to make connections?

But those are just the speculations of the sleepless, too many horror movies. The only thing that’s clear is that the more I know, the more I am disgusted with Sleepy Joe.

I am the type of person who cannot stand the suffering of animals. I must admit that sometimes I feel like Brigitte Bardot with her maniacal and exclusive obsession with the well-being of seals. I do not compromise with anyone who engages in the abuse of animals in any form, and that’s why I’m a vegetarian. But to nail a dog to a wall, you have to be a sadistic motherfucker to do something like that. And that would be enough to earn my hate, but that’s just the tip of the iceberg. If there’s something I can’t stand in this world it’s a man who mistreats a woman. Zero tolerance, much less if it’s the woman I love. Yet there is another side of him that caught my attention, a corner of his character, one only, that inspires a degree of envy, his knack for the ritualistic, which seems authentic. He is a nobody, illiterate and vicious, but he retains the sense of the sacred. Or least he is one inspired son of a bitch. A taut string of conviction vibrates in that bastard, and I dashed to write that phrase down before I forgot it. Writing graphic novels for so long, I have developed the habit of thinking in vignettes, which I translate into catchy expressions that fit in dialogue balloons.

Some force is pushing Sleepy Joe beyond himself. Something lifts him from his current surroundings. At nights, in the safety of my bed, I intuit what an angry María Paz had to experience on her own on the roof, tied up and terrified, naked and trembling from the cold as she watched her brother-in-law officiate that ceremony. She knows exactly what all this is about, and after so many days of silence on the matter, early this morning she uttered a phrase whose meaning I haven’t quite fully deciphered. I don’t know if it was said in defense of her brother-in-law or against me: she warned me not to underestimate Sleepy Joe.

“You may hate him, yes, despise him even, whatever you want, but never underestimate him.”

“Alright,” I said, somewhat annoyed, “I’ll be careful; I don’t like the idea of being nailed to a wall.” Not to mention a broomstick up my ass.

Two days ago I told María Paz that today we would have to separate for a few days, just a few, because my mom and Ned’s anniversary was coming up, and I had promised both of them that I would go to the celebration in Chicago. I hate the idea of leaving María Paz alone here, knowing that Sleepy Joe is near, but it is much more risky to try and take her out given the police presence. I can’t miss this fucking anniversary, my mother would kill me, she’s already very touchy since I decided to live with my father, and missing her party would be the last straw. Besides, María Paz is fine on her own. She is in a house owned by white people who are more or less rich, or at least upper middle-class, and, as such, free from suspicion. The state troopers are well aware that they are here to protect us and not make things harder, and they will not have any awareness of her presence unless she makes it known by peeking her nose out of the hiding place. I have warned her a thousand times that she cannot do it, not under any circumstances. She cannot be tempted to look out the window at the garden, as she does when I am there, or go down the stairs, or go to the front door, under mortal risk.

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