Renée Knight - Disclaimer

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Disclaimer: краткое содержание, описание и аннотация

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Finding a mysterious novel at her bedside plunges documentary filmmaker Catherine Ravenscroft into a living nightmare. Though ostensibly fiction,
recreates in vivid, unmistakable detail the terrible day Catherine became hostage to a dark secret, a secret that only one other person knew-and that person is dead.
Now that the past is catching up with her, Catherine’s world is falling apart. Her only hope is to confront what really happened on that awful day even if the shocking truth might destroy her.

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Nancy had taken over the territory of Jonathan’s wardrobe and chest of drawers, so I tackled the pine chest at the end of his bed. I opened the lid and saw it was a place he put things he couldn’t find a place for. There were a few old toys; uneaten sweets; chocolate money left over from his Christmas stocking; some bits and pieces from camping trips, tin plates and mugs, a head torch; there was even a pair of dirty old trainers. As I got nearer the bottom I found his comics. We’d bought him a subscription to The Beano when he was a boy and I thought it might be nice to keep a few. I picked them up, and then saw what was hidden underneath: a collection of pornography, magazines and videotapes. Their titles and covers appalled me and I glanced over at Nancy but she was absorbed in looking through one of Jonathan’s scrapbooks. I shuffled round to the other side of the bed and opened one of the magazines.

“Jesus.” The word escaped before I could stop it.

“What? What is it?” she said.

“Nothing, nothing,” I replied, “just a bit of stomach cramp.” I sat for a moment, then got up and took the black bag over to the bed and dumped the lot into it. Nancy looked over with suspicion.

“It’s got to go, darling — there are mouldy bits of old food in here. Nothing precious, I promise,” and I hid the weight of the bag as I took it from the room and carried it straight out to the dustbin. Thank God it was me and not Nancy who found them. When I returned to the bedroom, Jonathan’s scrapbook was still open on her lap.

“Look at these,” she said, and I went and sat down next to her on the floor. “I didn’t know they were here. They’re very good.” She smiled at me with tears in her eyes. She was looking at some photographs which were loose in the back of the scrapbook. At first I wasn’t sure what I was looking at.

“They were taken on a zoom,” she explained, “look,” and she held one up and I saw it was a close-up of an eye. Another showed the curve of a cheek, so close you could see the veins under the skin.

“Oh yes,” I said.

“He was experimenting with his new camera,” Nancy explained. “I bet they were the first photos he took with it.”

“Who is it?” I said. She looked through them and then smiled.

“It’s me,” she said and held out the pictures, one after the other, moving from the abstract close-ups to the final revelation of her sitting in a deck chair at the end of our garden. He’d taken the pictures without Nancy even knowing he was there and it pleased her to know he had focused so much attention on her.

There were others too: street scenes around North London, reportage of urban life. Nancy was right, they were good. He seemed to have a talent for it. Like a true photojournalist Jonathan had managed to keep himself out of the picture and capture something real and natural. I am sure Nancy had not had the film developed from his camera by then, but I wonder whether it was these photographs tucked into the back of his scrapbook which made her think about it. She must have assumed she’d find some beautiful images which she could have had framed and shown off.

I was wrong to think that sorting through Jonathan’s things was a sign of her recovery. If anything, she got worse after that. She refused to go out. We didn’t see anyone and after a while lost touch with all our friends. They gave up. I suppose they thought we had each other. It was about five years after Jonathan’s death when she decided that she couldn’t face seeing me either. For a while at least, she said. She needed time by herself, and I respected that, but I worried about her choice of Jonathan’s flat as her retreat.

We’d been left some money by an aunt and we spent it on that flat in Fulham. We bought it for Jonathan the year before he went travelling. We thought it was a good idea for him to have his first taste of independence closer to home, and he moved in for a short while before he left England. Nancy kitted it out with everything he might need: new pans, bed linen. And we donated things of our own too — things we no longer needed, like Nancy’s desk. She used to go over there and give him cooking lessons, teaching him the skills he’d need to be self-sufficient. It was ready for when he came home and we hoped it would give him the space to decide what he wanted to do. We hoped he might go to university.

After he died she still went over now and again to clean it. She didn’t tell anyone in the building what had happened. Perhaps she thought that if they didn’t know then she could pretend, at least in that place, that he was still alive. She lived amongst Jonathan’s things, dressing the place as if it was a shrine, fresh flowers in every room. And at first she let me visit her there, but then one day she asked me not to come anymore. She said it didn’t help her, that I was holding back her recovery. I still telephoned once a week, but after a while even that stopped. She said she would call me when she was ready to come home. I only agreed to her demand because she promised she wouldn’t do anything to harm herself, and something in her voice made me believe her. I thought I heard a shift in it, as if she was at last beginning to find some peace. But it was someone from the Tenants’ Association who called me, not Nancy. It was a year after she’d moved in. It’s painful for me to know how useless I was to her then.

When I got that call, I was terrified she’d broken her promise. They said that there had been complaints about the state of the common parts and a smell was coming from the flat. I cursed myself for having been so weak — for not having gone in before and forced her home. I was convinced that when I let myself in with the key I’d resisted using so often that I would find her dead. She was lying on the sofa, her eyes closed, but she was breathing. There was an unpleasant smell. The toilet had been neglected but the main stench came from a full bin liner by the front door. She had intended to take it down, but simply hadn’t had the strength and so it had sat for weeks, leaking onto the floor, its rotting contents almost capable of making their own way down the stairs. She had cancer, she told me. She was matter-of-fact about it, but by then she was in pain, had been in pain for some time, endured it, relished it even. It is what she had been waiting for. The cancer filled the space which Jonathan had left. I hated that flat. When I went back and found her manuscript, it was the first time I had been there since taking her home all those years ago.

It was that period she meant, I am sure of it, when she told Catherine Ravenscroft that she had “ lost her husband .” For a while, we were lost to each other. But I had always believed that it was me who had lost her, not she who had lost me. I thought I was alone in feeling alone so it was a comfort when I read in her notebook that she had felt as I had. She missed me as much as I had missed her.

I took her home and I cared for her and she rallied a little. She survived for another year at home with me. I was still working at the private school, and I admit that I took out my pain on those children. The Macmillan nurses were wonderful. They came in while I was at work to make sure she was okay. She never complained. As I say, she embraced her suffering. It was the kind of suffering she had been searching for, something concrete to dig her nails into.

But now she is alive again — my constant companion. I hear her voice and I speak to her regularly. I told her about the phone call and the sound of fear in the whore’s voice. There are no secrets between us anymore, but Nancy is getting impatient to get on with it now, we both are. We want to see her fear, not just listen to it.

32. SUMMER 2013

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