Doris Lessing - Briefing for a Descent into Hell

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In this ambitious novel of madness and release, shortlisted for the Booker Prize, Doris Lessing imagines the fantastical "inner-space" life of an amnesiac.
Charles Watkins, a Professor of Classics at Cambridge University, has suffered a breakdown, confined to a mental hospital as his friends and doctors attempt to bring him back to reality. But Watkins has embarked on a tremendous pyschological adventure that takes him from a spinning raft in the Atlantic to a ruined stone city on a tropical island to an outer-space journey through singing planets. As he travels in his mind through memory and the farther reaches of imagination, his doctors try to subdue him with ever more powerful drugs in a competition for his soul. In this provocative novel, Lessing takes us on a harrowing voyage into the rarely glimpsed territory of the inner mind.

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I was not tired. I was not tired at all with the work. I was not even particularly expectant of anything. I knew only that this was what I had to do, and could only suppose that my friends must have told me so, since it was after my dream of them that I had known it.

Now the moon was in its last quarter and making a triangle, sun, earth, moon, whereas when I had reached that coast it was full, and sitting on the plateau’s edge and staring into the moon’s round face I had had my back to the sun, which was through the earth, and the sun stared with me at the moon. Then the pulls and antagonisms and tensions from sun and moon had been in a straight line through the earth, which swelled, soil and seas, in large bulges of attraction as the earth rolled under the moon, the sun; but now the tension of sun and moon pulled in this triangle, and the tides of the ocean were low, and the great sky was full of a different light now, a fainter bluer moonlight, and the stars blazed out. I did not know why I thought so, but I had come to believe that it was the next full moon that I was waiting for.

I moved my pile of drying leaves to the edge of the circle in the square. Now that all expanse of stone was washed and clean, patterns glowed in it, continuous geometrical patterns that suggested flowers and gardens and their correspondence with the movements of the sky. Even in the thinning moonlight the patterns loomed up milkily, as I lay on my elbow in my pile of leaves. I lay there in the dimming moonlight, and listened to the wind in the grasses, the tinkling of the water that ran invisibly in its channels, and sometimes the hard crackle when one of the dried leaves of my bed cartwheeled and skittered across the stone floor as I watched and watched all night, in case I might be wrong, and the visiting Crystal descended now, in the moon’s wane. When I was ready to sleep, I lay on my back, with one arm out over the stone which held the day’s warmth, and I closed my eyes, and let the moon and the starlight drench my face. My sleep was ordered by the timing of the moon. I was obsessed by it, by its coming and going, or rather, by its erratic circling in wild crazy loops and ellipses around the earth, so that sometimes it lay closer to the North, sometimes circled lower over my head, at 15 degrees South, sometimes it looped lower still, so that with my head to the North, and my feet pointing to the Antarctic, the path seemed at knee level. In the dark of space was a blazing of white gas, and in the luminous envelope of this lamp some crumbs of substance whizzed around, but the crumbs further out from the central blaze were liquefied or tenuous matter, gases or soups also spinning in their orbits, and some of these minute crumbs or lumps of water that spun about had other tinier crumbs or droplets swirling about them in a dance, a dance and a dazzle, and someone looking in, riding in, from space, would see this great burning lamp and its orbiting companions as one, a unit; a unit even as central blaze and circling associates, but even more if this visiting Explorer had eyes and senses set by a different clock, for then this unit, Sun and associates, might seem like a central splurge ringed by paths of fire or light, for the path of a planet by a different scale of time might be one with that planet, and this Celestial Voyager with his differently tuned senses might very well see the Earth’s circling streak and its Moon as one, a double planet, a circling streak that sometimes showed double, as when the hairs in a painter’s brush straggle and part, and make two streaks of a single stroke. The Voyager, too, would see the tensions and pulls of the lumps or drops in their orbiting about the Sun in a constantly changing pattern of subtle thrills, and currents and measures of movement in the rolling outwards of the solar wind, and he might even see in the little crumb of matter that was the Earth, the tuggings and pullings crosswise of the Moon and the Sun, which were at right angles, this being the Moon’s last quarter and the tides of water and earth and air being low.

The moon held me, the moon played with me, the moon and I seemed to breathe at one, for my waking and sleeping, or rather, being wakeful and then dreaming, not the same thing, was set by the moon’s direct pressure on my eyes. And then, as it waned, by my knowledge of its presence, a dark orb with its narrowing streak of reflected sunlight, and then at last the two days of the dark of the moon, when the moon, between earth and sun, had its back to us and held its illuminated face inwards, to the sun, so that great Sun and minute Moon stared at each other direct. The sun’s light, its reflected substances, were reflected back at the sun’s broad face, and we received none, instead of being bathed in sun-stuff from two directions, immediately from sun, and reflected from moon. No, the moon had her back to us, like a friend who has gone away. In the few days when the moon was dark, when the earth was warmed and fed and lit only by the sun, only that part of the earth which was exposed to the sun’s rays receiving its light, I fell into a misery and a dimming of purpose. In the daytime I walked among the buildings of this city which was whole except for its absent roofs, and watched the turning of the earth in the shortening and lengthening of shadows, and at night I sat by the edge of the great square of stone where the circle lay glowing — yes, even by starlight it showed a faint emanation of colour — and lived for the return of the moon, or rather, for its circling back to where it might again shed the sun’s light back on us.

As my head, when climbing the last part of the ascent to the plateau, had been filled with the din of falling water and the buffeting of mountain winds, so that I could not think, could only ascend without thought, so now my head was full of light and dark, filled with the moon and its white dazzle — now alas reflected out and away back at the sun, back at space — and my thoughts and movements were set by it, not by the Sun, man’s father and creator, no, by the Moon, and I could not take my thoughts from her as she dizzied around the earth in her wild patterning dance.

I was moonstruck. I was mooncrazed. To see her full face I sped off in imagination till I lay out in space as in a sea, and with my back to the sun, I gazed in on her, the Moon, but simultaneously I was on the high plateau, looking at the moon’s back which was dark, its face being gazed upon by the sun and myself.

I began to fancy that the moon knew me, that subtle lines of sympathy ran back and forth between us. I began to think the moon’s thoughts. A man or a woman walking along a street gives no evidence of what he is thinking, yet his thoughts are playing all about him in subtle currents of substance. But an ordinary person cannot see these subtle moving thoughts. One sees an animal with clothes on, its facial muscles slack, or in grimace. Bodily eyes see bodies, see flesh. Looking at Moon, at Sun, we see matter, earth or fire, as it were people walking in the street. We cannot see the self-consciousness of Moon, or Sun. There is nothing on Earth, or near it, that does not have its own consciousness, Stone, or Tree or Dog or Man. Looking into a mirror, or into the glossy side of a toppling wave, or a water-smoothed shining stone like glass, we see shapes of flesh, flesh in time. But the consciousness that sees that face, that body, those hands, feet, is not inside the same scale of time. A creature looking at its image, as an ape or a leopard leaning over a pool to drink sees its face and body, sees a dance of matter in time. But what sees this dance has memory and expectation, and memory itself is on another plane of time. So each one of us walking or sitting or sleeping is at least two scales of time wrapped together like the yolk and white of an egg, and when a child with his soul just making itself felt, or a grownup who has never thought of anything before but animal thoughts, or an adolescent in love, or an old person just confronted with death, or even a philosopher or a star measurer — when any of these, or you or I ask ourselves, with all the weight of our lives behind the question, What am I? What is this Time? What is the evidence for a Time that is not mortal as a leaf in autumn, then the answer is, That which asks the question is out of the world’s time … and so I looked at the body of the moon, now a dark globe with the sun-reflecting segment broadening nightly, I looked at this crumb of matter and knew it had thoughts, if that is the word for it, thoughts, feelings, a knowledge of its existence, just as I had, a man lying on a rock in the dark, his back on rock that still held the warmth from the sun.

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