John Gardner - The Sunlight Dialogues

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John Gardner’s sweeping portrait of the collision of opposing philosophical perspectives in 1960s America, centering on the appearance of a mysterious stranger in a small upstate New York town. One summer day, a countercultural drifter known only as the Sunlight Man appears in Batavia, New York. Jailed for painting the word “LOVE” across two lanes of traffic, the Sunlight Man encounters Fred Clumly, a sixty-four-year-old town sheriff. Throughout the course of this impressive narrative, the dialogue between these two men becomes a microcosm of the social unrest that epitomized America during this significant historical period — and culminates in an unforgettable ending.
Beautifully expansive and imbued with exceptional social insight,
is John Gardner’s most ambitious work andestablished him as one of the most important fiction writers in post — World War II America.

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“Stop it,” she snapped.

“Why?”

“It’s sentimental tripe. Speech-making. You sound like somebody on TV, full of self-pity. It’s childish.”

He leaned forward, glaring, and for a moment he couldn’t speak. The room filled with the sound of the rain, a rattle like a river going by. He said at last, quietly, driving the words out by intense pressure, “What did you expect us to be? Are you a grown-up? Is Dad? How do you think it was all those years, listening to you two bitch, the same old sentences over and over, neither one listening for a second to the other, like a couple of deaf idiots shouting at each other in the dark? Every word he said was moronic, according to you, and any fool could see what you said was moronic, not that the Old Man didn’t trouble to point it out. And you were the people we were supposed to listen to! — take orders from! Jesus, I’d sit there in the livingroom hearing you blather at each other out in the kitchen, the Old Man sitting there fuming at the table with his bib tucked under his chin like a baby’s, and you slamming around at the sink saying clever clever things like some brat to her mean old papa. Talk about childish! And then you’d go to bed and he’d come in in his stupid damn nightdress and beg you like a kid that can’t have candy, and you’d sit there wide-eyed like an outraged little virgin. By God it was an education! Prepared us for the world, that’s a fact. The great university, for instance, where the stupidest people you ever saw in your life get to teach you. You don’t know what it’s like. You’re so stupid you believe them — or some of them, which is dumber than believing all of them. It’s the truth. Listen.” He suddenly stood up, as if afraid she would cut him off. “They’re like chickens, big fat stupid chickens. They come examine your brain like chickens inspecting the inside of a clock. I had an English teacher, he had us buy an anthology and then he got a different one, and every question he ever asked, the answer was there in that other book. There wasn’t one single thing he knew! Not one! But Jesus what a show that horse’s ass put on. He had all the gestures. He knew how to make his eyes light up just like a human being. And oh was he kind — to fat, dumb girls. And he would lecture on what trouble they used to have getting the snow cleared off the sidewalks at Hahvid. Yeah. With diagrams on the board. And another one. He taught us how to find symbols in novels. Like this blue parachute that comes down in Lord of the Flies. ‘Blue,’ he’d say. ‘What does blue make you think of?’ He looked like Dylan Thomas, but with yellow hair and pink cheeks. He was in Counter-Intelligence during the War, which is why the fucking War took so long. ’Blue,’ he would say. ‘Think now. Blue.’ Some fat dumb girl with blue pimples would say, ‘The Virgin Mary?’ and he’d say ‘That’s it! That’s IT!’ Sweet Jesus please us! One class I was in, the lady brought in a World Book salesman. I swear to God. He took half an hour giving his pitch to the whole fucking class. And then the math classes. That was worse. Man would spend an hour writing out on the board the same explanations you could get in the book, except the book was faster and clearer, and he knew it. He cut class maybe twenty-some times in one lousy semester. But history! Jesus!”

“Stop it,” she said.

“Let me finish.” He was leaning on the mantelpiece now, pressing his hands to the sides of his head. “Everyplace you looked, children. You’d see them in the cafeteria primping and preening and puk-puk-padokking, speech-making at each other, some of them, the rest of them nodding, very solemn, as if it were all oh so interesting, talking about books nobody past the age of twelve would read all the way through except to punish himself, yammering about Communism and Capitalism and Christianity and the Good Lay, and back in the dorm all the baby professors would do imitations, learning the gestures and the Right Quotations, prattling about Tillich and Bishop Pike and Mr. Fromm, and relaxing their minds in the great American way with talk about baseball and football and cunts, and the brave stupid ones would talk about defending freedom in Vietnam and the cowardly stupid ones would talk about How We Had No Business There, and if you fled to where the intellectuals weren’t, it was as bad as anywhere else, cooks, bartenders, ushers at the show, talking talking talking, or standing around like mutes because they hadn’t even the brains for their kind of talk, not human, kids, not even grade-school age yet, big as they were, or the med-students, the real true anti-intellectuals, with their contests over how many girls they could screw, parties where everybody screwed everybody, eight, nine in a bed. Fun? Christ’s hair. But they were great stuff, they thought — all of them, med-school children, bartender children, professor children — they were all somebody; thought they were cops. If a movie came that was supposed to be Art they all sat solemn and said Look at the Art; if it was supposed to be funny they all went Ha-ha, if it was supposed to be sad they made crying noises; if they were church types they preached at you, if they were atheist types they preached harder than the others. They kept falling in love, and it was like one huge chorus going up in the park, a thousand voices all howling ‘She’s different!’ But I was ready for it all. I understood. They were children, horse’s prick children dressing up. And I was one too, right — the grouchy one that wants to play some other game, because he can’t play this one — but say what you like, at least I wasn’t fooled. There are no grown-ups. There are only children and dead people. So I quit. Bon soir, mes enfants. For which I thank you.”

“Are you finished?” she said.

He laughed. “Am I finished. Eschatologically speaking, I am finished.”

The glass was empty, and she went to the kitchen to refill it. When she came back he was sitting bent double, his eyes clamped shut. She was glad he was in pain.

She said, “Even raving Communists believe in something.”

“All foolish people believe in something.”

“Did you let him out?”

He sat perfectly still, the tips of his fingers white with the pressure he was exerting against his temples.

“Did you?”

Still he didn’t speak. She waited. He said then, “No. I’d have given my life for him. That’s the truth, lady. Fuck it up if you want.”

She sighed and closed her eyes, disgusted, then drank, watching him over the top of her glass. “ Why?”

He turned his head from side to side slowly. “Because he was there.”

“You didn’t even like him.”

He said nothing, and she realized he hadn’t heard. “You didn’t even like him,” she said again.

There was only the rattle of the rain. He drew his head up slowly, his mouth twisted, eyes wide open, and she put down her glass quickly and crossed to him. He was unconscious when she reached him. “Luke,” she said gently, emotionlessly. She eased him out of the chair onto the floor, then went to the bedroom for blankets and a pillow. When she had the blankets over him and the pillow under his head, she rose again and went to finish her drink. She stood in front of the window with it, looking out into the darkness. Lightning flashed, and the landscape stood out like a bad memory, then sank once more into darkness. She could see her reflection in the window, and though she knew what it was, it frightened her. The Indian boy was out there somewhere, terrified and dangerous, and she had nothing with which to defend herself. Where would he have gone? On an impulse, she went to the telephone in the kitchen and lifted the receiver. The line was dead.

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