William Gay - Little Sister Death

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Little Sister Death: краткое содержание, описание и аннотация

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David Binder is a young, successful writer living in Chicago and suffering from writer’s block. He stares at the blank page, and the blank page stares back — until inspiration strikes in the form of a ghost story that captivated him as a child.
With his pregnant wife and young daughter in tow, he sets out to explore the myth of Virginia Beale, Faery Queen of the Haunted Dell. But as his investigation takes him deeper and deeper into the legacy of blood and violence that casts its shadow over the old Beale farm, Binder finds himself obsessed with a force that’s as wicked as it is seductive.
A stirring literary rendition of Tennessee’s famed Curse of the Bell Witch,
skillfully toes the line between Southern Gothic and horror, and further cements William Gay’s legacy as not only one of the South’s finest writers, but among the best that American literature has to offer.

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That’s no kind of answer at all.

Do you want me to lie to you? I remember what I told old Jake one time…Old Jake was whiteeyeing on me, laying down, he finally knew I was going to stay till I killed him.he kept asking what I was (here the voice changed, coarsened, took on the unmistakable timbre of Jacob Beale’s voice)…Why are you so set on torturing me? What have I ever done to deserve such treatment?

The voice shifted eerily, became curiously neutral, a voice without sex or accent. I said, well, Old Jake, I was one of the first settlers in these parts and I was attacked and killed by Indians here sixty years ago, and I was buried right where your front porch is. When they were building this house, they dug up my grave and reburied the bones down below your spring. They left one of my fingerbones there where the graves was and my soul won’t ever rest in peace till I get a decent burial. Well, Old Jake got them boys humpin. They tore up the floorboards and they was digging up dirt and siftin it lookin right and left for that lost fingerbone. It was in July, and Lord it was hot. After about half a day, I got to feelin sorry for them boys and I broke down and told em I was just sportin with em.

Old Jake still didn’t believe me. He took a grubbin hoe and shovel and dug up that whole bottom there lookin for a grave. Of course he never found one, but anyway that old reprobate did the only full day’s work he ever did.

The voice went on and on without ceasing or even an intimation of ceasing, abusive, obscene, vituperate, until Jacob Beale bolted into the front yard, the door slamming to behind him, opening and closing with the passage of no visible person and the voice commencing again immediately. Beale halfrunning blindly across the frozen yard into the silver moonlight past the dark bulk of the trees.

Run, goddamn you, the voice shrieked. Anywhere you go I’ll be there and waiting for you.

Sewell Beale came onto the porch. Father, he called.

He crossed the yard and took the old man’s arm. Come in by the fire, he said.

Come in by the fire, the voice mimicked. Don’t you worry about Old Jake. He’ll be in the fire soon enough.

There was the flat sound of a slap and Beale’s head lurched sidewise, the long silver hair fanning out, his eyes wide and horrified. More blows, methodical, first on one cheek and then the other, his head jerking crazily from side to side. He tried to run, turning, his left foot dragging on the frozen ground, and then fell as if from a blow across the back of the head. Sewell Beale was flailing at the air, cursing, trying at once to grasp whatever it was and to shield his father. He could feel the blows falling across his own shoulders, sharp measured blows from a stick or walking cane, making a twack, twack on the heavy wool overcoat.

My shoes, boy, the old man said, and Sewell looked, still feeling the stinging blows across his shoulders. He watched his father’s boots unlacing themselves, the rawhide thongs writhing out of the eyelets as if magically invested with life, crawling out.

He could hear maniacal laughter above him. He grasped the boots, one on his father’s foot. No sooner was he at the other than the other was jerked off. He lashed the lacing round the cuff of the boot and felt the boot slide from beneath it. The heel of the boot caught him hard on the temple and he lay for a moment dazed, his cheek pillowed against the cold ground. His father’s feet had begun to jerk eerily as if performing some demented buck-and-wing, kicking madly at the air until Sewell stopped them with his weight, felt them still moving spasmodically against his belly, the flesh of his father’s face contorted, dancing as if every nerve had been divested of coherent purpose, left with only uncontrolled twitching.

The laughter died away. The old man grew still. Sewell saw his eyes were wide with fear and incomprehension, tears forming there and welling over the sockets. Son, the old man awkwardly began, his voice breaking off. Son, she. There seemed to be little of his father left in this pathetic old man.

There were tears in his own eyes now, and Sewell wiped them away with the rough sleeve of the coat. He didn’t say anything. It was far too quiet. There was only the cold wind in the distance, the frozen trees keening over the bare winter fields. He helped Beale up, put his shoes on and tied them. This time they stayed tied. Come on, he said. The old man stood stubborn and disoriented, looking toward the single light flaring in the house, looking out across the fogbound fields as if all places were the same to him.

Come on, Sewell said again, tugging at his arm. The old man came reluctantly, his left foot dragging audibly over the whorled earth.

Where?

The barn. We’re hitching up a team and leaving. I’m taking you and Mama over to Jacob Junior’s.

It won’t do any good.

How do you know what’ll do good?

I just know

Sudden anger flared in Sewell, fierce and violent. Anger at the old man for his stoic acceptance, anger at the horror that had consumed his father and sister, that might in his turn consume him until he lay in his grave. All right, by God, he said. Then we won’t go to Jacob’s. We’ll go to Virginia, or Carolina, or Kentucky. Sell the hellhole or give it away, if you could find a taker like you could have done four years ago, if you hadn’t been too damn stingy to take a penny’s loss.

Halfway to the barn he turned at a sound. A figure had stepped from the darkness pooled in the orchard and strolled silently along, pacing them through the stalks of winter weeds on the other side of the fencerow, gliding toward convergence at the end of the pasture. He hurried the old man, not even hearing the mumbling complaint, his stomach icy with dread. He’d thought his belief was suspended, that he could accept anything without fear, but each manifestation had the quality of being marvelously new yet the same at the core, old wine in new bottles he thought, so that each time his reason was assaulted anew.

He looked back. The figure was climbing the wooden stockgate, a figure in a long gray or black dress. The woman was in motion, climbing down then jumping the last two or three feet to land soundlessly in the roadbed, silhouetted for a moment, inkblack against the paler heavens: its face was long and cowshaped, he could see the hooked horns curving out from the sides of the head.

Come on, he said, panic running through him. He pulled the old man’s wrist, Beale halfrunning in a sort of lurching shuffle. He could hear the cattle then, smell them, the clean summersmelling hay.

He looked back. There was nothing, the wooden stockgate silhouetted against the sky, stark and austere. The road lay brimming with moonlight, cold and white and empty.

The girl moaned softly, stirred in the willow chair. The black woman had a hand to her forehead. Virginia opened her eyes, which were for a moment depthless and blue and profoundly devoid of expression, then in an instant congested with bewilderment, confusion. She clasped the black woman’s arm and her face seemed to calm, as if she drew comfort from the old slave through some acute sensation of touch.

What did she say, Chloe? she asked. Did I miss her talking tonight?

Beale Station, Summer 1982

The weekends were the worst, Corrie thought. The weekdays were not so bad — David had been used to working at some job during the weekday, writing in the evenings. That was the way it had been in Chicago, and he still seemed locked into this pattern, unable to write until the afternoon drew on. So he would wander amiably about the place, talk to her, help around the house, assist her time in its arduous flight, always seeming restless, waiting, ill at ease, but still there , anyhow, not like weekends.

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