Jeffery Allen - Rails Under My Back

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"Will put Allen in the company of writers such as James Joyce, August Wilson, and Ralph Ellison." — The Philadelphia Inquirer.
When it was first published fifteen years ago, Jeffery Renard Allen's debut novel, Rails Under My Back, earned its author comparisons to some of the giants of twentieth-century modernism. The publication of Allen's equally ambitious second novel, Song of the Shank, cemented those lofty claims. Now, the book that established his reputation is being restored to print in its first Graywolf Press edition. Together, the two novels stand as significant achievements of twenty-first-century literature.
Rails Under My Back is an epic that tracks the interwoven lives of two brothers, Lucius and John Jones, who are married to two sisters, Gracie and Sheila McShan. For them, their parents, and their children, life is always full of departures; someone is always fleeing town and leaving the remaining family to suffer the often dramatic, sometimes tragic consequences. The multiple effects of the comings and goings are devastating: These are the almost mythic expression of the African American experience in the half century that followed the Second World War.
The story ranges, as the characters do, from the city, which is somewhat like both New York and Chicago, to Memphis, to the West, and to many "inner" and "outer" locales. Rails Under My Back is a multifaceted, brilliantly colored, intensely musical novel that pulses with urgency and originality.

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Beulah said that Albert Post visited Sheila every day for the ten years he remained in Houston, though neither Sheila nor Gracie had any recollection. Albert Post was nothing like these city men, Beulah said.

A man is a man, Gracie said.

I see you know everything. One day you’ll learn that fat meat is greasy.

Beulah looked at the two sisters. Yall sap’s runnin.

We jus women, Sheila said. Jus women.

Who asked you? Gracie directed the question to Sheila. She gave Sheila her hardest look.

And runnin early too, Beulah said.

Mind yo own business — still talkin to Sheila.

Who mindin yours?

Don’t worry bout it.

Keep yo hand on it and nothing can get in it, Beulah said.

Never could tell Beulah nothing. She love to weigh, to gravitate, to settle. She jus gab gab gab. Never seen nobody had so much to say about other people’s business. Sniffing the dirt out of they clean clothes. Then gab gab gab.

She shoulda opened her legs mo and her mouth less, Sam said.

Ain’t that the truth, Dave said.

Gracie had tried to tell Beulah about what had happened in church.

She was studying the vibrating words of Reverend Tower’s tongue in the celestial roof. Thinking about the church in Houston that had no ceiling, just rafters for you to look through and see God. Thinking about the Memphis church that was hardly better. Thinking how Reverend Tower, the pearl of all city preachers, insisted his church mirror the pearly gates and roads of heaven. She could only wonder about his old church, but the new Mount Zion had a tower that poked the belly of heaven. Yes. Now she understood the eternal validity of the soul. Then she experienced the oldest feeling in the world. Something clawed her ass. The same something slapped its paw over the harp strings of Reverend Tower’s voice and cut his song in its tracks.

She had scars to prove it, four long red lines that ran from her ass to her nape.

Beulah looked at her, her words not meriting a blink. You been drinkin wit that drunk fool Jack?

She tried to tell Beulah about the child, the alien lodged in her womb, chopping and kicking. The hiss words that snaked up from the pit of her belly. She tried to tell but couldn’t. (By habit, she tells everything twice, once to get the words out, the second time for memory.) She knew what the results would be if she opened her mouth. Less told in the telling. So she drew herself tight, curved her umbilical cord into a noose.

WAS IT ANDREW who rushed her to the hospital the night Cookie was born? Or Sam or Dave driving And’s car? Did Sam have two legs then? She seems to remember freight cars that ran by the stinking stockyards, long hooting locomotives drawn by a single engine.

Her sixteen years, Cookie never spoke a word. Her mouth slack, never giving her grunts the muscle they needed to push clear words. And where Jesus, the lone survivor of her womb, had etched his name on the walls of Gracie’s belly, JESUS WAS HERE — to this day she urinated razor blades — his two dead siblings — who could tell what they were, these still births, the first with rubbery skin, gills, flippers, and snorkel, and the last, a two-headed cat with a pigtail — left no trace of their presence, their names erased chalklike from a blackboard. Though they disappeared, for weeks milk remained, mocking white trails of what she had endured and lost and what she might still endure and lose again.

ONE BABY STOLE A CANDY CANE from Jesus’s Christmas stocking. The toddler clutched it by the throat, beating out its life with his bottle. The toddler grabbed another baby, the loop-bodied one — heads at both ends of the loop — and strangled life out of the throats. For those two quick minutes in her life, Gracie believed that Jesus had come to protect her.

EVENING SUNBEAMS set the dust to dancing. John sat with his arm thrown over the couch, his two brown eyes like setting suns, his body short and squat like Daddy Larry’s smokehouse, perfect masonry, and his careful head sinking into his broad shoulders. A real downtown man. Gracie watched him from the other shore of the room, smelled the bright polish on his shoes. The soul travels quickly from a body touched by sin, she said, repeating Reverend Tower’s words.

Ain’t we all touched? John said.

Get out from among them and quit touchin the unclean thing and I will take you in.

John looked at her. He cut a grin. Took her hand hot into his own. Well, Miss Gracie … He played with her hand, searching each finger of memory.

Maybe he knew, all these children who ran her life, line by line. She still didn’t know why they hadn’t slain her, why each infant seemed to be allowed one feeble attempt at violence before it was snatched back to hell — or wherever it came from — sucked back, spaghettilike into the mouth of its creator. Rising for a single gesture of violence, then the bucket pulled back into the well. Until tomorrow.

Seek ye the kingdom of heaven and all things shall be added to you.

Does that include you, Miss Gracie?

What them two boy-men doin wit them old women?

Don’t look old to me. Least not the pretty one.

But they is old. Pretty can’t hide age. Ugly neither. Them McShan sisters is robbin the cradle.

Perhaps, she said. She extended the banner of religion, the white hand leading through the dark. Will he clutch it and follow? Hope you’re takin care of your soul? she said.

Don’t get down to Thirty-fifth Street that often, John said. His breathing had stilled.

Gracie didn’t crack a smile. Power is no jokin matter.

Little green apples and all that.

You sound like that damn fool Dallas.

Years later, John would beat Dallas until he was blue in the face — first time she would see anybody black go blue, coal change to ocean — for reasons she forgets. Years later, Dallas filled John with the alcohol-flavored notion for the Dynamic Funky Four Corners Garage — John opened it with money he borrowed from Inez, money he never paid back; after a month or two, he dropped the Dynamic; Spider tended the register and books, (Engine) Ernie did all the actual car repairs, while Dallas and John drank and looked on — though John did come up with the clever idea to perch an old black Cadillac on the garage’s roof. But that was later. This was now.

I’m the man walked seven seas. Done drank an ocean of sand. I can change a gray sky blue, but I can’t get next to you.

What do you want from me?

Jus some kindness. Some lovin kindness.

Gracie thought about the passage that had directed her life. Let each of us keep seeking, not his own advantage, but all that of the other person.

For all his crude ways, John carried his giving heart hot in his hand. After his first visit, Gracie saw him as a young man no longer. He began to shine. There was a blinding light inside him, a blinding light that lit from his stomach to his head. Outside the inside light, she could not watch him directly, but she knew the motion of his heart. Whether a skullcapped November night or a bareheaded July evening, John could not get enough of her. He gave her wings to escape the gravity of the church and nest in its rafters. He flung her into the wilderness of sudden discovery and made her a citizen of another world. He filled her life, filled the whole world of feeling for her. She could hear his seed’s approaching call. Bells of jubilation. She heard them peal in her sleep, a distant rhythm. She desperately awaited the night he would rip the veil of her virginity.

She did not wait long. Memory, hope, and reality meshed and clicked.

He massaged her with soft words. Tell me more and then some. Whisper on to Doomsday. And she embraced him, dived into his veins— you go to my head — splashed in the brown ponds of his eyes, her own shut eyes opening the black lens of her imagination. His teeth — he carried a toothbrush and baking soda balled up in tinfoil and white-brushed his teeth six times a day — gripped on to the black whirlpools of her areolae — and hers consumed his flesh — though she resisted its call, closed her hearing skin — because they had gone no further than innocent hugs and wet kisses, though she wanted it and got it, their flesh making loud slapping noises. Yes, he stuck it right inside her, a red-hot poker, and hot blood poured lava-like down her thighs, filling up the room, ready to set the bed aflame and afloat. The next morning, she examined her thighs. Two black streaks on the inside, like burned rubber. The smell of singed flesh. Through nights of muscular love, he forged her a new self. Afterward, she lay on the bed, moon and stars curled between her toes, him hard-breathing beside her.

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