Jeffery Allen - Rails Under My Back

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"Will put Allen in the company of writers such as James Joyce, August Wilson, and Ralph Ellison." — The Philadelphia Inquirer.
When it was first published fifteen years ago, Jeffery Renard Allen's debut novel, Rails Under My Back, earned its author comparisons to some of the giants of twentieth-century modernism. The publication of Allen's equally ambitious second novel, Song of the Shank, cemented those lofty claims. Now, the book that established his reputation is being restored to print in its first Graywolf Press edition. Together, the two novels stand as significant achievements of twenty-first-century literature.
Rails Under My Back is an epic that tracks the interwoven lives of two brothers, Lucius and John Jones, who are married to two sisters, Gracie and Sheila McShan. For them, their parents, and their children, life is always full of departures; someone is always fleeing town and leaving the remaining family to suffer the often dramatic, sometimes tragic consequences. The multiple effects of the comings and goings are devastating: These are the almost mythic expression of the African American experience in the half century that followed the Second World War.
The story ranges, as the characters do, from the city, which is somewhat like both New York and Chicago, to Memphis, to the West, and to many "inner" and "outer" locales. Rails Under My Back is a multifaceted, brilliantly colored, intensely musical novel that pulses with urgency and originality.

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Yes you are.

Couldn stay there. The town was a railroad division point, full of transients, bums, hoboes, hatless men in overalls. A thousand streets that ran as one street. The whiskey went down your throat cold, without taste. He had been a moonshiner before the Mountain Peak and the over there and the stepping-off stride, my daddy, my pa, a light-skinned man, lighter than you. Yellow, as high yellow as high could get. A yellow man who passed, hanging wit the other broad-brimmed big-city men miles away, another country, in Memphis. Then one time Mamma took me there. Pointin. There, she said. There yo daddy. There.

Lipton paused. Sighed.

So I tell them, my children, I heard it all. I’m tired. Don’t give me no shit.

My girl, she come to me. What you doin here? I asks her.

Daddy, he beat me.

We all gets beat. That ain’t no reason to leave home.

But — she start.

No ifs, ands, or buts. We all gets beat.

He likes to beat me. Smilin. Likes it. In front of his friends.

A family must stick together. He a good provider.

And he threw the baby food out the window.

Git back home.

No.

Don’t make me use my belt.

He used his already.

Listen, he provide. And he gave me two grandkids. Two. To continue the line. If he spit, git down on yo knees and lick it up.

But my feelings changed. Daddy, Bobo said. Bobo, he my son. Cops had him all in handcuffs. Daddy, he say. Git her away from that nigga. Then they carted Bobo off and locked him up.

Way Bobo got round, all these kids out here might be kin. Even yours. Lipton’s eyes rippled wet light. Yours too. The wet eyes whirled John into their two wet pools. And yours. Spin sampled his drink. And yours. Spokesman calculated. Sowing oats. Whole fields of em. Nuff eatin fo a lifetime. But if he say jus this one, I believes him. This one, this girl named Sharmeta — Lady T they calls her, Lady T — now she faster than a biting flea, but I still raise her for my own. I believes him. Never know him to have no problems claimin what’s his. That polio that twisted his legs and forked his feet couldn’t slow him down none. Them crutches built him some shoulders and arms. Know how women like muscle. Flies to shit.

That’s why I say, a dirty deal. You can put that on my grave. Raise a kid, and you think it’s over, that you done raised all a man sposed to raise, that duty done, that service done, that it’s time to relax, but then she decides to wear clothes for concrete and he run off.

John whispered, He really is crazy.

Uh huh.

IF JOHN WASN’T TELLING all to be told, the three — and perhaps the five, with crazy Lipton and crippled Webb added — would have a Washington reunion, followed by a New York sortie. I will not be there. Lucifer took another gulp of gin, let it linger in his mouth, feeling both its smooth icy coolness and its heavy hotness. I will not be part. With his tongue he worked the ice cubes in his mouth. Light-headed with hunger — he’d hardly eaten any breakfast, so anxious to meet John — he had made the ride to Union Station, taking the long route, the El along and above the river, the river like a candle wick, innumerable strands washing and flicking. The subway — lights on the tunnel wall announcing the train’s arrival, white snakes crawling along black tunnel walls — let you out on the second level of the Underground — yes, you could avoid the revolving doors, doors you always got stuck in, your legs slower than the spin, and avoid altogether the thick crowds of Circle Boulevard and Himes Square — then you took a fart-shaking elevator up through black-marbeled bowels into the station lobby. Lucifer’s palm followed the curved edge of the wood table, back and forth. He and John had had a hearty breakfast, bowls of boiled eggs— how Pappa Simmons liked them, not runny or scrambled (food meant to be eaten, not fork-chased, he said) or sunny-side up, yellow eye watching you (food meant to be eaten not admired, he said) —stacks of pancakes, each with a mountain of jam— ah, your mouth watered for Georgiana’s perfectly circular hotcakes, her homemade jam, sticky and tasty in the memory —and plenty of meat, so much that they’d held a meat-eating contest: monkey-wrench-shaped steaks that banged against their trained intestines, fingers and fingers of sausage that poked their belly walls, and sonorous bacon. Indigestion fogged up their chest and stomachs. They agreed on a draw. Now, breakfast over and contest done, they listened with one side of their ears and talked with both sides of their mouths.

Dallas wiped the bottle on his shirtsleeve, Nigga, I don’t want the sweat of yo lips fo bread.

Jus hurry up wit that taste.

Dallas took a swig. Blood of the lamb, he said. He wiped his long, narrow dog face across his sleeve. Blood of the lamb. He handed the bottle to John.

That’s right. Let a man show you how to do it. I hold suzerainty over you. So let me wrap my dick like a leash round yo neck.

Nigga, why you always gotta preach when you get drunk? Ain’t signifyin enough?

John worked the bottle on his shirtfront, as if polishing silver. Is tiddies enough, without the pussy?

Dallas said nothing.

John drank, throat working. Brothers and Sistahs, he said, spreading his arms wide, we are gathered here today … He drank. Passed the bottle to Dallas.

John and Dallas shared the last inch of fire wrapped in the brown paper bag. Lucifer waited for chanted phrases of song and sermon. Dallas wiped his lips on his coat sleeve, wiped the mouth of the bottle, then took a taste. He extended the bottle to Lucifer. Lucifer looked at it.

Nigga, you act like you too good to drink wit us, Dallas said. Or maybe you jus too good to drink.

Nawl, I jus

John slapped Dallas on the back. Forget it. He jus a little square. You know that. He took the bottle and drank. Aw. Blood of the lamb, he said.

There it is, Lucifer thought. I knew he would say it.

John passed the bottle to Dallas. Dallas killed the fire, the stars blinking black for a moment. He flung the empty bottle from his lips without lowering it, the glass spinning and glinting in faint starlight.

We jus gon shoot the breeze. John spoke through a bright uproar of voices and a clattering of salad forks.

Spokesman gon science you to death, Lucifer said.

Man, Spokesman’s cool. John held his cigarette in the scissors of two fingers, smoke rising lazily. He took a deep drag, exhaled smoke in rapid streams from his nose and mouth. Don’t let his science fool you. If you coulda seen him in the shit you’d know. A very fine individual.

Lucifer watched John’s face go red, animated with memories from a quarter-century ago. The drinks were doing their work. Lucifer shook his head to free his ears of water. He sho is a good salesman. He became deaf to the noise of the bar. He thought about the awards and the New York promotion Symmes Electronics had bestowed on Spokesman. Shit, Spokesman could sell dog shoes to a cat.

John’s eyes watched Lucifer through the spectacles. I’ll drink to that.

They lifted their glasses in toast. Their eyes met in the mirror. Immediately, John downed his drink and ordered another. Even with the spectacles, it was impossible to mistake John for someone else. As always, he was clean — a black blazer heavy for such a hot day, and white slacks with sharp creases. He was his sharpest the first time he went to Gracie’s house, his bad-ass suit cutting air as he walked. (Wind, step outa the way, Jim.) Even had a tie knotted round his neck, noose-squeezing the flesh. The boy John happily darted around tree trunks but even happier to dive into the freshly ironed, stiff warmth of his Sunday service clothes — Yall come get dressed for church, Georgiana called, clothes ready. That was the sole reason he liked to go to church. Later as a teen, John would go to Jew Town and get good deals on the latest fashions and tailored fits. Going to Jewrusalem to pick up some threads. The Jews would chase you down the street and force you to buy something. Come on, buy. You want that I should suck dicks?

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