Mark Dunn - We Five

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We Five The result is a novel about five young women pursued by five young men of predatory purpose, which takes place alternatively in a small mill town outside of Manchester, England in 1859; in San Francisco on the eve of the 1906 earthquake and fire; in Sinclair Lewis’s fictional Zenith, Winnemac in 1923; in London during the Blitz of autumn, 1940; and in a small town in northern Mississippi in 1997. In the first book “We Five” are seamstresses; in the next they are department store sales clerks; in the next, they sing in the choir of a popular female evangelist; in the next, they work in an ordinance factory outside of London; and in the final version, they are cocktail waitresses in a Mississippi River casino.
The book’s climax is a dramatic collision of all five incarnations of the story: an incident of mass hysteria arising from a solar storm in 1859, the 1906 San Francisco quake, a fire in the evangelist’s newly built “temple” in 1923, the 1940 Balham Underground station bombing and flooding, and a tornado in rural 1997 Mississippi.

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“But we came too late,” said Carrie softly. “If only Lyle had been here.”

“I’m here now,” said a voice at the door. Ruth and Carrie turned. Lyle was standing in the hallway just outside Jane’s bedroom, his face hidden in shadow.

“Where were you?” snapped Ruth.

“I came as fast as I could. I saw her leave from the Fatted Pig saloon, and I came.”

“Did you crawl , you useless bastard?” cried Ruth. She had been running her hand through Jane’s perspiration-drenched hair. Now her hand stopped so she could point accusingly at Jane’s brother.

Carrie had begun to cry. “Oh stop it, Ruth. Just stop it. He cares about her. He’s here. He came. He’s here.”

Ruth turned back to Jane. “Tell us what happened.”

“I’ll tell you, yes.”

Jane swallowed.

Lyle stepped into the room. His head was half bowed and he was holding his cap at his waist with both hands, with respect and reverence, as if he were visiting a deathbed or a body upon a bier.

Jane formed her words with great difficulty: “He raped me.”

“I thought so,” said Ruth, speaking for Carrie and Lyle as well.

“But it isn’t what you think,” said Jane.

“What do you mean?”

“He—”

“Yes?”

“Raped—”

“Yes?”

“My heart, Ruth. He raped my heart .”

The blows came fast and furious, but they were clumsy and generally missed their mark. Pat was dodging them with some success, even as he snatched up his clothes and tried to find a way around the drunken, enraged man who looked at him with flaming, murderous eyes. Molly screamed at her father to stop. She screamed that she wanted Pat there, that she loved Pat and wanted to be with him.

Michael Osborne heard none of this. There was a fire in his head and it would not be put out until he had killed the young man who had come to his flat to take his daughter’s heart away from him — to steal the only thing left of the family he once possessed in full.

And so he swung and largely missed, and picked up a rail-back chair and pitched it in Pat’s direction, but it struck nothing but the wall, where it splintered into pieces. Molly didn’t suspend her screams. Pat made it past the madman and into the front parlor (where Osborne saw his dental patients), and he very nearly made a clean escape with both life and limb intact when Molly’s father overcame him, and with the kind of bodily strength that comes only to those for whom strength is sought to do the most incredible kind of good or the most incredible kind of bad, Michael Osborne shoved Pat toward the window with such terrific force that Molly’s young lover was propelled through the shattering panes of glass and the brittle framework of the sash and out the window and directly into the smooth ceramic enamel of the enormous tooth, which swung wildly from the impact, and, though fixed to the projecting wrought-iron rod above, did not prevent Pat’s plunge to the concrete sidewalk three floors below.

Where he lay.

Motionless.

Chapter Eighteen

Zenith, Winnemac, July 1923

Maggie was the last to hear what had happened. Ruth had tried to reach her by telephone all through the night, but she wasn’t home. Maggie wasn’t even in Zenith. The previous morning, and in spite of her mother’s vociferous opposition, she’d put herself on the train to the Winnemac state capital, Galop de Vache, for the purpose of meeting Mr. and Mrs. Caster, the adoptive parents of the brother whose existence she’d only recently discovered. Maggie had done this even though Herbert Mobry had asked her to wait until after he’d had the chance to pay his own visit of inquiry to the Casters.

Herbert and Lucile Mobry hadn’t known she’d gone — that is, not until Clara Barton told them. She told them over late-morning Denver sandwiches at Lily’s Lunch Box on Chaloosa Street.

“The girl certainly has a mind of her own!” Lucile had marveled aloud.

“Oh, she’s every bit as stubborn and willful as her father,” Clara exasperatedly agreed. “But what was I to do? Block the door with my body? She was put into such a foul mood when I confirmed it all. Yes, I could have told her years ago. But I never saw any purpose to it. Why should I give her one more reason to hate me?”

“Maggie doesn’t hate you, not at all,” said Herbert, shaking his head in his wonted display of pastoral, avuncular understanding.

“There, there,” Lucile Mobry contributed. Clara had been a longstanding member of the congregation Herbert Mobry used to shepherd, and the Mobrys continued to feel responsible both for Clara’s spiritual health and for her general sense of well-being.

“But traveling to Galop all alone—” Clara shook her head.

“Maggie’s a big girl,” Herbert concluded. “One night alone in Galop will do her no harm. And once she’s had the chance to talk to the Casters about her brother, she’ll return to Zenith in amazingly good spirits. You’ll see.”

Maggie didn’t return in good spirits. Neither Mr. Caster nor Mrs. Caster happened to be in Galop de Vache during the brief period of her stay. From one of the Casters’ forthcoming neighbors, Maggie discovered that her brother’s adoptive parents were 330 miles away in Madison, Wisconsin, attending a convention of the Midwestern Association of Cheese Purveyors.

Even worse: Maggie had come home to discover the following note stick-pinned to the kitchen Hoosier cabinet:

Maggie,

In your absence a terrible thing has happened. Talk to one of your sisters and they will tell you all about it. I have gone to look for Mr. Osborne and pray that I can find him.

Your mother

Maggie telephoned the Tabernacle offices and was told by Miss Colthurst’s assistant Miss Dowell that none of her friends would be coming in for choir rehearsal that day.

“Why?”

“You don’t know why?”

“If I knew why, would I ask you why? Where’s Miss Colthurst? May I speak with her?”

“Sister Vivian left not five minutes ago. She and Sister Lydia are on their way to Zenith General.”

“Who’s in the hospital?” asked Maggie, now thrown into a panic.

“I don’t know the young man. Someone is knocking on the door and I’m all alone this morning. Goodbye.”

As Maggie was hurrying to the door to catch the streetcar that would take her straight to Zenith General Hospital, the jingle of the telephone bell summoned her back to the instrument. Ruth was on the other end of the wire. “It’s Pat Harrison, Maggie. He’s badly hurt. I’ll tell you all about it when you get here.”

“My mother left me a note. She said she was out looking for Mr. Osborne.”

There was a brief silence. Then Ruth said, “She might start by checking the city jail.”

Maggie found her four sisters on the fifth floor of Zenith General Hospital in the “Family and Friends Waiting Room.” There was now someone else besides Carrie’s mother who had taken up residence on that floor. Pat had been brought in the night before with multiple broken bones, facial contusions, and internal hemorrhaging. The prognosis was dismal.

Carrie and Molly were blanch-faced and baggy-eyed, though both had been partially revived by carry-cups of coffee, which Ruth had brought up from Dunker’s, an around-the-clock luncheon across the street.

Ruth was sitting next to Jane, holding her hand. Jane looked nearly as haggard as Carrie and Molly. Her other hand — the one not clasped by Ruth — was shaking with an almost palsy-like tremor. Maggie looked over the young women in the room as one surveys a field of battle in its aftermath. She had never seen her sisters so broken and battered. Especially Jane. In moments of crisis, it was the oldest of We Five who usually stepped forward to take the reins. It was Jane Higgins who devised the best course of action, Jane who rallied the troops, Jane who annealed resilience through her emotional strength and her unwavering affection for her sisters.

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