Mark Dunn - We Five

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We Five The result is a novel about five young women pursued by five young men of predatory purpose, which takes place alternatively in a small mill town outside of Manchester, England in 1859; in San Francisco on the eve of the 1906 earthquake and fire; in Sinclair Lewis’s fictional Zenith, Winnemac in 1923; in London during the Blitz of autumn, 1940; and in a small town in northern Mississippi in 1997. In the first book “We Five” are seamstresses; in the next they are department store sales clerks; in the next, they sing in the choir of a popular female evangelist; in the next, they work in an ordinance factory outside of London; and in the final version, they are cocktail waitresses in a Mississippi River casino.
The book’s climax is a dramatic collision of all five incarnations of the story: an incident of mass hysteria arising from a solar storm in 1859, the 1906 San Francisco quake, a fire in the evangelist’s newly built “temple” in 1923, the 1940 Balham Underground station bombing and flooding, and a tornado in rural 1997 Mississippi.

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Jane looked at her reflection in the glass. The gaslight was low. She hadn’t bothered to turn up the flame when they’d first entered the room, thinking that Tom would appreciate the romantic mood created by the muted lighting. Now he did the unthinkable. He reached over and turned up the jet himself — all the way to its limit. It flared obscenely, flooding the room with harsh bright light. In that unforgiving illumination, every flawed feature which lived upon Jane’s face stood out in exaggerated relief: the “horsey” nose, eye sockets set so deeply into her face that the dark brown of her globes seemed to disappear almost entirely in their retreat, a chin that jutted protuberantly like a witch’s in a children’s fairy story.

“That’s what I look like,” said Jane to herself, mesmerized by the starkness of the image before her. “A witch.”

Yet Tom was not content with her only thinking about the way she looked. “Say what you see,” he said, his voice steely, cold. “It’s just you and me. No one but us is listening.”

“I see a — a hideous woman.”

Tom shook his head. “I wouldn’t use the word ‘hideous.’ That’s not being very kind to yourself, now, is it? I would use the less punishing word, ‘unattractive.’ But hideous, or unattractive, or just plain ugly or just plain plain , it’s all the same, isn’t it?” Tom gestured with a casual hand toward the image in the mirror. “No man wants to make love to a woman who looks like this.”

Jane took a moment to reply. The words were freighted with such pain that she could hardly bring them to voice. “Then why do you ?”

Tom smiled. “Because, my dippy darling, I and I alone have the capacity to ignore your repulsiveness in my mission of mercy. This is what I’ve always sought to do — from that first afternoon at Pemberton, Day when we discussed the photography session in Miss Colthurst’s absence. I felt pity for you, working among all those pretty young women, and looking the way you did — the way you do .” Standing behind her, he moved his head slightly to the side to better see the reflected image Jane was beholding with a mixture of sadness and absolute horror. “I wanted to give you that thing you’ll never have otherwise, because, speaking as a man, even ugly men have no use for ugly women. We men — let me speak frankly here — we know our worth is gauged not by the way we look, but by what we are capable of doing —the things we make of our lives. A woman’s worth, on the other hand, is measured largely by her looks, her shape and carriage, by that sparkle in her eye — all of these things appealing to a man in a primal sort of way. This desire in the human male to seek out an ideal — it’s the way we’ve evolved, how biology tells a man to be. A man doesn’t go looking for a Jane. He seeks out a Molly or a Carrie. You know exactly what I mean. This is the quest. This is the game. The plain Janes of the world play no part in this game, in this ‘chase,’ unless, of course, they get lucky. But I doubt you are ever going to get lucky, Jane. Look at yourself.”

Jane turned away. “I don’t want to look at myself anymore.”

Tom turned Jane around so she was forced to look at him . “I wanted to give you something tonight, Jane. I wanted to show you what it was like to be with a man, so you’ll have that one special memory to sustain you.”

The room was spinning, whirling about her. Jane was still very drunk and not used to this feeling; it had been a sort of twirling, pinwheel kind of dream, but now it had transmogrified itself into a terrible, ugly, formless nightmare. Yet as Tom was speaking to her in a soft and confiding voice, the ragged edges of the nightmare were being smoothed away. In their place was a form of tortuous, perverted kindness. Jane had a sense of the distortion. She had the feeling that what there was left of respect for self was being whittled away by the man who stood next to her, gauging her worth by his own selfish measure, leaving her a hollow reflection of who she used to be. And she was too weak to fight it. And she hated herself for it. She hated herself for submitting to him based on that singular desire to know what it would feel like in those next moments to be loved , even if the love wasn’t real.

And in the end she became a helpless victim to that need, regardless of the price it cruelly exacted from her dignity.

Tom ran the back of his hand across Jane’s wet cheek in a gesture which replicated what she had done only moments before to him. The act represented great tenderness of feeling, whether or not there was any sincerity behind it.

He dropped his voice to a seductive whisper. “I’m giving you the chance to see what the world would be like if you had been born beautiful. This is my gift to you, Jane.”

Jane’s eyes brightened. Then in the next moment all the light went out. “But it would only be pretend.”

“Of course it would only be pretend. But won’t we have fun with it all the same?”

Tom Katz took Jane to the sofa and undressed her and made carnal love to her. And all the while, he did not look at her. But she looked at him and imagined in those moments all the things she had imagined in all the hundreds, the thousands of moments of longing for an intimacy that had been denied to her.

And then when it was over…

But then when it was over…

A most horrible thing: the thing he made her do.

After the two had dressed, or at least after she had covered her nakedness with her pretty pink silk chemise (purchased from the damaged-goods table in the basement of Pemberton, Day, because there was a long snag in it that could not be repaired), he stood up. He asked her to kneel before him.

She obeyed.

“Now look up at me. Look up at me, Jane. We aren’t finished yet. There. That’s a girl. I want you to thank me.”

It took a moment for her to form the words. “Thank you,” she mumbled. Her eyes had strayed. He snapped his fingers to return them to his face.

“Say it as if you mean it.”

“Thank you,” said Jane in a stronger voice. “Please go.”

“First, you must tell me that you’ll always be grateful for what I’ve done for you today.”

Jane shook her head. “I’m not grateful. I want to die.”

“You’ll be grateful once your head is clear and you’ve had time to think about it. I’m going now. You don’t have to see me out. In fact, I’d rather you not. I’d like to remember you in parting — there on the floor, wanting more — begging me with your eyes for more.”

Jane shook her head again. The word was all but inaudible: “Go.”

Tom left. Jane did not move. She remained on her knees for several minutes, even as her kneecaps began to ache from the hardness of the oak floorboards. And then she lay herself down, lay on her side, pulling her knees up tight against her stomach. She closed her eyes. The room was no longer spinning. The cloud was lifting. She was thinking more cogently. She was thinking about what she’d just done — what she had allowed herself to do, what she had intentionally surrendered herself to.

This is how Ruth and Carrie found her. They went to her and knelt next to her, Ruth taking her carefully into her arms like the Madonna in the Carracci Pietà.

“What did he do to you?” Carrie asked in a terrified whisper.

Jane didn’t answer.

“Tell us what he did,” said Ruth. “Tell us, Jane. Did he do the thing we think he did?”

“Walk me to my bed, sisters. My legs are weak.”

Having tucked Jane into bed, Ruth put the question to her again.

Jane smiled and said, “You’re so sweet to come.”

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