College at night, passing the beediwalla
and the bus stop where commuters stood waiting;
here, where once I’d “hung out”
with fellow students, were desultory families,
playing cards on the pavement, each, insouciantly,
revealing their hand to the passerby; prostitutes
glowed palely against pillars guarding the college and Lund
& Blockley, where students at day glanced right
a moment before they crossed the road; and addicts
of smack who loitered between these, speaking
a lingua of broken English and Bombay Hindi,
with whom I opened conversations that ended
in a wry plea for money. They didn’t want you for company
but to slip in that plea. We came to know
each other by sight. Thus that curved stretch
before Elphinstone, going past Flora Fountain,
towards Dadabhai Naoroji Road, where the pillars
became Zoroastrian lions, containing their power,
the banks closed, the odd mix of activity
and purpose at eleven-thirty at night, the road
seeming to widen on the left where my school
and childhood and the sugarcane-juice stall used to be.
Nineteen eighty-three, I left for England. In ’85,
on my annual trip home, searching for the car
in the parking lot in Kala Ghoda between
Rhythm House and the Jehangir Art Gallery, I heard
my name being called out: “Amit.” I turned
and saw it was Suresh beckoning to me
from behind the Ambassador. I went up to him
and said, as if I were seeing him after a fortnight’s absence
from school, “Suresh! Where have you been?”
“Good to see you — where are you these days?” He was taller
than me now: about six feet tall,
good-looking, if dressed in average working clothes,
crouched behind the car as if he were hiding behind it.
“I’m in England — I’m back for a few months—
but tell me about yourself.” As the art crowd in kurtas
ascended the wide steps of the Gallery, he lowered
his voice melodramatically: “I’m fucked,
yaar. I need help. Amit, will you be my friend?”
Disarmed by this straightforward appeal, I asked,
“Why, what’s the matter?” as if I’d already said “Yes”
to the question. Truth to tell, I needed a friend
myself at that time. We go to each other
from our own private compulsions. I’ve seldom
been wholly comfortable or open
with people who share my background or “interests”
and have ended up acquiring an eclectic set
of companions. “I’m on smack, yaar,” he said.
There were no outward signs. He had shaved; his trousers
were conventionally pressed; his hair combed back
and oiled. “So it’s true, what I heard. How did it
happen?” “It happened in Elphi…” We were walking;
he nodded to the stall with cigarettes and Frooti
tetrapacks beyond the BEST terminus,
and the scurrying ragpickers beside it. “Those bastards are pushers.
A friend from Elphi said, ‘Just have a drag, yaar.’”
He shook his head with a sort of pride. “That’s how
I got hooked. That bastard, if I could take my re-
re-revenge…” He looked oddly pleased with himself,
compromised only by the blip of the stammer
that would infrequently return, like a signal,
to his speech, and once made one or two girls giggle.
I entered his life; saw him join “rehab” with Dr.
Yusuf Merchant, get his father to pay
for both his habit and his rehabilitation
— his father, whom he so resembles, both of them
complaining about each other and bickering
like a married couple — try to escape to Dubai
or to hotel management or a brief job as a Blue Dart
courier; during clear intervals
reluctantly “help” his father with his small-time
but extant business, making industrial accessories.
What foolish illusion made that man
put his son in Cathedral, among the children of the Tatas,
minor ministers, consuls, film actors
and actresses (Nutan’s son; I remember her waiting
for him, thin and nervous, in slacks, after school;
Sunil Dutt’s daughter, gentle, with kohl
in her eyes)? Three sisters; the youngest got married
and moved to Prabhadevi; a tame and stable marriage
after infatuation and heartbreak with a German. The oldest,
whose sexual persuasion Suresh claimed he wasn’t sure of,
emigrated to Germany; the one in the middle
stayed single, and works for a travel agent, one
of the two rented rooms this family lives in
in Colaba, partitioned between brother and sister.
“Why doesn’t she go away?” he’d ask
irately as he shaved. He would cut himself — tiny
nicks like spattered paint, wash himself with soap.
He never applied aftershave. This boxer
was afraid of its sting. I gave him a T-shirt
that said “Oxford University” in white Gothic letters;
he wore it occasionally as he went out into the great,
unruly, smelly stream of life on the Causeway.
He took an inordinately long time getting ready.
Next to him was the oblong bathtub that was used
as storage space for water; brimming idly—
Bombay’s perpetual water shortage; the taps
dry for most of the day, the flush
not working. Then going out. Our walks
by turns quarrelsome, silent, jocular,
amidst the crowds that jostled before the Taj, where on other
days I’d sit in the Sea Lounge, listening
to the piano; now pressing past balloon sellers
and pushers, to whom he claimed he was immune
in my company. My father retired, and later
my parents moved from this city; they sold
their lovely post-retirement flat in St. Cyril Road
in Bandra. And Suresh kept “slipping” and going
back to smack. “An addict can smell out drugs anywhere
he is,” he boasted. Britannia Biscuits
had changed, as things do, been touched by scandal, in a tussle
for power between two share-buying players,
a textile tycoon, Nusli Wadia, Jinnah’s
grandson, and a Singaporean cashew prince, ending
in the latter’s arrest and his death in prison.
“Take me out of here,” said Suresh, meaning “Colaba.”
When we come to Bombay these days — my wife,
myself, and our infant daughter — we stay
in either the Yacht or WIAA Club or
are put up for a few nights at the President Hotel
— this five-star orphanage or dharamshala—
when my book readings beckon. We go to see Suresh
in his room in Colaba, or he comes to see us;
he’s still shy with my wife, and would rather speak with me,
but makes dramatic attempts to win over my daughter.
He’s going bald. Since I’ve no home in this city,
we stop for lunch and wonton soup
at the Bombay Gymkhana, whose verandah is the only
place I can put down this mewling, regurgitating
baby on a wicker chair. People
around us are eating; the curious mix
of children from Cathedral School and lawyers
and managers and society ladies and poets
like Imtiaz Dharker, and editors of newspapers.
Not infrequently, I run into
old school friends or acquaintances
like Anurang Jain, one of the twins,
Anurang and Tarang, who now lives in
Aurangabad, a businessman,
or Anant Balani, film producer,
still awaiting his big success,
or Saran, who always says “Hello”
although I didn’t know him very well in school.
It’s odd how the bullies have calmed down, how
the slimes and duds and good guys have
alike transformed into gentlemen,
or moderate successes, or ordinary
executives. There’s Shireen — who was
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