Alexandra Kleeman - You Too Can Have a Body Like Mine

So tomorrow I was assigned as a decoy on That’s My Partner! I would be stripped of my sheet, my unghosted body displayed to hundreds of thousands of people in varying states of Darkness. I would dance with the other decoys, dance circles with them around our target and shield her from the gaze of the one she loved, shield her from recognition, from finding her way back into her own used-up life. And even though I hated that show, it was funny how grateful I was now to be sent out there to the shadows, rather than to the pitch Dark of the world I had once lived in.

THESE ARE MY LEAST FAVORITEepisodes of That’s My Partner! in the order in which I saw them. First, the episode where the man who loses his partner in the final full-nudity blackout round insists that he did choose the right woman and tries to take the decoy home. The decoy female looks actually terrified as he hoists her up and tries to flee the soundstage with her body heaped over his shoulders; she claws at him, trying to create an egress. Fortunately, a member of the security team Tasers him before he can get off-camera. Then there’s the one where the couple loses but reveals at the end that they have a child together, even though procreative couples are legally barred from participating because of custody issues. The producers won’t let them out of the contract, which stipulates that any shared property be divided equally in half in the case of a loss, which means that the dollar value of their son must be calculated exactly and matched by an equal amount of property taken from the holdings of whichever parent gains custody. You can see the studio lawyers and the producers arguing while the couple just stands around in the background, slowly coming to understand what they’ve just lost.

And of course: the one where the couple actually wins, but then you see that both of them look uncontrollably sad. You watch them notice the sadness on each other’s faces. You watch them realize that the other person didn’t want to win together and stay together — they realize that even before they realize they feel the same way themselves. They walk offstage together, ushered by the host, looking tired and holding each other’s hands limply, as though they are handling raw, cold chicken breasts.

As for favorite episodes, I don’t have any. I hate the rest equally.

In the bus with the other decoys, the sound of the vehicle blots out the noise of forty-nine girls breathing short and sharp. We’re quiet and still, not because we were ordered to be, but because there’s nothing to say. Over the last months, we’ve all done the same things, had the same experiences, and felt nearly the same way about them. Conversation among us would change nothing: someone could say, Ten to twelve Kakes a day, and another would reply, Yes, as if that settled it. You couldn’t have distinguished us one from the other unless you had known us in our earlier lives, and even so you’d have to match that person up with one of our number, a head among other heads protruding from a single gigantic body. I’m the only one looking around and into the others’ faces. I’m trying to see if any of them are excited about the journey, but it’s impossible to tell. The girls around me have different hair colors and face shapes, different faces poking out from their heads. They all have the same body type: spookily thin. Their bodies weigh against your retina like light — you hardly feel it, you hardly see them at all.

The Conjoined Eaters now own eighty percent of That’s My Partner! They own twenty-three percent of Fluvia cosmetics, several processing plants where food matter is enriched or impoverished, twenty percent of a major soft drink manufacturer whose best-selling product is a soda that puts you to sleep. They own sixty-seven percent of all Wally’s stores, which means that six out of every ten you walk into are fully Conjoined facilities, all the foods grouped according to their Darkness content. And that number doesn’t even take into account the different Wallyfronts that have only been infiltrated rather than illuminated fully, infiltrated by Eaters who mostly perform the functions of normal employees but also work subtly to redistribute falsity within the grocery store environment. It hardly even makes sense anymore to say that the Wally’s empire is infiltrated by Eaters — our people have entered the essence of the company. An outsider would say that the Conjoined Eater has many faces — but I knew that it was a single face, only you couldn’t see the whole thing at once.

Which reminds me of a story I once heard, about a beautiful woman with a daughter a friend of mine had once loved, and they never saw each other again.

AFTER WATCHING TMP! FOR THEfirst time at C’s house, I came home to B and told her about the episode I had just seen. The female contestant made it out of the blackout room holding the hand of a man who everyone, audience and host included, thought was her husband at first. He was the same height, same sharp jaw, same lean cyclist’s build, only without the slight beer gut. This stranger was probably what her partner had looked like four or five years ago. There was applause everywhere, and the host even started walking toward the happy woman and mystified decoy, his right arm outstretched in anticipation of a handshake. Then her husband wandered out looking confused, and the whole thing fell apart. I tried to explain to B exactly what got me down about it. It was that they had wanted to stay together. Or it was that she thought they had, she had been so close.

Said B: “I would do it. I’ve got nothing to lose.”

“If you were on the show,” I said, “it would be because you had something losable.”

“I’ve never had something losable,” B said. “Except maybe you now.”

I got up to fiddle with something a few feet away.

“If C wanted to go on that show, I’d dump him,” I told her. “No hesitation.”

“Yeah. Sure,” said B, unconvinced.

“I’d dump his ass,” I said.

“I don’t see what the problem is,” B said. “Anybody would recognize you. I’m the one you should be worried about.”

She had just come from a disappointing date with a guy that she had bitten only a couple of weeks before, who not only forgot her name, but forgot that she, brittle and pale, had been the one who sank her teeth into his left hand. They had a fight about it, even though it was only their first date. B told him that they had met at a birthday party in a nice apartment with the two fireplaces. They made out while listening to nineties R&B on an obsolete cassette player in one of the empty bedrooms, and then she bit him. He insisted that he would have remembered that and that she was acting crazy. Then she did it again, bit him on the arm so hard that she broke the skin, leaving little red notches that traced out the shape of a crescent moon.

OUTSIDE THE WINDOWS, EVERYTHING ISgetting darker. First the yellow dies from the light, then the green and pink. The world is a blue version of itself, momentarily, before the blue snuffs out, too and it is all night. I’m surprised that it takes so long this time to get to the soundstage in Loyota Beach. I remembered the distance between Randall and Loyota being something simple, an hour and a half or an hour forty-five in traffic. We’ve been in this bus for almost six hours. But maybe there are lots of towns called Randall. Who knows if I was even in the one I had heard of, rather than one that had never existed to me at all. In the quiet of our full bus, I can hear the breathing of the girls around me, a continuous breathing with no chink of rest or silence in it because we are too many. Dozens of ponytails swing left and right in near unison in front of me, swinging with the movement of the bus. With my butt sliding around on the leather-print plastic of the seats, I feel just like a child again, safe in the understanding that anything bad that were to happen to me would be someone else’s responsibility. Maybe that was the secret to happiness, I thought, being free of the responsibility of yourself. I look at the window, where my ghost face looks back at me, just a whitish-black outline on a black surface — free of my chin, which was too pointy; free of my nose, which was too lumpy.