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Alexandra Kleeman: You Too Can Have a Body Like Mine

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Alexandra Kleeman You Too Can Have a Body Like Mine

You Too Can Have a Body Like Mine: краткое содержание, описание и аннотация

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A woman known only as A lives in an unnamed American city with her roommate, B, and boyfriend, C, who wants her to join him on a reality dating show called A eats mostly popsicles and oranges, watches endless amounts of television, often just for the commercials— particularly the recurring cartoon escapades of Kandy Kat, the mascot for an entirely chemical dessert — and models herself on a standard of beauty that exists only in such advertising. She fixates on the fifteen minutes of fame a local celebrity named Michael has earned after buying up a Wally's Supermarket's entire, and increasingly ample, supply of veal. Meanwhile, B is attempting to make herself a twin of A, who in turn hungers for something to give meaning to her life, something aside from C's pornography addiction. Maybe something like what's gotten into her neighbors across the street, the family who's begun "ghosting" themselves beneath white sheets and whose garage door features a strange scrawl of graffiti: he who sits next to me, may we eat as one. An intelligent and madly entertaining novel reminiscent of , and , Alexandra Kleeman's unforgettable debut is a missing-person mystery told from the point of view of the missing person; an American horror story that concerns sex and friendship, consumption and appetite, faith and transformation, real food and reality television; and, above all, a wholly singular vision of modern womanhood by a frightening, "stunning" ( ), and often very funny voice of a new generation.

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That fall we moved to a new school district forty-five minutes from our old house, and our new neighborhood was greener and wetter than the last one, with more space between the houses. Everyone was a stranger, and in the afternoons I’d go out to the woods behind our house and upend rocks and logs to see what was underneath. Underneath there was a basement smell and the wood blackly wet had a softer texture, like damp velvet. I’d flip the log over and watch what was underneath scatter: black beetles with a permanent shellac to their hard casings, ants of different shades of brown and red, earthworms and shortened white worms with no eyes or faces. With a twig or long blade of stiff grass I prodded at them, rolling the worms in the rich dirt, herding a beetle over to a dark divot into which large black ants disappeared into the earth. I tried to feed the small insects to the larger ones. I wanted them all to mix, to struggle, to show me in real time what it meant to live and die.

I found an earthworm half-submerged in watery soil, where it was being eaten by a larval dragonfly. The worm was larger and stronger, its body a single muscle twisting out of the water and flopping back, failing. It struggled, pulling its long body into small arcs and spirals, and this meant nothing to the larva that worked calmly to chew a hole into one of its ends, releasing a thin, cloudy white trail hovering in puddle water.

I left my room and went into the kitchen, where B sat looking at the fridge.

“I don’t know what I feel like eating,” she said to me.

“Maybe you want a sandwich?” I suggested. “I can make you a sandwich.”

The sandwiches I made B were white bread, condiments, deli cheese, no meat. B claimed meat was hard to digest, but I think she just didn’t want the calories inside her. Instead of cutting off the crusts, I squished the sandwich down with my palm to make of it a sort of edible coaster. This was a way of tricking B into thinking there was less food in it. Then I slid it on a plate, cut it diagonally, and handed it over to her. I’d make my own sandwich while, out of the corner of my eye, I watched her pull it apart, remove the cheese, scrape out the fat white center of the bread, and throw it away, leaving only the mayonnaised crusts to chew on.

“No, too much,” she said. “I don’t want to overeat when it’s so hot out. What were you going to have?”

“A sandwich,” I said.

B stared straight forward, chewing on her lip as she thought it through. Finally she announced: “Let’s have Popsicles.”

Popsicles came in a fifty-pack and were bright with artificial coloring, though there were only three flavors: red, pink, and orange. B loved them, this stuff that was more like a color than a food, loved to eat them day or night as she drank the lemon-scented vodka from the freezer. Since she had moved in, I had been eating more Popsicles and less of everything else. Her habits were contagious. I could only guess at how many boxes she went through each week from the plastic cups full of Popsicle sticks, cigarette butts, and sunset-colored liquid that I found in the living room when I returned home. One time I asked her why she ate so many of these when she wouldn’t eat even a scoop of ice cream. She brought the box and explained that even though they tasted like juice, they were made of something better. Each Popsicle contained about fifteen calories, and you could burn almost that many just by eating them with vigor. “They erase themselves from your body,” she said as I pulled the box closer to my face to peer into the fine print.

B came from the kitchen and handed me a Popsicle, the waxy wrapper caked with frost, and we crawled out the window onto the roof the way we were used to and sat out there with the summer heat pressing down on our arms and legs from above. Sweat beaded on the surface of our skin and felt creaturely, like many legs ready to be set in motion.

Our Popsicles were identical orange, and each was a conjoined twin, bound in the center with sticks projecting from both halves. A navel orange is something similar, the navel another separate fruit attempting to grow within the base of the first, impacted on all sides, turning dry, infertile, and tasteless as a result. The fruits are seedless, and new plants grow only through cutting and grafting, which means that all are essentially clones of one another. I had just maneuvered myself over to the spot on the roof where I liked to sit, where I could see into my room and also into the kitchen next door and the living room across the street where they had the crazy dog, but B had already stripped hers down and was digging in, biting at it first and then holding its peak in her mouth to soften. Sucking sounds came from her mouth as the orange slick pooled around her teeth. She was working at it as though she hadn’t eaten for days. Except for the Popsicles, tea, cigarettes, and sloppy cocktails made out of the lemon-flavored vodka that someone had left in our freezer after a party, B didn’t really eat. Maybe she was saving her stomach for something that didn’t yet exist. I looked over at the house across the street and tried to spot the dog as I tore at my Popsicle wrapper, gummy on the inside from Popsicle juice, juice coloring my hands as I tried to pull the Popsicle from its skin.

A bright heat trembled all around us as we ate them, our faces sheening with sweat. Sounds of lawn mowers and birds hung like chains in the quiet air. I favored one side of the Popsicle over the other so that I could finish it first and have a normal, single-stick Popsicle to work on. Sweat ran down my forehead and into my eye. Then there was the sound of an engine growing louder, harsh in the heavy afternoon, and we saw the neighbor’s car coming slowly up the street. The man was driving, and his wife and daughter were in the car, too. B stopped licking to watch the car pull into the driveway across the street, and when she looked down again and noticed her Popsicle dripping, she crawled all over the roof looking for ants to drown in the sticky bright syrup. She hunched over them, dangling the last nub of it above, turning the stick in her fingers to make it drip more evenly. The ants struggled for a bit, and when they had stopped, others came to feed minusculely on the orange slick.

I shuffled over on my knees to see them more closely, the dying ones and the ones not yet dying, many trying to eat up the stuff that had killed the others. The live ants looked like they might be distressed, or maybe just excited: I wanted to know which. I hung close above one group, casting my shadow over their swarming, and I waited to see some sign that would tell me whether they were caring for one another or just eating. B had lost interest in the ants, but she was looking at me now with intensity.

“What are you doing?” she asked.

“The ants,” I said. “They’re dying. Then I thought some of them were coming to help, but actually I think they’re trying to eat the syrup.”

“That’s kind of morbid,” said B.

“I don’t understand why you try to kill them,” I said. “They never come into the house. And when you kill them this way, it leaves sticky spots all over the roof. We’ll have to clean it someday.”

“They die in sugar,” she replied matter-of-factly. “It’s the best possible death for an ant.”

A strange noise came from nearby, and we both stood up to see better. From the house across the street with the expensive-looking hydrangeas and the novelty mailbox shaped like a barn, the house where they had the crazy dog and the daughter who took ballet lessons on Tuesday and Thursday and Friday, three figures were filing out through the front door. Each one wore a large plain white sheet over its body, with holes cut out where the eyes would be. The largest figure helped the second-largest down the front steps, while the smallest struggled out on its own, stepping all over the dragging corners of its oversize veil.

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