Alexandra Kleeman - You Too Can Have a Body Like Mine

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You Too Can Have a Body Like Mine: краткое содержание, описание и аннотация

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A woman known only as A lives in an unnamed American city with her roommate, B, and boyfriend, C, who wants her to join him on a reality dating show called
A eats mostly popsicles and oranges, watches endless amounts of television, often just for the commercials— particularly the recurring cartoon escapades of Kandy Kat, the mascot for an entirely chemical dessert — and models herself on a standard of beauty that exists only in such advertising. She fixates on the fifteen minutes of fame a local celebrity named Michael has earned after buying up a Wally's Supermarket's entire, and increasingly ample, supply of veal.
Meanwhile, B is attempting to make herself a twin of A, who in turn hungers for something to give meaning to her life, something aside from C's pornography addiction. Maybe something like what's gotten into her neighbors across the street, the family who's begun "ghosting" themselves beneath white sheets and whose garage door features a strange scrawl of graffiti: he who sits next to me, may we eat as one.
An intelligent and madly entertaining novel reminiscent of
, and
, Alexandra Kleeman's unforgettable debut is a missing-person mystery told from the point of view of the missing person; an American horror story that concerns sex and friendship, consumption and appetite, faith and transformation, real food and reality television; and, above all, a wholly singular vision of modern womanhood by a frightening, "stunning" (
), and often very funny voice of a new generation.

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The new plan was to find a way into C’s apartment and wait for him to come in, to interrogate his objects, to do the things we used to do together as though there were still somebody to do them with. Generally: to be no longer on the outside wishing a way in, but at the end point already, wishing for others to trap themselves in with me. I came to Wally’s in order to find the thing I’d need, whatever it was, to wreck the lock and pry open his door.

I saw a Wally’s employee wearing the Wally’s Hospitality Hat, the oversize foam mask made in the shape of a young boy’s grinning, freckled face. A Hospitality Hat was like an ordinary hat in that it fit over the top of the head but also featured an extensive frontal flap with contoured nose, eye, and cheeks that was designed to be pulled down and over the openings of the face. Hospitality Hats were implemented so that customers would always be able to count on seeing a familiar face when they went in to shop at a Wally’s, no matter how far from their home branch they might be. The system wasn’t perfect: some Wallys were fat, others thin, some had jarring voices, some had breasts. But by removing a few of the variables from customer-employee interaction, they freed both parties to treat each other with the pretense of recognition, with amnesiac familiarity. GOT A PROBLEM ASK A WALLY read the sign overhead.

I had many problems. I looked down the aisle, toward the Wally that was standing at the other end, taking down notes on a clipboard. The fake face he was wearing hung down over his clipboard, freckled and permanently grinning. I wanted to ask him for help, but the Wally’s corporate policy stated that employees were not allowed to offer help to customers, only a generalized form of aid. A sign near the store entrance read:

WEAKNESS THRIVES ON HELP

Insofar as all Wally’s products might be deemed an aid to the human condition, a Wally might find it prudent to suggest to the customer additional items whose purchase might offer benefits, so long as said employee resists abridging the customer’s individualized buying journey. Delivering said customer to their primary product goal shall be deemed an act of harm on the part of said employee, and a detriment to desire evolution.

Feed a man a fish and he’ll imagine himself content, allow him to purchase a wide range of non-fish items and he will feed for days.

An ideal buying journey took at least an hour to complete. This Wally wouldn’t be able to shorten my path, but he might be able to hint at what sorts of products might be near the product that I wanted to buy. Though it was possible that he wouldn’t know himself, he could at least give me more to look for.

“Hi,” I said to the side of the oversize foam face.

It swiveled toward me. The crest of each upended cheek was the size of one of my shoulder blades. Shadows sank into its fleshlike form. Each dimple could have swallowed up one of my thumbs.

“Welcome to Wally’s,” it replied.

“I was hoping you could provide me with product aid,” I said.

“Tell me about your product circumstances,” he said back.

“I’m looking for a large thing about the size of a crowbar, and also of about the same weight, shape, and material,” I said, making a levering motion with my hands. Sometimes it was best to be vague. By being vague, you could occasionally give a Wally room to help you.

“I can recommend Salad Smotherin’s,” he said, “a new line of salad dressings from Rexall, the nation’s leading manufacturer of paper products. Or a frozen dinner from Stewwart’s.”

I made a dissatisfied customer face.

“Aisle fifteen and aisle four,” the Wally continued. “Both are delicious,” he said, turning back to his clipboard.

“I need something heavy,” I said, “and strong enough to break a lock.”

“This week,” he replied in a smooth and well-rehearsed tone, “we are also promoting the new Peapple by Nutrisco Foods. Passionate about fresh produce? Or are you a food explorer, looking to sink your teeth into a piece of the unknown? Peapple is a revolutionary new fruit combining the crisp texture of the apple with the velvety mouthfeel of the peach. Flavorwise, it’s the pineapple’s second cousin. Funwise, it’s second to none. Brought to you by the manufacturers of Nutrisco Sea Nuggets.”

“I need a crowbar,” I said, “or something exactly like a crowbar.”

He looked at me.

“Miss,” he said, “I think you’d better continue along your buying journey.”

It felt like a personal slight. Wasn’t there a human being inside that Wallyhead, someone who knew the pain of losing the one they loved or, more precisely, being unable to find them again? A human person who knew the desire to hack through something hard and unyielding to get to the one you loved, hack through the one you loved, even, to get at whatever they kept inside? He must have a lover of his own, some man or woman or animal whose absence hurt like a presence, some person that he poured himself into like a mold to remind himself of what he was.

I wanted to tell this Wally what I was feeling. I wanted to tell him about an idea for a commercial that I’d been having, over and over, during the afternoons when I waited for hours, sweating, staring, seated in front of C’s apartment. In this commercial I’m wandering around inside a wet and glistening space that I come to recognize is a body, though I don’t know where I am in it. I’m still missing C and I know he’s not around here to be found. I know that, but for some reason I can’t stop looking for him. And I’m trying to claw my way out physically, pulling at nodules and hanging bits with my hands, but nothing will move for me until I find some tubes that I can wrap my miniatured hand around, they must be for blood. They’re a meaty color, liver bruised blue, their texture springy like mattress foam. I’m tugging on one as though it were a handle on a locked door and suddenly it separates, crumbling like dampened cake in my grip. The ground heaves beneath me. Then I hear a growl of pain all around in what I suddenly recognize is C’s voice. There’s no way to tell him I’m in here and no way of getting out that won’t hurt him, tear him open and apart.

I wanted to tell this Wally what I always see at the end of the commercial, a slogan materializing over my head, hovering there weightlessly, the letters illegible from below, the phrase too large to see. I wanted to tell him about this feeling, this feeling that everything is already ruined and I’m selling something I can’t even comprehend. But when I looked up, searching for him, he had already disappeared.

In the next aisle over there was window cleaner, peanut oil, fruit snacks shaped like carnivores. The blue-raspberry color of the window cleaner sat against the peanut oil, bright as new brass. They didn’t belong together, they had been stranded there, separated from their kind. Yet these items shared purpose. It was overwhelming: all the colors and shades of colors in between, asking you to fall in love with them, hold them in your hands, and take them home.

At the end of the aisle, a Wally was down on his knees, filing cans into the shelf. He had a young body, skinny, tall, wider at the shoulders than at the hips. It could have been C in there, and suddenly I felt like it really was: C hiding in plain sight, C watching over me in the grocery store aisles, C in disguise learning things about me in secret the way I always had wished to learn things about him. I wanted to walk up to that Wally, separated for the moment from all of its kind, and say to it all the things that I had been wanting to say to C: Show me what you are when you’re not around me. Let me see how you look when I’m not looking at you. Tell me everything I’m not supposed to know, and don’t leave out any of the things you don’t know yourself. I wanted to extract one secret from him, it didn’t matter which. I would put my hands all over that fake face and squeeze it to feel the bones underneath, bear down on the micromesh that veiled the real, living eyeball beneath and press until it blackened. On the next day, I would search this town for someone wearing on his naked face the bruised eye that I had designed for him. From a swarm of identical heads, this inner head would become distinct to me, singular, a head with a personal connection.

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