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Sascha Arango: The Truth and Other Lies

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Sascha Arango The Truth and Other Lies

The Truth and Other Lies: краткое содержание, описание и аннотация

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Dark, witty, and suspenseful, this literary crime thriller reminiscent of The Dinner and The Silent Wife follows a famous author whose wife — the brains behind his success — meets an untimely death, leaving him to deal with the consequences. “Evil is a matter of opinion…” On the surface, Henry Hayden seems like someone you could like, or even admire. A famous bestselling author who appears a modest everyman. A loving, devoted husband even though he could have any woman he desires. A generous friend and coworker. But Henry Hayden is a construction, a mask. His past is a secret, his methods more so. No one besides him and his wife know that she is the actual writer of the novels that made him famous. For most of Henry’s life, it hasn’t been a problem. But when his hidden-in-plain-sight mistress becomes pregnant and his carefully constructed facade is about to crumble, he tries to find a permanent solution, only to make a terrible mistake. Now not only are the police after Henry, but his past — which he has painstakingly kept hidden — threatens to catch up with him as well. Henry is an ingenious man and he works out an ingenious plan. He weaves lies, truths, and half-truths into a story that might help him survive. But bit by bit the noose still tightens. Smart, sardonic, and compulsively readable, here is the story of a man whose cunning allows him to evade the consequences of his every action, even when he’s standing on the edge of the abyss.

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Unfortunately the road was dry and there wasn’t a tree in sight. Henry’s dark blue Maserati had every conceivable safety gimmick, ABS and EPS, and all the rest of it. The air bag would cushion his head, the explosive charge would tighten his seat belt. The car wouldn’t let him die — and Henry saw himself joining the undead, dwindling on a heart-lung machine. A ghastly thought. Henry cranked up the speed. At one hundred and twenty miles an hour even the best safety system would be no use if a tree came along now.

His phone rang. It was Moreany. Henry took his foot off the accelerator.

“Henry, where are you?”

“On page three hundred.”

“Oh, how splendid. How splendid!” Moreany liked to say anything gratifying twice over. Quite unnecessarily, in Henry’s opinion.

“Can I read some?”

“Soon. I’m still twenty pages short, I reckon.”

“Twenty? That’s fantastic, fantastic. How much longer do you need?”

“Twenty minutes.”

Moreany laughed.

“Then I’ll be home and can get back down to it.”

“Listen, Henry, I’ve decided we’ll come out with two hundred and fifty thousand copies.”

Henry knew that Moreany didn’t borrow any money from the bank. He didn’t want to. Moreany liked to deploy his entire personal wealth in financing the printing and marketing of Henry’s books.

“Don’t you want to read it first, before you mortgage your house again?”

“I’ll mortgage my house when it suits me, old boy, and never more willingly than today. Just imagine — Peffenkofer is asking for an advance reader’s copy. He begged me. What do you think of that?”

Peffenkofer, the man behind Every sentence a stronghold, was a magnet among the critics. In this capacity he drew everything bad out of literary production and left only the good things. There was little that impressed him, nothing that surprised him, and nothing original he didn’t already know about. But, whatever one might think of him, he had an eye for what mattered and he revealed beauty, making it shine. He worked out of the public eye; no one knew what he looked like and whether he didn’t perhaps still live with his mother.

“Let him wait till you’ve read it.”

“Of course! Do you have a title?”

“Not yet.”

“We’ll think of one. Tell me, when can I read it?”

Henry saw a deer standing in the rape field. He reduced his speed some more. “You’ve gone and done it again, Claus. You weren’t going to put pressure on me. You might be disappointed.”

“Let me worry about that.”

Henry stopped the car at the side of the road. “Claus, I still haven’t decided how the story’s going to end.”

“You’ve always made the right decision so far.”

“This time it’s going to be hard.”

“Have you discussed it with Betty?”

“No.”

“Talk to her. Give her a ring. Arrange to meet her.”

“All in good time, Claus.”

“Only twenty pages to go. I’m thrilled, thrilled. Shall we say… mid-August?”

“Mid-August sounds good.”

——

Martha and Henry’s property stood on a hill, surrounded by seventy-five acres of fields and meadows, which they leased to farmers. It was a classic half-timbered manor house, with barns built on fieldstone foundations, and its own chapel. Symmetrically planted poplars ran in a straight line to the house. There was no fence enclosing the overgrown garden with its old trees, no sign to keep trespassers out, no name at the door. And yet all the locals knew who lived here.

The black hovawart came bounding toward Henry, twisting energetically in the air. Poncho’s joy, untroubled by any knowledge of human nature, never failed to touch Henry. The Maserati rolled on its gently grinding wheels up to the house. Martha hadn’t yet returned from her daily swim in the sea; otherwise her folding bicycle would have been propped up next to the front door, which was, as always, open. For almost a year the screen door had been hanging in shreds because Poncho had simply run through it. Henry had often mended Martha’s folding bicycle, and he was always patching up the tires. Her Saab was parked in the barn, but she almost never used it. She could have had a plane or a yacht, but she was content with a folding bike.

Henry stroked the cashmere-like coat of the dog, and let it give the back of his hand a good lick. Then he took a stone and threw it far out into the meadow. He watched Poncho vanish into the long grass to look for it, as if released from a catapult. Fortunate dog — only needs a stone.

As soon as Martha’s back from her swim, Henry decided, I shall tell her everything.

Six typed pages lay on the oak surface of the kitchen island, neatly arranged after the other. The third part of chapter fifty-four. Martha had finished it the night before; Henry had heard the typewriter tapping away into the early hours of the morning. He flung the car key onto the counter, took a carrot out of a wooden dish, bit into it, and began to read. Clear and in quick succession, Martha’s words followed one upon another; no word could be added, no word removed, without wrecking her trademark style. The chapter fell seamlessly into line with the previous one; the story flowed toward its climax with such assurance that it was as if, instead of having been thought up, it had emerged from itself, like a plant from a seed. Incomprehensible, Henry thought. Just where did this knowledge come from? What was this voice that spoke to her and was so inaudible to him?

When he’d finished reading, Henry opened the selection of fan mail that was forwarded to him by his publisher every day. He signed a few copies of Frank Ellis , most of them sent by women. Some of the copies he signed turned up later on eBay at prices that were, in Henry’s opinion, completely ridiculous. Some women enclosed photographs of themselves, or pressed flowers, and quite often kiss prints. Henry regularly found locks of hair too, and there were even proposals of marriage, although all the media broadcast the fact that he was already married.

Where should he begin? Start with the worst, the thing about the baby? Or better to leave that out — not everything at once? It wasn’t love he felt for Betty; it was more like a cyclical urge such as comes over every man, regardless of the object of his desire. How long had it been going on with her now? Should he count their first meeting or only the exchange of bodily fluids in the Sea Breeze beach motel? When had that been, anyway? Martha would ask. The correct answer called for meticulous checks — Henry owed that to his wife. He took the mail with him into his study to look through his papers and find out how long he’d been cheating on his wife. If it had to be the truth, then make it the whole truth.

But first he sat down in his wing armchair and leafed through the Forensic Journal —an extraordinarily informative periodical about evil. Anyone planning a crime or in the process of committing one should read specialist literature. It provides information on the risks of discovery consequent upon developments in forensic technology. At the same time it makes clear the futility of battling against human evil, for no science or punishment can contend with the bloodthirstiness innate in us all. From a historicocultural point of view, greed, vengefulness, and stupidity are all natural causes of death, just one facet of the human condition.

Henry awoke when the automatic blinds went up at the picture windows. It must already be early evening. He had told Martha everything. Unsparingly and comprehensively, just as he had planned. He had gone for the hard-hearted version, to make the break easier for his wife.

Listen, my love, he had begun, I’m going to leave you, because I desire another woman and no longer desire you. I can’t stand this woman, but that’s beside the point just now. I love you, but you’re not a stranger to me anymore, and for that reason our love is only friendship. It always was. I never could despise you enough to desire you — there’s no thrill between us anymore, never really was, in fact. Besides, the other woman’s younger and more beautiful than you. We’ve known each other for a while, this woman and I. You know her — it’s Betty. Yes, Betty, of all people. She is my trophy, my muse, my slave — and I despise her. We are accomplices. My base instincts arouse her, I idolize her feet, and I’m to tell you from her that she’s sorry. I’m really sorry too. Please don’t get me wrong, I have the fondest of feelings for you. I worship you as if you were a saint. I’ve always wanted to protect you, and I have protected you, as best I could, but now matters have become somewhat complicated. Betty’s expecting my child. You didn’t want one. I don’t want one either. Bringing up a child’s the last thing I want to do — you know how much screaming babies get on my nerves, and it’s bound to scream all the time — but that’s just the way things are. Thank you for all you’ve done — I’m going to feel bad for the rest of my life, I can promise you.

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