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Sascha Arango: The Truth and Other Lies

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Sascha Arango The Truth and Other Lies

The Truth and Other Lies: краткое содержание, описание и аннотация

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Dark, witty, and suspenseful, this literary crime thriller reminiscent of The Dinner and The Silent Wife follows a famous author whose wife — the brains behind his success — meets an untimely death, leaving him to deal with the consequences. “Evil is a matter of opinion…” On the surface, Henry Hayden seems like someone you could like, or even admire. A famous bestselling author who appears a modest everyman. A loving, devoted husband even though he could have any woman he desires. A generous friend and coworker. But Henry Hayden is a construction, a mask. His past is a secret, his methods more so. No one besides him and his wife know that she is the actual writer of the novels that made him famous. For most of Henry’s life, it hasn’t been a problem. But when his hidden-in-plain-sight mistress becomes pregnant and his carefully constructed facade is about to crumble, he tries to find a permanent solution, only to make a terrible mistake. Now not only are the police after Henry, but his past — which he has painstakingly kept hidden — threatens to catch up with him as well. Henry is an ingenious man and he works out an ingenious plan. He weaves lies, truths, and half-truths into a story that might help him survive. But bit by bit the noose still tightens. Smart, sardonic, and compulsively readable, here is the story of a man whose cunning allows him to evade the consequences of his every action, even when he’s standing on the edge of the abyss.

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——

When Martha awoke in the early afternoon, Henry had already lit the stove, solved the mystery of the dripping tap, fixed the shower curtain, cleared up the kitchen, and made fried eggs. He had oiled the small typewriter that stood on the kitchen table and straightened out a jammed key over the gas flame. Martha’s manuscript was lying wrapped up under the bed again. She sat down at table and devoured the fried eggs.

He suggested they live together and she said nothing, which he took for a yes.

They spent the entire day together. She told him how he had carried on the night before, declaring that he was insignificant in every way. Henry agreed with this, but could no longer remember anything.

In the afternoon they ate ice cream and sauntered through the botanical garden, where Henry told her a bit more about his past. He spoke of his childhood, which had ended with his mother walking out and his father falling down the stairs. He didn’t mention the years he’d spent in hiding.

Martha didn’t interrupt him once, nor did she ask any questions. She held his arm tight as they walked through the tropical hothouse, and at some point she laid her head on his shoulder. Until that day Henry had never told anyone so much about himself, and most of what he said was actually true. He left out nothing important, didn’t gloss over anything, and made almost none of it up. It was a happy afternoon in the botanical garden, the first of many happy afternoons with Martha.

The next night too they slept in Martha’s bed near the stove. He was tender and sober this time, gentle and almost shy. And she was completely silent, her breath hot and quick. Later, when he was fast asleep, Martha got up and sat down at the typewriter in the kitchen. Henry was woken by the clatter of the keys. Steady, with short breaks, a period. Then the ringing of the little bell at the end of the line. Period, new line, period, paragraph. A high-pitched rasping sound as she pulled the typed paper out of the typewriter, and several short rasping sounds as she put in the new sheet. So that’s how literature is born, he thought. The clatter went on all night until morning.

The next thing Henry did was to mend the bed. Then he got hold of a rubber mat for the typewriter to stand on, procured two new kitchen chairs, and bored open the electricity meter to save on heating costs. While he was getting all that done, he reflected on the possibilities of creating a home without any capital and wondered to what extent he was cut out for it.

He tidied and cleaned. Martha didn’t comment on his domestic activities. She didn’t ever comment on anything; Henry admired that. He didn’t, however, have the feeling that she was indifferent or devoid of opinion — no, she was quite simply content and could find no fault with him. It was as if she had foreseen everything.

It struck Henry that Martha never read her stories herself. She never talked about them; she wasn’t proud of them. When she finished one, she started on the next, like a tree shedding its leaves in the autumn. The story must have taken shape in her mind even as she was working on the previous one, for there was no pause for inspiration. For a long time it remained unclear to Henry what she lived off. She had studied, but did not reveal what. She must have had some savings, but only rarely went to the bank. If there was nothing to eat, she ate nothing. In the afternoon she regularly left the apartment to go swimming at the municipal pool. Henry followed her once; she really did just go swimming.

In the cellar Henry found a suitcase filled with rotting manuscripts, hastily buried like children’s corpses beneath moldy rat droppings. The pages had clumped together into a pulp; only the odd phrase was still legible. Lost stories. The manuscript of Frank Ellis would have rotted too, or have been turned into a brief blast of heat in the stove on a cold day, if Henry hadn’t hidden it. He was to thank for that. As he would later tell his conscience, even if he hadn’t created Frank Ellis , he had at least rescued it. That had to count for something.

“I’m not interested in literature,” Martha said on the subject. “I just want to write.” Henry made a mental note of the sentence for later. Where Martha in her hermetically sealed world got hold of the ideas for creating such illustrious characters remained a mystery to him. She wasn’t well traveled, and yet she knew the whole world. He cooked for her; they talked, were silent, made love. At night she got up to write; in the early afternoon he made them something to eat, and then he read what she’d written. He kept every single page of her writing safe; she never asked about it. In this way their love grew quietly, as a matter of course. They took pleasure in doing things together and profited from one another; Henry could not imagine ever being happier. It was just up to him not to destroy the harmony.

Henry sent the manuscript of Frank Ellis in his own name to four publishers he’d looked up in the phone book. First he had had to make a solemn vow to Martha that he would under no circumstances reveal who had written it. It was to remain a lifelong secret, and if anything actually got published, it could only be under his name. Henry thought that was all right and swore not to tell. In his own way, he kept his word.

——

For a long time, there was no reply. Henry forgot he’d sent it off, and if he’d known how infinitesimal the chances of an unsolicited manuscript are, he wouldn’t have invested in the postage. But ignorance often proves to be a true blessing.

Meanwhile, Henry worked at the fruit market. He got up at two in the morning and came home toward midday, dead tired and reeking of vegetables, to tidy up and cook something for Martha.

Martha introduced Henry to her parents. She had hesitated for a long time, and Henry understood why when he met her father. Throughout their first meeting, Martha’s father, a fireman who’d taken early retirement, eyed Henry with smoldering ill will from his velour armchair. Rheumatism was gnawing away at his joints and had already claimed his thumb. Martha’s mother was a cashier at a supermarket, a cheerful woman, warm and sensitive, just the way a mother ought to be.

They drank coffee with cardamom in the upholstered landscape of the living room and chatted about trivialities. Henry saw yellow birds in a cage on the sideboard, waiting for death. The father’s pride and joy was his collection of historic firemen’s helmets, which he kept in an illuminated glass-fronted cabinet. He told Henry all about every one of them, specifying date, place of origin, and function, while his eyes scrutinized Henry’s face for signs of weariness or indifference. But Henry endured the ordeal with unflagging stoicism and even interrupted him to ask interested questions.

There was a cold winter. Henry got hold of a new door and two fabulous electric blankets, and he insulated the windows. He had spotted the door in a Dumpster full of scrap timber. He climbed into the Dumpster in thick, driving snow to salvage the heavy door, which he shouldered and lugged home on his back like a leaf-cutter ant. He took the plane to it here and there, added a piece at the bottom, and hung it. Now a cold draft no longer came in. Martha was delighted. Henry’s handyman’s skills had always turned women on. DIY and hobbies drive away the demons of boredom and negative thoughts. Henry simply liked mending things — not in order to impress, but because it was fun and because there was nothing better to do.

The following spring Henry killed his father-in-law. He bought him a historic helmet once worn in the Vienna fire brigade, which is, as it happens, the oldest professional fire brigade in the world. The aging collector’s surprise and pleasure were so great that his aneurysm ruptured and he fell down dead. Henry had carried off the perfect tyrannicide without either knowing what he was doing or meaning to do it. As a result he had no guilty conscience, because, as Henry said to himself, the insidious blood vessel in the old man’s brain could have burst when he was taking a shit. Everyone was pleased and no one suspected anything.

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