Karel Schoeman - This Life

THE NIGHT-LIGHT FLICKERS and goes out; I lie awake in the dark, listening to the regular breathing of the girl asleep on the cot at the foot of my bed. It does not matter, nothing matters now, for to wait is all that remains, and light or darkness no longer matters. I know this room where I slept as a child, this old house on the ridge with Maans’s new house some distance below, the kraals, the dams, and the low hills of the flat, faded land. I do not even have to close my eyes: wide-eyed in the dark I see the house where I was born, the farm where I grew up and, if I were to get up, I would still be able to find my way blindly over the dung floor of the bedroom and Stienie’s new wooden floor in the voorhuis. I would feel my way to the bolt on the front door, without hesitation I would pull open the heavy old door, careful not to let the hinges creak, and step out into the yard. There is no moon, but I do not need moonlight to recognise the farm of my youth or to find the footpath. I feel no pain as I step barefoot over the stones, past the outbuildings and the kraal, and over the ridge to the graveyard, to stand there, my hand resting on the stacked stones of the wall. And then? What then? I am no longer certain what I have come to look for here. The silver glow of the night becomes shrouded, the greyish landscape grows dim before my eyes, and I no longer know where I am.

But no. No.

Where am I? I lie trapped in the dark, listening to someone breathing near me in the dark. Is it Dulsie who has stayed to sleep on the skin-rug in front of my bed, watching over me on my sickbed; is it Sofie who has fallen asleep, waiting for the knock on the shutter? But no, I am no longer a child and Dulsie is long dead and Sofie too; it is Annie’s daughter who is watching over me here and who has fallen asleep because she is young and tired out from the day’s work, and because a dying old woman in a bed means nothing to her — why should she feel anything for me, who is no relation of hers, and why should she be grateful for Maans’s generosity? She is asleep and it does not matter, for what more can I possibly need now and what cause would I have to call her? Annie’s daughter — her name I cannot remember, but that is no longer important either.

It is my own room, now I know it again, the room where I slept as a child: there is the door to the voorhuis and there the small window with its inner shutter, set deep in the wall, with its view over the yard and the shed and the outbuildings. Why can I not see it? Through the chink between shutter and sash the moon would shine into the room to show where the window was, through the small chink the narrow beam of moonlight would fall into the room to flash in the mirror. If I wait I shall see once more that dark square outlined by the moonlight, the shutter opening soundlessly and the moonlight spilling over the floor, and my brother Pieter outside, placing his hands on the window-sill and hoisting himself up to land inside.

But no, no more; no, I remember now, and in the darkness certainty comes to my bewildered thoughts and memories. In later years the windows were fitted with glass panes: how would Pieter hoist himself through the window if he should come now? And the shed and the outside room where he used to sleep fell into ruins, so that Maans had them demolished and Pieter himself is dead and rests under the chiselled stone I ordered from Oom Appie and paid for myself.

There is no reason to get up now, even if I could still move; there is nothing more I could do and no one I could search for, for over the years everyone has gone, one after the other. Where are you in this vast darkness, and can you hear me? Speak to me if you are near, here where I lie alone in the night, unable to sleep, trapped with my bewildered thoughts and memories at the end of my life; speak to me, you who know more than I do, and explain to me what I cannot understand. But there is nothing, no voice in the dark or even the swish of a dress, black in the depth of the shadows: I am alone here where I lie, speechless and paralysed, with the thoughts I am powerless to control and the memories I can no longer evade, the relentless knowledge I would rather avoid.

I remember too much, for during my entire life I had too much occasion to look and listen, to see and hear, and to remember. I sat with them and helped pour the coffee, handed round the plates, took away the tray; I heard them talk, about the marriages and the deaths, the consistorial meetings and the auction sales, the shiny black horse-drawn cart and the white marble stone, everything they considered important, and now that they are dead, I still remember it all. I sat with them and heard the silences between the words, the hesitation before the answer, the scarcely perceptible evasion; I saw the look in the eyes or the quick movement of the hands that the others missed because their minds were on more important affairs, and I still remember it. I did not gather this information intentionally, nor did I ask to retain it, but here at the end of my life, reflecting on all this accumulated wisdom, I suddenly realise that it is not meaningless, like the incidental swelling of the soil that indicates the hidden paths where the mole has tunnelled. All that is left is this knowledge; all that remains to me of this life is this collected wisdom.

How far should I go back? As far as I can remember, to the day we took out the honey, Jakob and Pieter and Gert, and they carried me back on their shoulders because I was so young that I was tired out and could not walk home, that long trek home with the young men laughing and jesting about the accomplishments of the day, with the harsh, faded landscape aglow for a moment in the light of the setting sun and the dams glittering in the distance? Or further still, to a time that has come to seem just as real to me through anecdotes and tales and inference, to the ramshackle cart and the small herd of scabby sheep, to the pleated caps and the embroidered apron and the bright red and blue of the bowls displayed in the wall-cupboard? I do not know: I am tired and I want to rest but sleep will not come, and there is no sign that this night will end; only the thoughts and memories remain, and avoiding them is no longer possible.

The darkness before my eyes, the helpless body, and this banked mass of memories through which I have to feel my way blindly. Words and images of more than seventy years, fragments of conversation, an incidental remark from servants gossiping in the kitchen, a few words spoken by a herdsman in the veld, anecdotes and tales, verses, rhymes, and the psalms sung around the table in the voorhuis of an evening, or later in the little village church, flashes I no longer know where to place, the house and yard in the moonlight, the moonlight glittering in the mirror and the distant glitter as the water in the dams catches the daylight, the spekbos clear-white on the ridges in springtime, the luminous silver of the renosterbos in the diffused sunlight of the late afternoon, and the dead lamb, its eyes pecked out by crows, the reebok slung sideways across the saddle, dried blood around its jaws; the quill pen, the pocket knife, the candlestick on the bedside table; the coolness of the pane against my fingers and the coolness of the stone, the hard, straight edge of the splashboard under my hand as I stand beside the Cape cart. This is what I have left, and all that remains for me, awake here in the dark, is to sift through it, alone, with no hand to guide me along, no whispering voice in my ear. I was a quiet, timid child, whose presence went unnoticed by all, an inquisitive child with alert, attentive eyes, who observed and remembered, and my memory and mind are no less clear now, even though they are the only faculties I have retained. To sift through and arrange the bits and pebbles and chips, the patches and threads and ribbons and notes, and finally to piece together from these the story in which I have figured over all these years, silent and vigilant in the corner or at the edge of the company, and perhaps also to understand, and even to forgive, to have all the unspoken anxieties, reproaches and sorrows eliminated, the last scores settled. To remember.