Charlie Smith - Ginny Gall

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Ginny Gall: краткое содержание, описание и аннотация

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A sweeping, eerily resonant epic of race and violence in the Jim Crow South: a lyrical and emotionally devastating masterpiece from Charlie Smith, whom the New York Public Library has said “may be America’s most bewitching stylist alive”
Delvin Walker is just a boy when his mother flees their home in the Red Row section of Chattanooga, accused of killing a white man. Taken in by Cornelius Oliver, proprietor of the town’s leading Negro funeral home, he discovers the art of caring for the aggrieved, the promise of transcendence in the written word, and a rare peace in a hostile world. Yet tragedy visits them near-daily, and after a series of devastating events — a lynching, a church burning — Delvin fears being accused of murdering a local white boy and leaves town.
Haunted by his mother’s disappearance, Delvin rides the rails, meets fellow travelers, falls in love, and sees an America sliding into the Great Depression. But before his hopes for life and love can be realized, he and a group of other young men are falsely charged with the rape of two white women, and shackled to a system of enslavement masquerading as justice. As he is pushed deeper into the darkness of imprisonment, his resolve to escape burns only more brightly, until in a last spasm of flight, in a white heat of terror, he is called to choose his fate.
In language both intimate and lyrical, novelist and poet Charlie Smith conjures a fresh and complex portrait of the South of the 1920s and ’30s in all its brutal humanity — and the astonishing endurance of one battered young man, his consciousness “an accumulation of breached and disordered living. . hopes packed hard into sprung joints,” who lives past and through it all.

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Carl’s mother had come and Bonette’s and Little Buster’s, but they weren’t allowed back to the cell. The prisoners could hear people calling to them from the street. At night the voices were clear even in the heavy air. Men saying, We going to hang yu, jigs. We gon get yu tucked into hell. Gon slip up there and cut yu up. Burn yu. Women called too. Ha ha, they said, ha ha ha. A deputy would have to go out and tell them to be quiet. You run back in, Horton, and play with yo coons , somebody yelled and the crowd laughed. They were marginal folk, long dispossessed of love for themselves, mostly. Cunning but not smart. They wrapped themselves in the ragged tails of night. Somebody broke into song. Crooked hymn singing. From a hymnal nobody in the cell had ever read. The voices quoted scriptures of damnation and pestilence. None with green pastures in them. None with still waters. New scriptures, hot off the presses. Lo, from this place you will exit burning. Oh ye of the jig rind crisping. Yo body become ashes cast on the wind. Where you will dwell forever.

He paced the cell back and forth until he was tired or one of the other boys told him to please, dammit, quit. Or somebody with a problem, some ordinary problem, some ailment or fabrication, some Bonette with a blister where he’d rubbed his thumb against his bunk or Carl with a knee that hurt or Butter whose throat always ached from all the crying in his sleep, took his attention. Delvin would dip the tail of his shirt in the water bucket and press it against the back of Buster’s neck while the slim boy clutched his hand. He could feel Buster’s pulse through the cloth. “I’m about to buster out of my skin,” Buster said, and laughed at his only joke. Delvin sat up with Carl, who liked to pray. With Rollie, who lied about everything. Rollie’s long, up-curled lip made him look like he was about to say something important, but he never did. He had the training for these ministrations and he knew they would help ease his own panic. He was the one called most often to confer with the lawyers, especially by Gammon, the young man from down the road in Tuxer. Gammon seemed not so scared of him. In the courtroom at the two tables pushed together in an L shape Gammon sat beside him and often scratched notes to him on the large pale brown sheets he carried into the courtroom. It’s going to be all right, he wrote; foolishly, Delvin thought. Things are going to work out. No, they aint, Delvin had written back. Things have already been busted to pieces. Beyond fixing. That was the point, wadn’t it? But the words, written down, scared him. When Gammon scribbled his note on the same slip of paper and passed it to him, Delvin scratched his own words out.

It was from the Klaudio courthouse that he tried his first escape. During a recess in which the prisoners were taken out of the courtroom to an unoccupied office belonging to the state farm agency in the company of the lawyers and a burly jailer who spit tobacco juice into a white ceramic mug he carried everywhere, Delvin made his first jump. They were on the third floor and looked out of three tall windows cracked to let a little air into the room. They had taken the chains and shackles off because the accused were supposed to be sufficiently cowed. Gammon was talking to him about his love of football when the bailiff stepped out to get a fresh chaw of tobacco. Brown’s Mule. He hadn’t thought about escaping, or not in the way he was used to thinking. A pressure — was that it? — had built up. Something, a scraping in him, low distant rasping he hardly noticed, and this worrisome discomposing in his body — this jumpiness: they had built up. Azalea bushes planted around the courthouse were not in bloom, but they were thick with gray-green leaves. Which meant the ground underneath them after these late rains would probably be soggy.

This was the sixth time they’d been in the room. This was the first time the bailiff had stepped out.

He was ready, but still, after the door closed behind the bailiff, he hesitated. Maybe the man was coming right back. Maybe the punishment for trying to escape was too severe. Maybe they would beat him. Maybe the lawyers, these rectifying white men, would desert him. Maybe he would be hurt in the fall.

Carl Crawford, carrying a strange formal quality, his face pimply with ingrown hairs, leaned toward Rollie Gregory, twirling his long fingers; Rollie laughed his crackly, misbelieving laugh. Little Buster Wayfield stared at the ceiling, moving his mouth like he was talking. Gammon was just telling him about Jim Thorpe, an Indian hero, an athlete, a performer for white men, who had been humiliated on a football field down in Florida a few years back by Red Grange and his team of NFL brutes, white men still paying the Indians back for Custer.

Then, click : he simply moved. A dart toward the window. He caught the look of surprise on Gammon’s face. Coover and Bony looked at him and Bony in a quiet voice that sounded to Delvin like a scream, cried, “Where you going?” Everything else, even the broad day outside and the whole fraudulent enterprise they were mired in, went quiet. The window was heavy but with a hard shove of one hand he forced it fully open and before anybody moved he was out into the air. He fell twenty feet. After the first four or five the fall seemed like flying. A sense of terrifying weightlessness filled him just before he crashed ass first into the azalea bushes. A branch tore through his pants and cut a deep scratch into the side of his leg. But he wasn’t hurt.

He rolled out of the bush, scrambled to his feet — the sight of the long red scratch under the khaki cloth almost made him sick — and began to run across the wide mushy lawn. A large woman in a pink dress stared at him with her mouth open. A man on the cement walk skipped a step as if he was getting out of Delvin’s way though he wasn’t anywhere near him. A voice cried out from the courthouse porch. “That’s one of them nigras.” Shouts went up, the noise beating against his body like hard rain out of the blue sky, but he was running, fleet, the town moving past him in a blur of little specks of life jumping — the squirrel hanging upside down from a catalpa branch, a little boy pop-eyed and grinning, a woman waving a yellow scarf in front of her face — all additions, subtracting as they went by, as he went by, plunging into space as he ran, each step a fall, each a bungle and bluster and a soaring, each carrying him nowhere and everywhere, and he was running, running. .

He made it to the corner, dashed across the street, turned right and headed down past a big furniture store. There were three brown leather armchairs in the picture window, arranged looking out, empty — lonely, he thought. An outside staircase led up the side of the gray brick building across the street. He liked outdoor staircases. He was running hard. Up ahead the picture show had Joan Crawford and Clark Gable on the marquee. He had never seen either of them. There looked to be an empty lot on the other side of the theater and beyond it a large white frame building with bushes around it and past that a big yard and past that a little copse of mulberry trees. He thought he could make it to the trees and be gone. He smelled boiled peanuts. The sky was stripped of clouds.

Just then, without warning, a man tackled him. Delvin went sprawling onto his chest on the pavement. He tried to get up but the man held him. In a second another man was on him and then another. He could smell tobacco and raw vinegary sweat and corn whiskey. The men — white men — were cursing him. He writhed against the rough load of bodies — white bodies closer than any white bodies had ever been: hands, fingers gouging, elbows knocking, feet kicking and stomping and knees hitting him in the back and between the legs and an unshaven cheek scraping against his and he could hear somebody’s soft panting like the panting of a dog and somebody’s scratchy breath whistled in his ear and he almost laughed because the whistle seemed like the first bars of that song, what was the one? He made a whimpering sound that he had not known was in him. A woman somewhere close by was screaming. He kicked out with his feet, or tried to, but he couldn’t get traction, couldn’t reach any step or ledge to prise himself free.

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