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Charlie Smith: Ginny Gall

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Charlie Smith Ginny Gall

Ginny Gall: краткое содержание, описание и аннотация

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A sweeping, eerily resonant epic of race and violence in the Jim Crow South: a lyrical and emotionally devastating masterpiece from Charlie Smith, whom the New York Public Library has said “may be America’s most bewitching stylist alive” Delvin Walker is just a boy when his mother flees their home in the Red Row section of Chattanooga, accused of killing a white man. Taken in by Cornelius Oliver, proprietor of the town’s leading Negro funeral home, he discovers the art of caring for the aggrieved, the promise of transcendence in the written word, and a rare peace in a hostile world. Yet tragedy visits them near-daily, and after a series of devastating events — a lynching, a church burning — Delvin fears being accused of murdering a local white boy and leaves town. Haunted by his mother’s disappearance, Delvin rides the rails, meets fellow travelers, falls in love, and sees an America sliding into the Great Depression. But before his hopes for life and love can be realized, he and a group of other young men are falsely charged with the rape of two white women, and shackled to a system of enslavement masquerading as justice. As he is pushed deeper into the darkness of imprisonment, his resolve to escape burns only more brightly, until in a last spasm of flight, in a white heat of terror, he is called to choose his fate. In language both intimate and lyrical, novelist and poet Charlie Smith conjures a fresh and complex portrait of the South of the 1920s and ’30s in all its brutal humanity — and the astonishing endurance of one battered young man, his consciousness “an accumulation of breached and disordered living. . hopes packed hard into sprung joints,” who lives past and through it all.

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“Open your hand, you little pirate.”

The yellow jewel fell from his fingers. He could hear the soft noise it made when it hit the floor. Was it a dream? He was pulled back to his feet and held while the broom was applied to his buttocks, four, five, he lost count how many times. He was sobbing now, and no longer knew where he was. He had never known, he guessed.

Pulled by the shirt, his favorite, pale green, worn for the occasion, that had torn all the way down one side, he was lifted and carried as one would carry a shot animal by the tail, and deposited in the street. An automobile blew a blast on its horn. He heard the shuffling of a mule and then its sneeze and a string of mucus blew over him, wetting his face.

Voices were speaking to him, but he could not tell who they were, which of the white folks addressed him.

He pulled himself to his feet as a car honked a long squealing blast. He staggered to the curb, shakily climbed the speckled granite rim and was swept back into the street. Above his head the leaves of a large beech tree shivered and rushed in the breeze. He got to his feet, and, startling himself and maybe the white people who still squeaked and blatted around him, he began to run.

“You better run, you little africanis!”

He didn’t quit running until he was on the Red Row side of the bridge. Dodging behind a big loquat bush, he stopped, bent over and began to draw back his breath. Those blaring, crumpled, pink-and-red-mottled faces. He’d seen angry colored faces among them too.

Cappie found him that afternoon sitting in his little yellow rocking chair with tears streaming down his face, still wearing the green cotton shirt. His sister had pinned the halves of the shirt together because he would not take it off. Coolmist told Cappie what had happened. She had heard it from Miss Maylene Watts, who was employed by the Minor family over on Covington street. Miss Maylene had been accompanying Mrs. Watts downtown to carry packages for her when she saw the boy tossed into the street. Mr. Jimmy Coolidge, who janitored for the Atwell Appliance store across the street from the Miss and Mrs. Style Shop, had filled her in on the details. According to the story Delvin had been thrashed in the street by Mr. Billy Hammock, the assistant manager of Cooper Drugs on Main street.

A hot gushing rage filled Cappie’s body, almost blinding her. She couldn’t hear what her daughter was saying. A stiff, bony purpose rose in her. She rushed out of the house and down Adams street. At the intersection she stepped on the meaty half of an apple lying in the dirt, slipped and fell to her knees. She pushed herself up and as she did so she saw the white underflesh of her knee and inside it a crescent-shaped slice of blood. A nausea filled her but she made herself start out again, limping onto the bridge.

Mr. Dominion Baskrell, a one-eyed negro barber just passing by, stopped her by grabbing her arm.

“Where you going now?” he said. “Git down. You aint goin to rile the white folks.”

“Get off me,” she cried, pulling her arm. Her voice that she thought should be loud was only a whisper. She felt a feathery faintness. Blood ran down her shin, a thin stream. “I got to go,” she said and started on, but before she got all the way across the bridge a suffocating tiredness came over her. Poor child. My poor child. She began to weep. The tears felt like cold water. Why aren’t they hot? she wondered.

Just beyond the bridge she stopped in a field where a market was held every Saturday. Some white boys were throwing a ragged ball around. A couple of them stopped to look at her. Shame crawled her. She was wearing her work clothes, a shiny, ruffled purple dress cut halfway up her thigh, and she carried her black patent leather pocketbook. The buildings of the city, up a slight incline from where she stood, seemed the ramparts of a fortress reared up before her. The heaviness in her body weighed her down. She couldn’t go forward. She began to walk, angling off to the other side of the street where a solitary house stood. She couldn’t tell quite where she was. She seemed to be sliding backwards down a slope. She bent and picked a purple thistle flower.

She still had this twirl of silky filament in her hand when she reached the bar at the Emporium.

Later that evening she appeared at the back door of Mr. Louis Miller’s clothing shop on Ducat street. She slipped inside the little boxlike back entry and yelled up the stairs for him to come down. She visited him on Wednesday nights after his store closed. He was an old flat-faced white man who had lived forty years in the town. Miller poked his head out of his door. He saw a drunken familiar woman with her hair all spriggy and spiraled around her head. He had always liked the darkest women; black as Africa, he thought of them as, but Cappie was blacker than that. She shouted that he had broke her child.

He tried to calm her and was able to for a while. He was frightened and wondered if she had a knife on her. But he was a kind man and was saddened by the trouble she described. That little boy — like many very young colored children — was a pretty little thing. Miller had brought her in behind the closed back door, but he didn’t take her upstairs. As she came close to him he smelled the rich rank odor that he associated with the jungles of Africa, a smell of the untamed and unknowable world that both taunted and fascinated him, the smell that was her mix of pomade and junk perfume and bad food and fear sweat blended with the whole combination of dust and wash water and hog grease and happiness and terror and fealty and love juice and sooty lantern wicks and coal oil and hallelujahs and the sweet stink of old aunties bending down to kiss little boys on the mouth and the half worn away miseries in the heart of a woman with no stake but pride and humility in such a world as this. And in Cappie’s case too the ashy smell of lye soap and the sour tokay wine she used like a tonic. An assortment added to his own characteristic sour smells, smell of new clothes and worry and pickles and dryness of soul and lingering stinks of exclusion and distemper and forlornness and milk and stale bitter cheese. Both of them were attracted by the smell of the other.

Miller felt in his groin the customary stirring he thought of as soundness of spirit and life-giving and he was afraid he would wither and die without. But he was scared. He talked to her in a steady and precise way that only infuriated her further, choking her heart until in frustration and despair she struck him hard in the head with her stiff laminated purse — once and then more than once — and left him lying on the warped wooden floor of his back hall.

She was picked up for drunk later on the street outside the dress shop where Delvin had received his instruction.

In the jail she screamed and threatened, banging her hands on the doors until the jailer, a man because the woman who usually tended to the drunk or fighting negro women was home sick with influenza, until this man, Shorty Burke, a dreamer who in seven months would be stabbed in the neck and killed by a woman he’d been in love with since the second grade, threw buckets of cold pump water four times at Cappie until she stopped yelling and slunk off to a corner where she sat holding her wounded knee, crying, and fitfully sleeping, until the shift change at first light when through the high windows of the old stone cell the eastern light, in a trick of play that neither the architect or the builder or the police chief himself had considered, at this time of year threw a single beam of radiant pale yellow light against the bars, making them shine like silver rods and crosses marking some heavenly spot on earth.

She was let out — she had the money to pay her fine — and was able to make her way home in the emollient, fribbly sunshine to see her child. He still sat in his little chair. He had slept in the chair but only after fatigue pulled him reluctantly down. Through the afternoon and evening, even as his sister fed him from a bowl of fried grits, forking the crisp bits of corn mash into his mouth with a stained fork as she liked to do, pretending that he was her baby, he hardly noticed anything. Through the meal and then through the lengthening twilight into evening with its hoots of men walking in the street and its soft calls of young women walking arm in arm wearing their loose shawls and then into the cries of pain and loss that marked the late hours, he stayed fixated, turning in his fingers the two small gems shaped like cat eyes, one clear as clear water and the other deep yellow, almost brown, that he had kept, and had polished that afternoon with the Astoria polish his mother used on her treasure of six silver spoons she kept in a wooden case that had once held a silver Colt pistol. These gems in the faint light from the kerosene lamp set on the floor beside him shone with an artificiality that drew him, a strangeness and allure that even as he stared at them he felt haunted by as if he was already stranded off in some country where the light of such delicate beauty never reached. They were part, he knew, of the stories his mother had told him and read to him of kings and treasures and palaces in far lands — lands that these jewels proved were so close, so nearby, that if he only thought hard enough he could somehow, without knowing any other key or possibility, get himself to.

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