Charlie Smith - Ginny Gall

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A sweeping, eerily resonant epic of race and violence in the Jim Crow South: a lyrical and emotionally devastating masterpiece from Charlie Smith, whom the New York Public Library has said “may be America’s most bewitching stylist alive”
Delvin Walker is just a boy when his mother flees their home in the Red Row section of Chattanooga, accused of killing a white man. Taken in by Cornelius Oliver, proprietor of the town’s leading Negro funeral home, he discovers the art of caring for the aggrieved, the promise of transcendence in the written word, and a rare peace in a hostile world. Yet tragedy visits them near-daily, and after a series of devastating events — a lynching, a church burning — Delvin fears being accused of murdering a local white boy and leaves town.
Haunted by his mother’s disappearance, Delvin rides the rails, meets fellow travelers, falls in love, and sees an America sliding into the Great Depression. But before his hopes for life and love can be realized, he and a group of other young men are falsely charged with the rape of two white women, and shackled to a system of enslavement masquerading as justice. As he is pushed deeper into the darkness of imprisonment, his resolve to escape burns only more brightly, until in a last spasm of flight, in a white heat of terror, he is called to choose his fate.
In language both intimate and lyrical, novelist and poet Charlie Smith conjures a fresh and complex portrait of the South of the 1920s and ’30s in all its brutal humanity — and the astonishing endurance of one battered young man, his consciousness “an accumulation of breached and disordered living. . hopes packed hard into sprung joints,” who lives past and through it all.

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He walked down the alley, speaking to people as he passed, telling them he was sorry, doing what Mr. Oliver did, a facsimile of it. Folks knew him as Mr. Oliver’s ward. He was a good boy they thought, but what did they know. In his heart he was an unruly force, battering mountains, a wild lover ravaging the world’s naked body.

On the way back to the shed he decided he would get Morgred to join him in a flight to another place. To Texas maybe.

But when he got to the shed the Ghost was gone.

“Got hisself run off,” Mortimer Fuchs, who was petting the gray’s face, told him, “cause he was about to steal one of these horses.”

“I needed him for something,” Delvin said. Yes, he was going to leave Chattanooga.

“If I knowed you wanted him, I’d ah helt him for you,” Mortimer said.

“That’s okay. I’ll find him.” He pulled out his notebook, intending to write Oliver a message— Headed West . “Would you do me a favor?” As he said this he felt a pressure in him. He couldn’t leave now, not with all this hanging over Mr. Oliver, over Polly and Mrs. Parker and all of them. He would have to stay. But right now he needed to be somewhere else.

He scribbled a note, folded it and handed it to Mortimer.

“Would you take this to Mr. Oliver for me?”

Mortimer, a naturally troubled-looking person, looked scared.

“If you can’t find him, give it to Polly. You know who that is?”

“Sholy I do.”

“She’ll give it to Mr. Oliver. I’m Delvin.”

“I know who you are too,” Mortimer said, offended that Delvin might think he didn’t.

“Thanks.”

“Taint no trouble.”

He walked the streets of Red Row looking for the Ghost. On the backside of the quarter the streets played out into the woods, climbing uphill into the mountains. On the opposite they funneled into Washington street, which paralleled the gully and crossed it back and forth in half a dozen places, bridged and unbridged. Other streets shanked and flopped over each other and wound like a snake. If you tended west most likely you’d eventually reach Morgan street and the block the funeral home was on. East they met the white section of town across a dusty unpaved street of mixed domesticities, white and black staring face-to-face through the red dust, and beyond this standoff the railroad tracks beyond which the real white world began.

Delvin worked his way along, asking for the Ghost. Adam street was the Row’s main street. It ran perpendicular to the gully and white Chat-town and on the other end petered out like an exhausted shout in a track that ran past houses jacked on stilts and up into the leafy mountain woods. On the town side were the stores and other commercial and professional establishments. There was the Peanut Shop (also selling pecans, walnuts, hickory nuts and filberts), Bailey’s Flower Shop, the newspaper office ( Mountain Star Weekly ), the office of the Ministry of Lost Souls (Protestant), barbecue, chicken and fish shacks (the fish shack attached to Dillard Fish Market), Bynum’s Hardware, Arthur’s Hats and Shoes, Smithwick’s Clothing, the Grand and Benevolent Order of Right-Way Men’s Hall, Kurrel’s Insurance, Elmer’s Garage, painted blue with a flat red roof with Elmer Bainbridge’s name painted in white on the asphalted gravel covering it (24 HOUR WRECKING AND TOWING, a swinging metal sign out front said), and other outfits and materializations appearing from time to time in one or another frame building or in the upper floors of the only multistory structure on the Row, the Brakeman building, conjure shops and false prophets of one kind or another, too, hovering over the hearts of the community for a week, or a few, and then disappearing, whisked away in the dark of a night similar to the one in which they arrived.

But the Ghost was in none of these places. They hadn’t seen him at Pell’s or at the pool hall or in the Occasions Restaurant or at the Pig Grill or at Shorty’s. He wasn’t upstairs at Fitt’s Grocery where the men played poker five nights a week. He wasn’t at the regular Baptist church or the Holiness or the AME or the primitive Baptist either, and not out back of the Free Will Baptist where a few families were eating the latest mess of fresh souse meat somebody’d cornered over at the stockyards. And he wasn’t at the Emporium.

He told himself the reason he was looking for the boy was because he wanted to bring him back to the house, but that wasn’t it. He didn’t want to go back to the house. That was why he was looking for him.

Everywhere he went people knew already about the killing. At Porley’s, young men without attachments drank and loudly raved, but every other place was muted, abashed. Extra white police sat in cars at the bridges and rode in cars through the quarter. They hung from the sides of the cars; like monkeys, Delvin thought, or maybe the start of a police migration. Near the old Morrison livery stable and mule barn, now a garage, he picked up a rock, but even though he carried it for a dozen blocks he didn’t throw it. He didn’t know where he dropped it. The people weren’t out on their porches mostly, but he could see them sitting by kerosene light or electric behind curtains in their front rooms; their shadows were still and waiting. The quarter seemed to swell with brooding, with a sadness that had not yet broken forth in mourning. Flaked mother-of-pearl clouds flew along under a sky sprinkled with coldly glittering stars.

In the Emporium most of the white customers had stayed away. But Frank Dumaine and his buddy were there, as were Mr. Considine and Billy Melton who was kin to the family that owned the First Pioneer Bank downtown. There were a few older white men who had come. These the woman pointed out to Delvin; they couldn’t keep from it. Many of the white men arrived not knowing about the killing, but in one way or another they quickly found out. In the parlor, except for Billy Melton, nobody was dancing. In the dining room Dumaine and his friend ate chicken stew. Delvin realized he was hungry and went back in the kitchen looking for Kattie. She was upstairs, the cook told him.

“Working?” he asked.

“She’s trying it out,” said the cook, a large woman whose dark-complected face was deep red under the black.

Delvin felt a pain in his breast. The cook caught the look on his face.

“This not the place to be rummaging around for a sweetheart, honey. Unless you a rich man. But then you gon be rich someday, aint you?”

“How’s that?”

“Aint you that old mortician’s boy?”

“I work over at the funeral home.”

“Yeah, that’s you. You the one everybody says he’s gon leave that place to.”

Delvin felt a warmth in his chest. “It’ll be a long time,” he said, “before Mr. Oliver leave’s the Constitution to anybody. By time he’s ready I’ll be long gone from this town.”

“I hear you on that one. Lord, hit don’t near stop,” she said, flicking at a musing fly standing on a meringue curl atop a lemon pie. “I don’t think it ever will.”

“It’ll wear us out eventually,” Delvin said. “And we’ll throw off that yoke.”

“Be careful how you talk, boy.”

“I’m not talking, I’m just saying.”

“These white folks aint never gon take they foot off of us.”

“We’ll knock it off ourselves.”

“I think only the Lord can do that, honey. Though I have to say he’s mighty slow-minded about getting to it.”

“Idn’t that the truth,” Delvin said and they both looked away and laughed.

He walked out in the backyard and peered up at the second-story windows. They were lit softly with red or green or blue lights, some with a rich yellow that laid dim oblongs of light on the grass. Maybe the red one was hers. He stepped into the red rectangle that was more black than red and stood in it. He tried to put aside Kattie’s new business, but he couldn’t help but picture it. It wasn’t just the booting itself that got to him, it was the mechanics of it, the body angles and the wrenches and the wringing and the slop-overs and the beads of sweat and the stickiness in your mouth — he saw too much in his mind. Some other — some white man’s greasy face — naw, it was worse for it to be a colored man’s — panting his liquor breath into hers. He didn’t mind the business , not generally; it was his mother’s. . and where was she ?

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