Jenni Fagan - The Panopticon

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Pa'nop'ti'con (noun). A prison so constructed that the inspector can see each of the prisoners at all times, without being seen.
Anais Hendricks, fourteen, is in the back of a police car, headed for The Panopticon, a home for chronic young offenders. She can't remember the events that led her here, but across town a policewoman lies in a coma and there is blood on Anais's school uniform.
Smart, funny and fierce, Anais is a counter-culture outlaw, a bohemian philosopher in sailor shorts and a pillbox hat. She is also a child who has been let down, or worse, by just about every adult she has ever met.
The residents of The Panopticon form intense bonds, heightened by their place on the periphery, and Anais finds herself part of an ad-hoc family there. Much more suspicious are the social workers, especially Helen, who is about to leave her job for an elephant sanctuary in India but is determined to force Anais to confront the circumstances of her mother's death before she goes.
Looking up at the watchtower that looms over the residents, Anais knows her fate: she is part of an experiment, she always was, it's a given, a liberty — a fact. And the experiment is closing in

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The third trip sits on my tongue at noon. It’s here I begin to tip, everything goes a little bitty sideways, so I walk kindae crab-like. My arms feel strange and my skin goes all see-through, and it feels dirty and just like — wrong hair. Just wrong. Hair so wrong it’s not funny, it feels big on my head, and fluffy. Like a mane. Long and fluffy. Long dark fluffy hair. Fuck!

‘Alright, Anais?’

I sit up and shake my headdress. It takes a minute tae remember his name. Little gnome. Odd wee gnome in a tracksuit. He’s wearing two-stripe trainers and gold rings. He’s short. I bet his balls are bald. Man, the birds are loud up there in the trees. ’S like the fucking rainforest. ’S so pretty.

‘Mark?’

‘Are ye going somewhere, Anais?’

‘Nope.’

‘Noh? No like, a fancy-dress party?’

He’s staring at the headdress.

‘D’ye like it?’ I ask him.

‘Aye, I s’pose so. You dinnae want any gear, do you, Anais? Hospital speed, like?’

‘Aye! Sound. Can I get it on chucky?’

‘Cash up front.’

‘How much, like?’

‘Seeing as it’s you, I’ll give you three grams fir a tenner?’

Three grams for a tenner’s alright, though it’s probably cut. It’s still cheaper to buy it in bulk but I cannae get bulk any more. I count the money out. I’ve been saving up from my outing allowance; on my outings I’m meant tae go and do shit that will help heal me after seeing Teresa dead. Okay, then. I’ll bowl myself better. I’ll ice-skate tae fucking happiness every Friday fucking night.

I dinnae go on outings with the money. I just get wasted and go and rub up and down on Jay when we’re kissing, I prefer that to the other stuff, but he prefers the other stuff.

‘So what have you been up to?’ I ask Mark.

‘Just kicking aboot, Anais — wee bit of this, wee bit of that, keeping my fingers in plenty pies, ay, hen. I’ve been working for they guys Jay knows, d’ye ken them, fae the top flats?’

Jay cannae stand they guys, he’s always owe them money. Now I think about it, he cannae stand Mark. I take the wrap off him and stuff half the money I should intae his hand.

‘Ta, Mark, see ye.’

‘I thought you werenae going anywhere?’

‘Later!’

‘Wait a minute, are you busy the day?’

‘How?’

‘Well, you could pick up some stuff for me. I’ll give you a few pills for going, like? The guys name’s Roo. He lives here.’ He holds out a scrap of paper with an address on it.

I read the address. It’s about a million miles away. I take the piece of paper and turn to walk away and Mark goes to walk in step with me. I stop and stare at him.

‘I’ll get away the now then, Anais. See you later, ay.’

He crosses the road and smirks back at me. Loser. Fucking troll. I stuff the bit of paper with the address in my pocket, and unwrap my speed. What a weird wee envelope. He’s folded it wrong. I do mine way neater than that. He’s used a porno mag tae make his wraps with — I’ve got a bit of some guy’s knob on mine, mid-cum-shot, gross. Unfold it and breathe in the cat-piss smell and wonder if it’ll take the edge of the colours. Lick it clean off the wrap, it’s bitter, but easier than snorting.

Everything accelerates. There is a bicycle ride. A coffee cup. A bus. A boat. A train. There’s a toilet on the train so white and cold I begin to wonder if I’m dead. This cubicle feels like a fridge. I bet a body kept in here would take years tae decay.

Listen tae the chug and hope I umnay dead. What if I’m dead and I just think I umnay?

Dead on a train.

Dead-dead.

Chug chug chug chug.

Train station, ooh, be quiet, breathe quiet. I laugh, but my laugh jumps back at me. It’s fucking freaky. Chug. Chug. Chug. I sit on the loo and stare at the door too scared tae make a noise. I try to breathe right quiet, but my breath grows as loud as the train chugs, and the chugs say ridiculous things.

Lift up the toilet lid. Dinnae look at hands or veins. Sit and take a long nervous piss. I pick a scab on my knee and close my eyes.

Flashes. Fluorescent. Witches flying to and fro on the inside of my eyelids, they cackle and fly up in packs of twelve. One sticks her fingers up at me, winks, then does a skid out of sight.

Open my eyes. Tiny screws on the door handle stare at me. I stare back at them but they dinnae look away. They spiral round and round and round. The lock mouth below them grins. I might never be able tae leave this cubicle. Fact.

Heart really begins tae pound and I dinnae like this any more — I need to come back down. Shit! Red spots of blood splash onto the floor, my nose is heavy, and blood streaks down my chin. I grab a wadge of tissue, shaking. Who gets a nosebleed on acid? Shit. Shit. Shit!

My hands are see-through in the mirror. Fuckfuckfuckfuck. Veins sticking out. Take another long pee, it’s lime-green. I drop a bloody tissue down the bog and flush twice. The train stops. This is it, if I’m getting out — this is it.

Pinch nose hard, tilt head back and walk. The platform echoes and the announcer warbles and something crackles and a man in an orange waistcoat gnashes his teeth.

Nobody stops me. I make a phone call in an old phone box with one windowpane left and roach cards all over it. Call 07926145601 for a good fuck. The black Madonna — £10 a massage. Girls, all ages, no short visits. Transsexual gives good massage, water sports extra.

There is a street and another, a high-rise and a lift. All I need to do is ask for the bag. Get the bag. Go.

The lift pings, then there is a door. Knock. Knock. Knock.

‘Are you a shaman?’ he asks me.

‘Aye.’

I shake my headdress.

‘Come in,’ he says.

The guy opens the door wide. There is a hall but no carpet, there’s no anything really. I’ll not embarrass him, so what if he squats. In the living room a muscular iguana turns around on the windowsill. His claws tap, tap, tap.

‘This is Chief.’

‘Alright,’ I say.

Chief the iguana blinks.

‘You urnay bleeding, are you?’ the guys asks.

‘No.’

He’s a sly fucker is Chief. I know it and Chief knows it, and the guy tries tae kiss me but his breath smells like sick. I shake my feather headdress and begin to do a war dance. It’s the only way.

‘What’s your name?’

‘Anais. Mark sent me, ay.’

‘Did he now?’ He looks me up and down.

‘What’s your name again?’

‘Roo.’

He’s still looking me up and down. He’s a right skinny cunt and he fucking stinks. He folds down onto the floor like a fucking locust (two-parts insect), it’s in his legs. It’s in the exposed knots of vertebrae along his neck. He should put a top on, his tummy is fucking concave. He soaks a wee ball of cotton wool and looks up at me.

‘D’ye want some?’

‘No,’ I say, but I dinnae think he hears me.

He’s boring as fuck. Heroin makes people like that, ay, it’s dull as shit — so’s crack, the whole thing’s lame, there’s nothing there tae learn. It isnae like psychedelics. Every time I take a trip I return tae a world that waits for me. Trips are just the ticket in. Lately, the experiment have began to follow me through, I’ll have to stop soon.

Roo gestures at the bag of Es on the windowsill. I pick it up and turn it over. All the wee pills have a stamp on the front. Bonus. I take one and continue tae stomp the floor.

‘No, that’s all wrong!’

He’s looking up at me, he drops his spoon. It’s empty now anyway. His gear’s in the needle.

‘Noh, really, noh, I’m sorry, it’s not your fault; noh, dinnae get upset now, just wait a minute,’ he says.

He’s tightening the elastic around his arm, takes his shot, then he’s away. I’ll take the bag when he wakes, or I could leave him a note … Taken bag … but I just feel like dancing.

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