Jenni Fagan - The Panopticon

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Pa'nop'ti'con (noun). A prison so constructed that the inspector can see each of the prisoners at all times, without being seen.
Anais Hendricks, fourteen, is in the back of a police car, headed for The Panopticon, a home for chronic young offenders. She can't remember the events that led her here, but across town a policewoman lies in a coma and there is blood on Anais's school uniform.
Smart, funny and fierce, Anais is a counter-culture outlaw, a bohemian philosopher in sailor shorts and a pillbox hat. She is also a child who has been let down, or worse, by just about every adult she has ever met.
The residents of The Panopticon form intense bonds, heightened by their place on the periphery, and Anais finds herself part of an ad-hoc family there. Much more suspicious are the social workers, especially Helen, who is about to leave her job for an elephant sanctuary in India but is determined to force Anais to confront the circumstances of her mother's death before she goes.
Looking up at the watchtower that looms over the residents, Anais knows her fate: she is part of an experiment, she always was, it's a given, a liberty — a fact. And the experiment is closing in

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‘Aye. She’d only go on about my fucking dilated pupils!’

We giggle. It’s so good to hear her laugh. She downs almost the rest of the bottle. I light another joint. I dinnae know where the fuck Shortie’s got to. Maybe she’s tried to sneak downstairs to see John. We all know she doesnae want him to leave.

‘There’s soul-stealers out there, Anais. My old man’s like that, even before the Aids, he’d sell my mum. He once sold her tae the guy upstairs. He would have sold me; that’s why she wanted me in care, it’s safer.’

Her hands are shaking.

‘I’m gonnae get the night-nurse tae come and see you, Isla.’

‘Dinnae. I’m just gonnae crash. Tomorrow I’m gonnae ring up, ask for a visit to see the twins.’

‘Are you sure?’

Shortie pops her head out her window — with a humongous spliff clamped in her gob.

‘Ladies!’

She brandishes the beast, sparks her flame-thrower. We laugh at her. She grins and double-drags it. Isla downs the dregs of her vodka and lobs the bottle across the lawn — it thuds on the grass.

‘Tae absent friends, may they soon return,’ she says.

‘Absent friends,’ we echo.

‘Pass the joint then, Shortie.’

She swings it along to me.

‘What did the old guy say at the hospital?’ Isla asks me.

‘Nothing much.’

‘He must have said something.’

‘He said I was the daughter of a cigarillo-smoking Outcast Queen, one of only three cigarillo-smoking Outcast Queens. He said she flew intae the nuthouse on a flying cat.’

They’re both silent for a full minute.

‘Sounds about right,’ Shortie says.

We smoke and listen as fields rustle in the quiet. A crescent moon sits all lopsided above the forest, leering at us in the sky.

26

THE DARK IS too dark.

Sleep won’t happen.

Clocks won’t tick, no matter how much I wish they would. The night is sinister. For some reason I’m remembering ski-slope Julie who cried in primary One, cos I told her the social worker brought me, not the fucking stork.

Ski-slope never swore; I did, I was five but I swore. I bit. I kicked. I didnae sleep, hardly ever. She called me a liar and I smashed her apple off the playground, then I ate her strawberry rubber — while she stood crying her eyes out. She told everyone I was evil and they believed her.

She had a gym outfit and could do a cartwheel. I was three weeks late for school; I was always arriving from somewhere. I had a wee suitcase, and my teddy. It’s manky, that teddy; it’s no wonder, though, I always kick him under my bed wherever I live. I wouldnae speak at first, whenever I went anywhere new to live. I just watched. Waited to work out who the people were that I’d moved in with, and then if I thought I could relax, I’d start gabbing away and probably never shut up. Teresa said when I did start speaking she cried in the bathroom for half an hour.

There are long low hoots from outside. It’s one of those nights, where all you can do is watch the shadows on the wall — until it gets light.

Extra-big bowl of cornflakes. Icy-cold milk. Perfect. The chef’s voice grows louder and louder from the kitchen.

‘It was a big bar!’

‘Maybe someone ate it?’ Joan asks.

I can see him through the hatch. He’s looking at Joan’s big belly and wondering.

‘Noh, it was a great big fuck-off bar,’ he says.

‘Please try not tae swear in front of the clients!’

‘They only speak in swear-words, Joan! Those wee pricks are fucking feral.’

‘Aye, well — they dinnae get paid tae be here; we do.’

Go, Joan!

‘That chocolate bar was big enough for twenty sponge-cakes, Joan. I only got it in the last delivery.’

She sticks her head out the hatch into the dining area. I keep eating my cornflakes. They’re covered in sugar and drenched in milk. Shortie’s over by the telly with her feet up, watching cartoons.

‘Have you seen a bar of chocolate?’ Joan asks me.

‘A big huge bar?’

The chef interrupts her, sticking his head out to take a look at me.

‘A big huge bar of chocolate, Anais?’

‘Nope.’

Push my bowl through the hatch.

‘Any toast?’ I ask the chef.

He shakes his head. ‘You’re the girl who wants vegetarian meals?’

‘And?’

‘They’ve not authorised them. What are you living on in the meantime?’

‘Good looks and fresh fucking air, pal!’

He looks like he wants to machete me, in the face.

‘There’s no need for that attitude,’ Joan calls after me.

There is a need for that attitude — I tried being nice to the chef, but he cannae stand us, so fuck him.

‘Where’s John?’ I ask Shortie.

‘He’s at the shops.’

‘Where’s Isla?’

‘She’s in her room.’

‘Where’s Dylan?’

‘He had a visit arranged with his uncle. Watch this, Anais, this is great!’

Shortie bursts out laughing at the TV again. I scuff upstairs.

Morning, beautiful. Can you come on Friday? Please, please, please? I just want tae hang out like old times. I’ve got gear for you as well .

Jay has sent me, like, ten texts making sure I will be there on Friday. I forgot to ask him about what Pat said about his debts, but he’ll no doubt tell me when I see him. He hasn’t been as nice as this to me since I was like twelve, and it’s soothing to have something, anything , nice right now.

Okay x .

My hands stink of vanilla, I like it. I pop my head around Brian’s door and he pushes his glasses up his nose and rubs his hands on his shorts.

‘Do you have any money?’

‘No.’

‘Dinnae fucking lie tae me, you wee prick.’

‘I dinnae, Anais. I dinnae get any until my clothing allowance comes in.’

‘Aye, well, stay away from the Lane, Brian. If I find out you went in one old person’s cottage and ripped them off, or worse … I’ll chop your fucking dick off.’

My room’s a shit-pit; it reeks of vanilla, so I open my window. The staff do room-checks tomorrow so I need to make sure I double-hide the money, and the speed-wraps from Pat, and the other gear. I’ll deal with the gigantic brick of chocolate later.

Isla’s vodka bottle is still lying on the lawn. I need to go and see if I can catch Mike this time. I want this tag off; I could do it before I go and see Jay. I wonder if Jay’s changed much? Eighteen months, it’s a long time to spend inside. Brush my hair and pick out what I’ll wear to go and see him. Isla might chum me up town later. We need to take our mind off Tash, at least until there is news.

‘Isla, d’ye want tae go up town?’

Swing my leg around her door and twirl burlesque-style into her room.

The floor hits me.

Her left hand is open, and someone is screaming.

‘Fuuuuuuuuuuuuuuuuuuuuck!’

I am on my knees, but I’m still falling. Her hand is out, like she is waiting for Tash to come, but she’s not here and I am up, lifting her under her arms, cradling her, pushing her hair back, trying to clean her face.

Footsteps pound up the stairs.

‘Fuck!’ Joan drops tae her knees, her face white, and she tries tae take Isla off me, but she can’t. Click, click, click.

‘It’s okay, Anais, it’s okay, just let me check her over.’

Adrenaline floods my veins and the faces are there on the walls, but I don’t care. I don’t care about faces, or the experiment or that watchtower staring down. I’m roaring now, really fucking open-mouthed gut sobs, and Joan is feeling for Isla’s pulse — placing her down on the floor. I’m doubled over and I cannae breathe. Her eyes are open.

Angus is at the door, on the phone, in clipped tones, calling for an ambulance. I lean over, tuck Isla’s hair behind her ear.

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