Tessa Hadley - The Past

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The Past: краткое содержание, описание и аннотация

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In her most accessible, commercial novel yet, the “supremely perceptive writer of formidable skill and intelligence (
) turns her astute eye to a dramatic family reunion, where simmering tensions and secrets come to a head over three long, hot summer weeks.
With five novels and two collections of stories, Tessa Hadley has earned a reputation as a fiction writer of remarkable gifts. She brings all of her considerable skill and an irresistible setup to
, a novel in which three sisters, a brother, and their children assemble at their country house.
These three weeks may be their last time there; the upkeep is prohibitive, and they may be forced to sell this beloved house filled with memories of their shared past (their mother took them there to live when she left their father). Yet beneath the idyllic pastoral surface, hidden passions, devastating secrets, and dangerous hostilities threaten to consume them.
Sophisticated and sleek, Roland’s new wife (his third) arouses his sisters’ jealousies and insecurities. Kasim, the twenty-year-old son of Alice’s ex-boyfriend, becomes enchanted with Molly, Roland’s sixteen-year-old daughter. Fran’s young children make an unsettling discovery in a dilapidated cottage in the woods that shatters their innocence. Passion erupts where it’s least expected, leveling the quiet self-possession of Harriet, the eldest sister.
Over the course of this summer holiday, the family’s stories and silences intertwine, small disturbances build into familial crises, and a way of life — bourgeois, literate, ritualized, Anglican — winds down to its inevitable end.
With subtle precision and deep compassion, Tessa Hadley brilliantly evokes a brewing storm of lust and envy, the indelible connections of memory and affection, the fierce, nostalgic beauty of the natural world, and the shifting currents of history running beneath the surface of these seemingly steady lives. The result is a novel of breathtaking skill and scope that showcases this major writer’s extraordinary talents.

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— When?

— The other day, while you were busy playing.

Already that solitary visit seemed enshrined in myth: she could hardly believe in the audacity of that other Ivy, venturing bravely by herself to her tryst with the things upstairs. Arthur was visibly sceptical, jingling coins in his shorts pocket.

— I did come here, I really did! Anyway, why have you brought your money, stupid? There isn’t anything to spend it in on in the countryside.

He said he’d thought that they might pass a shop; Ivy was scornful, but it gave her an idea. — It’s a good job that you brought it actually. It will do as part of the sacrifice we need to make.

— What sacrifice?

She lowered her voice piously. — I told you. Because of the Dead Women.

Arthur took some persuading before she could get him to part with his pound coin — she had to peel back pale fingers finally, one by one, from where he clenched his treasure in his palm. Once he’d let go of it, however, he submitted gracefully to the ritual Ivy invented: upstairs, in the first room, they tore little washed-out pink pieces of body out of the pages of the magazines, and crumpled some of these, arranging them in a heap around the pound coin on the floor. Other samples, as Ivy called them, she thrust in her pocket. Bustling round, preparing the sacrifice, she sometimes almost forgot to be afraid of where she was, opening the door once into the last room almost casually, as if she was simply checking Mitzi was still there. Mitzi was, of course. She wasn’t going anywhere — her remains in fact appeared diminished and contracted into a smaller, blander shape, into something leathery. She was beginning to seem part of the same substance as the room, and her smell was changing: still nasty, but more stale and ancient. Ivy’s offhandedness, glancing at her, was proprietorial, like the habituated priestess of a cult. Arthur spent longer taking Mitzi in than Ivy did — she was the old hand.

Using Kasim’s lighter — which Ivy had picked up from the desk in the study, because Kas didn’t need it any longer — they set fire to the twists of paper; these curled and turned brown at the edges as the flame licked round them, and one of the women looked for a moment as if she was stretching, uncoiling luxuriantly to her full length, before she was consumed in a brief flare of heat and light. When they’d scuffed out the last spark responsibly Arthur wanted to have his coin again, but Ivy told him that would be unlucky, it belonged to the Women now; reluctant, gazing behind him over his shoulder when he left, he let it stay there. Their going downstairs wasn’t at all like the first time, when nightmare jostled at their heels. Ivy eased the front door open where she had closed it behind them, lifting it on its hinges, Arthur pushing past her into the gap. Both of them saw at the same moment Kasim and Molly on the grassy bank some little way off: framed at eye level in the opening, dazzling and confusing in the suddenly blazing light, oblivious to the children watching.

And at that very moment Molly half-shuffled up on her elbows and reached up her mouth to Kas, who, cupping the curved back of her head in his palm, skewing his shoulders round to come at her from the right angle, reached down his open mouth to kiss her. Their heads moved in deliberate slow rhythm together, like licking at ice cream. This kiss hadn’t occurred to the children as a possibility and they were shaken by what was indecently needy and exposed in it, exchanging glances ripe with derision and dismay. As soon as the lovers heard the children coming they sprang apart as if nothing had happened, and the children pretended they hadn’t seen anything.

Roland and Alice drank flat glasses of leftover fizzy wine, stretched out on the grassy stubble in the garden in the afternoon sun, sharing a bowl of salted nuts instead of lunch. They had the place to themselves, everyone else was out. Roland was voluble from writing all morning in his room on his laptop, working on a review. Alice said that when she was an actress the reviews had almost killed her. The idea of that kind of implacable judgement was awful to her, pinned down in words on a page which couldn’t be softened or unwritten. For once, instead of countering Alice — did he notice he was doing it, dissenting with a kind of patient forbearance from everything she put forward? — Roland seemed to attend sympathetically to what she was saying. Where had her self-doubt come from? When they were fifteen or sixteen, you’d have thought that Alice was the confident one, she had been so blithe and poised. No one could have imagined that Roland would come to speak with such assurance, such weight of authority behind him.

— In another era, Roly, you’d have made a wonderful vicar. I mean a really noble one. Founding a monastic order or taking the word to the heathen or something. I can just imagine it. While all of us sat at home knitting warm vests for you, dreadful spinsters, making a cult out of their precious brother and hating him secretly.

— That doesn’t sound much fun for anyone.

— Probably more fun for the spinsters. You’d have got yellow fever and been nursed in your last days by a devoted native bearer, but your faith would have sustained you. Do you think our grandfather’s faith sustained him? I mean, seriously, when Mum died. Or d’you think he lost it?

On the day of their mother’s funeral, Roland remembered, their father had driven off somewhere with Alice in the old Bedford van; they’d arrived back very late when everything was over, and then Alice had thrown up all night from eating too much chocolate. Yet Roland had heard her on two separate occasions, as an adult, talk as if she was present at the funeral — and she seemed to think it had been here in Kington, not in a church in Marylebone. Their dad had claimed he couldn’t stand the religious hypocrisy, and Alice had pretended she felt the same, though she had been too young to know what hypocrisy was. Roland had seen through the pair of them, father and daughter: he knew they were only afraid. Alice had been wearing some kind of punky, slippery, inappropriate silver party dress, which showed up her puppy fat and the small beginnings of her breasts; everything that day had been crazy and disordered, even their grandmother couldn’t put it right. Roland was pierced with a strong pity for his sister sometimes — although this was out of character, and he wasn’t convinced that pity helped anyone. Alice would have been dismayed if she’d known he felt it.

He pushed his fingers through his wiry curls. — I expect our grandfather believed God’s providence was inscrutable. That’s what the serious Christians think. Which seems reasonable enough. That’s just about what I think, only without God.

His skin was faintly freckled with brown and he reminded Alice, with his brown eyes, of a speckled thrush; you could see the current of awareness moving in his face like a current in water. Their closeness for a moment was like the old days, she thought. She scrabbled in the bowl for nuts, got mostly salt. — It is inscrutable, isn’t it? I find life pretty terrifying, don’t you? And I’m such a coward. I certainly don’t know what anything means. I mean, even the ordinary things frighten me, just the sadness of change and growing old and missed opportunities. And then there’s the ugly way things are going — with the environment for instance. I know you get annoyed when you think I’m nostalgic for the old days, as if things were always better in the past. Perhaps they really weren’t. But aren’t you afraid of oceans full of plastic, melting ice caps, factory farms with lakes of pigswill? All the forests of Zambia cut down, and the animals becoming extinct in our lifetimes, and grubbing up the earth for filthy minerals, and everyone forgetting how to make beautiful things. Isn’t that all so disgusting and threatening?

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