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Tessa Hadley: The Past

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Tessa Hadley The Past

The Past: краткое содержание, описание и аннотация

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In her most accessible, commercial novel yet, the “supremely perceptive writer of formidable skill and intelligence ( ) turns her astute eye to a dramatic family reunion, where simmering tensions and secrets come to a head over three long, hot summer weeks. With five novels and two collections of stories, Tessa Hadley has earned a reputation as a fiction writer of remarkable gifts. She brings all of her considerable skill and an irresistible setup to , a novel in which three sisters, a brother, and their children assemble at their country house. These three weeks may be their last time there; the upkeep is prohibitive, and they may be forced to sell this beloved house filled with memories of their shared past (their mother took them there to live when she left their father). Yet beneath the idyllic pastoral surface, hidden passions, devastating secrets, and dangerous hostilities threaten to consume them. Sophisticated and sleek, Roland’s new wife (his third) arouses his sisters’ jealousies and insecurities. Kasim, the twenty-year-old son of Alice’s ex-boyfriend, becomes enchanted with Molly, Roland’s sixteen-year-old daughter. Fran’s young children make an unsettling discovery in a dilapidated cottage in the woods that shatters their innocence. Passion erupts where it’s least expected, leveling the quiet self-possession of Harriet, the eldest sister. Over the course of this summer holiday, the family’s stories and silences intertwine, small disturbances build into familial crises, and a way of life — bourgeois, literate, ritualized, Anglican — winds down to its inevitable end. With subtle precision and deep compassion, Tessa Hadley brilliantly evokes a brewing storm of lust and envy, the indelible connections of memory and affection, the fierce, nostalgic beauty of the natural world, and the shifting currents of history running beneath the surface of these seemingly steady lives. The result is a novel of breathtaking skill and scope that showcases this major writer’s extraordinary talents.

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Ivy settled beside Kasim where he lay flat among the plumy grasses in the churchyard with his eyes closed. She stretched out her legs alongside his, arranging her long skirt carefully so that only her patent leather shoes poked out, two upright black exclamations, from under its hem. Propped on one elbow, leaning earnestly over him, she ran through her usual repertoire of topics — school, Arthur, the Victorians, food she hated — testing to see what might amuse him. Without opening his eyes Kasim felt for cigarettes in his trouser pockets and then for a lighter. She followed the ritual application of the flame and the first deep-drawn inhalation with respectful interest.

— Watch out, she said. — It would be quite easy to set fire to this dry grass.

He opened one eye to look at her then closed it again.

— My mum doesn’t like smoking. She says it gives you cancer.

— Wherever did she get that idea?

Kasim’s offhandedness didn’t put Ivy off — in fact he was beginning to impress her. She supposed he was her aunt Alice’s new boyfriend, and might be the best so far. Most of the adult behaviour children saw, it occurred to her, was carefully infantilised for their benefit — like smoking, which she knew her daddy did, but never where they could see it. Idling, Kasim took out his phone to check his emails.

— You won’t get a signal here, she said importantly. — There’s only one place, and even then it depends what network you’re on. You have to cross into that field with the cows in and then walk up to the gate at the top and sit on it. It’s the only way.

Kasim swore — incredulously rather than because he really cared. Perhaps you weren’t supposed to swear in front of children, but Ivy was unblinking as if she heard fuck every day of her life. He quite liked the idea of dropping off the edge of communication into nowhere, where his friends couldn’t find him, nor his father or mother — who were divorced — nor the girl he was half-heartedly half-involved with. The buzzing, rustling summer afternoon, too hot for birdsong, swelled louder and more invitingly in his ears now that he knew it couldn’t be cut across by any mediated connectedness. He was going to ground, he decided, and enjoyed feeling the hard flank of the ground, not at all accommodating, moulded underneath him where he lay. On the other hand, it was irritating that there were children here. Children didn’t amuse him. It seemed only yesterday that he was a child himself, he could remember it only too well.

Alice went round the house to air it, singing and opening doors and windows. She was all right now she was inside. Leaning out of an upstairs bedroom she called and waved to Kasim coming through from the churchyard; he was trying to shake off Ivy who followed close behind. He waved back without unplugging his cigarette. Turning away from him into the room again, Alice was subject to a leap of promise that had no relation to Kasim or to anyone, certainly not to Dani: light moving on pink wallpaper, the dark bulk of a wardrobe in the corner of her vision, the children’s voices from outside, the room’s musty air and its secrets, a creak of floorboards — these aroused a memory so piercing and yet so indefinite that it might have only been a memory of a dream. There was summer in the dream, and a man, and some wordless, weightless signal of affinity passing between him and her, with everything to play for. This flare of intimation buoyed Alice up and agitated her, more like anticipation than recollection. Love seemed again luxuriant and possible — as if something lay in wait. She went along the landing breathless, and aware of her heart beating.

Upstairs the house was always full of light, changing dramatically according to the weather. Its design was very simple: a single flight of wide, shallow stairs rose to a long landing with a white-painted balustrade; at each end of the landing, at the centre of the front and back elevations of the house, there rose the tall arched windows that were its distinctive beauty from inside and out. In the front bedroom that was always hers, Alice knelt at the bookshelf — guiltily aware all the time of Fran at work downstairs. The house was full of children’s books — not only from her own and her siblings’ childhood, but from their dead mother’s too. Bookplates, with Alice’s name written in the shakily flowing cursive she’d been taught at school, were pasted inside the cover of all hers, with dates. As if in a form of divination she opened one at random — E. Nesbit’s The Wouldbegoods — and read a page or two. And then we saw a thing that was well worth coming all that way for; the stream suddenly disappeared under a dark stone archway, and however much you stood in the water and stuck your head down between your knees you could not see any light at the other end. The very weight of the book in her hands, and the thick good paper of the pages as she turned them, and the illustrations with the boys in their knickerbockers and the girls in pinafores, seemed to bring back other times — the time when she had first read this, and behind that the time when such children might have existed.

Fran was peeling potatoes in the kitchen sink when Alice came in looking for scissors, wanting to cut flowers in the garden.

— When you decided to invite Kasim, Fran said, — where exactly were you planning for him to sleep?

Alice was blithe. — Don’t worry, there’s plenty of room. She banged through the drawers in vain, looked hopelessly around her. — Don’t we have scissors?

Fran lifted them from their place hanging on a row of wall-hooks, and handed them over. — I mean, I presume that he’s not in with you.

— For god’s sake! Kasim’s something like my stepson, almost.

— Only asking. I never know with you.

— I’m an ancient old woman, as far as he’s concerned. The children adore him, by the way. Everywhere he goes, they go in procession after him. Kasim has his hands in his pockets and now Arthur’s copying him. He looks so sweet.

— Is there room then? Fran persisted, bent over her peeling. — Molly has to have a room of her own, obviously. She’s not a child any longer.

Alice was forced to start counting up bedrooms and beds on her fingers. — Oh dear. I’d forgotten Molly.

— Roland and whatever her name is, the new wife. You, Kasim, Harriet. Molly. That’s five bedrooms. There are only six. It means I have to sleep in with the children, in the bunk-bed room.

— Oh Fran, that’s awful. You need a break more than any of us. You need your privacy. No. I’ll sleep with them instead, it’s all my fault. I don’t mind, really.

— Don’t be silly, Fran said flatly, punishingly. — You know that isn’t ever going to happen.

Penitent, Alice got out their grandmother’s vases from the scullery and filled them with water on the kitchen table. — Right in my way, Fran grumbled when she was out of earshot. Alice brought in roses and montbretia and purple linaria from the garden, where only the toughest plants survived their long absences. Then she put flowers out all round the house — a posy for every dressing table, white roses and ferns for the new wife. She arranged the supermarket fruit in bowls. Fran had brought new tea towels in bright colours. Rooms filled with the smells of cooking. In between their visits it was as if the empty house lapsed into a kind of torpor, and was frigid and reluctant at first when they had to rouse it back to life.

Harriet came through the churchyard and paused at the keyhole gap to brace herself for the end of her solitude. Her afternoon filled her to the brim: she had taken the route to the waterfall, which at this time of year wasn’t much more than a swell of liquid in a sodden long fall of emerald moss. Goldcrests had shrilled in the tops of a plantation of firs, a slow-worm had basked across her path, grey tree trunks surged and the sunlight was filtered through fans of leaves that stirred in movements of air imperceptible on the ground. A cottage whose abandonment they had observed since they were children — with a dim memory of a last inhabitant, an old woman — had sunk further back into the earth at its vantage point at the path’s turn, perched high above the steep end of a valley. Long ago she and her brother and sisters had broken a rusty padlock and explored inside the cottage, even climbing upstairs; it would be dangerous to do that now. The place was cut off from all services, there was no mains water, let alone electricity, no one could have lived there any longer. Though sometimes Harriet had thought that she could. She didn’t need very much.

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