John Wray - The Right Hand of Sleep

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This extraordinary debut novel from Whiting Writers’ Award winner John Wray is a poetic portrait of a life redeemed at one of the darkest moments in world history.
Twenty years after deserting the army in the first world war, Oskar Voxlauer returns to the village of his youth. Haunted by his past, he finds an uneasy peace in the mountains — but it is 1938 and Oskar cannot escape from the rising tide of Nazi influence in town. He attempts to retreat to the woods, only to be drawn back by his own conscience and the chilling realization that the woman whose love might finally save him is bound to the local
commander. Morally complex, brilliantly plotted, and heartbreakingly realized,
marks the beginning of an important literary career.

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— Then maybe you’d explain things to me. I am one, as I’m sure Herr Piedernig has told you. He hesitated, glancing up the road to where the girl was standing, watching them. — I’ve been away so long, because of this. What’s happening. He paused again. — This and other things like it. I’m afraid to go anywhere. I can’t go anywhere. He laughed. — I don’t expect you to understand, Fräulein. Don’t look so worried.

Else waited a long time to answer him, looking off into the trees. — What’s happening now has never happened before, she said finally.

— There was a feeling I got from the war, he said — that I get now in town. It came to the Ukraine, too, a few years after I went there. But it began in the war. He stopped and took a breath.

— That was one reason I stayed away. I was afraid to come back and find it here. I couldn’t bear to come back and find that everything had changed. He waited until she turned again, frowning, to look at him, before he continued. — And it has. It has changed. You must see that.

— I don’t know that anything has changed, in the way that you mean.

— Of course it has, Fräulein Bauer. Everything’s changed. You know that very well. Why else would you be up here, for the love of Christ? Do you enjoy it so much up here in the woods? Are you perhaps taking the alpine cure?

As if in answer to his question, Else said — What were your other reasons? She was looking not at him now, but at the girl. — For leaving, she added, when he didn’t seem to understand her. — You must have had others.

A wind was coming up through the tops of the trees. The girl was standing with her head far back, looking at the sky.

— I did certain things that can’t be undone, Voxlauer said, letting his eyes rest on Else. She was still watching the girl. — Have you ever done a thing like that?

Slowly she loosened her arm from his grip. — Yes, I have. I’ve done some things, and I know some others. I know what you did at the Holzer farm last Friday. She waited a moment for him to respond, then said — Do you think so little of yourself, Herr Voxlauer?

Voxlauer opened his mouth to speak, made a little sound, then let it fall closed again. The girl had come closer and stood throwing pebbles at his ankles. — Those aren’t my knees, he said, bending stiffly down to her. She turned to Else and silently handed her the handkerchief. — We’ll be going soon, Resi, Else said. The girl cursed and ran off up the track. They began walking again with an arm’s length between them.

— Does she live with you? said Voxlauer.

— She lives with her father’s family in St. Marein.

— I thought I might have noticed her.

— Yes.

— I’d mistaken her for you in those sketches.

— Yes. Well, you didn’t know about her until today, did you, Herr Voxlauer.

— No, I didn’t. He smiled at her. — I’m a bit of a fool.

— And a drunk, she said, looking off into the trees. — And that’s a shame, Herr Voxlauer, because otherwise we get along very nicely.

Voxlauer stopped short and took hold of her arm again. — Be careful, Fräulein. All gamekeepers are not alike.

— I deserved that, I suppose, she said, staring past him up the road.

— Don’t confuse me with your father, that’s all. Or with mine.

— What a habit you have of grabbing hold of a person, Else said expressionlessly, waiting for him to let go of her. They walked without speaking for a while. Where the track met the road she slowed slightly and took hold of his hand. The girl was waiting restlessly for them at the next turning. Else turned Voxlauer wordlessly to face her and looked straight up into his eyes, pushing her fingertips lightly into his ribs. Her face was unsmiling now and close to his.

— I won’t confuse you, Herr Voxlauer, she whispered.

That first night it seemed to Voxlauer they were in the low cold attic of a house full of people with no idea what was happening above them. He would reach over and lay hold of her still form, put together of all the quiet dark suffering things of this world, and she would turn and stretch herself lazily in her sleep. She was unaware of his hand, unaware of the room, unaware even that she was suffering. Maybe she isn’t, thought Voxlauer, taking in a breath. The thought seemed hollow and false at first but bloomed in him slowly, like a drink of wine. He sat up in the bed to look at her.

She slept with her knuckles to her mouth like a teething child, indifferent to everything but sleep. In the dull glow of the lamp she looked like something seen through silt-dark water. Gradually as Voxlauer watched her she became frightening to him, otherworldly, alien in her completeness. It seemed to him that if she awoke she would look at him calmly and he would die.

Her eyes as he watched them moved back and forth serenely under their heavy lids. The air whistled in her mouth. A scar ran the length of her side, relic of a childhood burn, and the rippled skin felt smooth and fossil-like under his hand. He ran his fingertips along it from her shoulder blade to her hip. Like the rest of her body it reminded him of water, of two stones clicking together at the bottom of a river. Her arm closed over it protectively. Her eyes opened.

— Give me a kiss, she said.

Slowly, haltingly, he bent to kiss her. She was looking up at him as he’d been afraid she would, calmly and deliberately, eyes still faraway with sleep. Sleepily she raised an arm and brought it to his neck and pulled him closer. Her lips were cool and dry and as he moved his mouth across them they drew together and slowly parted. Her breath came soft and noiseless against his skin and he felt a sudden tightness in his throat and brought his lips along her neck. She sighed. She was seemingly all things, smooth and whorled, soft and edged, light and dark. But she was not all things. She had a want. He sucked his breath in sharply and bent over her.

Again it seemed to him that they were in a tiny attic room. People were asleep beneath them and he could hear them groaning and creaking in their beds. She was holding his hips loosely in her hands like the reins of a cart and he was moving above her. The room continued dwindling, focusing itself into a grain of clear, white light. She was straining up to meet him, propping herself on her elbows. He was alive, alive! He was not afraid. All the past had been exploded. They were moving together in an absence of future and past. Light was there, sped up into a film reel of stuttering movement. A spare dry snow was falling all around them in the room. He looked out at it and cried.

In the early morning he was sitting at the edge of the bed, wide awake. She was awake also and talking to him and he felt calm and effortless.

— I’m walking shoulder to shoulder in a wide line of people, a search party, across a field of very tall grass. You’re there, Oskar, and Walter and Herta are there, and so is my father, who is looking well. Our arms are linked together and we’re moving step by step across the field. The line comes to a point with me and falls away on either side as far as I can see.

— We’re walking?

She frowned. — Not so much walking, I think, as hovering. Gliding. The grass is well above our heads, more like bamboo, really, or very high reeds. The farther we go the harder it is to keep together. The woman next to me turns toward me and smiles. “Let go of my arm, Else,” she says. “Go and find it.” “Who?” I ask. “The baby,” she whispers, her mouth close to my ear. I’m aware then suddenly of moving my legs and of a smell in the air like beeswax, or summer pollen.

She paused a moment, fingering the sheet.

— We’ve separated now into smaller groups and soon I’ve lost sight of everybody. A storm is building in the distance, black and horrible-looking, and I duck down under a bush to escape the wind. The grass is being beaten now in great swaths all around me. Close by on the ground I see someone else hiding, half hidden by the bush. I bend down closer and see a tiny gray man with the head of a sparrow.

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