John Wray - The Right Hand of Sleep

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This extraordinary debut novel from Whiting Writers’ Award winner John Wray is a poetic portrait of a life redeemed at one of the darkest moments in world history.
Twenty years after deserting the army in the first world war, Oskar Voxlauer returns to the village of his youth. Haunted by his past, he finds an uneasy peace in the mountains — but it is 1938 and Oskar cannot escape from the rising tide of Nazi influence in town. He attempts to retreat to the woods, only to be drawn back by his own conscience and the chilling realization that the woman whose love might finally save him is bound to the local
commander. Morally complex, brilliantly plotted, and heartbreakingly realized,
marks the beginning of an important literary career.

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The shadow of the pines grew steadily sharper and a high reel of birdsong inclined up the slope toward him. Light was gathering now and the thought of day brought with it a panic he’d not known for years, sweeping over him inescapably, holding his body suspended in its center like a wave of dark gray water. — Mother of Christ, he said aloud. He shut his eyes and felt a shiver run down his leg and a warm trickle of piss a moment after. Reluctantly he allowed his eyes to open. There was a movement in the trees and he leaned over gratefully into the cold wet turf.

It was a doe this time with a very young fawn. Voxlauer’s hands spasmed as he undid the safety of the shotgun and brought it level, bracing the stock against his collarbone. All along the tree line now the brush seemed alive with furtive movement. He shifted the shotgun slightly and both deer jerked up at once and struck off with loud harsh barks into the pines.

Voxlauer scrabbled to his feet and ran across the slope into the trees. As though down a long corridor he heard the snapping of twigs hush and recede behind a thickening screen of yellow wood. He struck in after the sound, holding the gun barrel crosswise in front of him like a King’s Hussar, throwing all the weight of his body forward. Branches clawed at his sleeves then lifted suddenly and spread apart as the ground fell away and he felt himself sliding and tumbling and brought the rifle close to his chest. He was rolling now and let the slope carry him down in loose ragged somersaults, faster and faster, with his legs flying up behind him and the roots gouging into his shoulders and ribs. The light spun and heaved. At a buckling in the slope the gun discharged both its barrels and he felt a pain across his thighs that beat hotly in his throat and against his closed eyes. He came to rest on his back with his head facing downhill and warm wellings of blood pooling under the tails of his shirt. The sky was still turning, buckling, righting itself and buckling again. Somewhere close to his head was the sound of running water.

Voxlauer lay for a long time with his eyes on the raked sky. His mouth felt chapped and blistered and eventually he pulled himself down to the water and drank. Afterward he rolled onto his back again, breathing in soft, musical rasps, and tried to stand. To his amazement he found that he could and that the pain was abstract and far away. His pants and shirtfront were wet and this troubled him vaguely but as he walked he tried hard to think of something else and after a time he succeeded. He felt small and lighter than air and saw himself drifting in a boat on a wide, shallow lake, letting his arms trail down in the water, dragging his fingers through the weeds.

He managed to reach a road before he collapsed again. Close by was a house and the smell of woodsmoke wafted sweetly down to him. He closed his eyes and lay back with his knees drawn into his chest and that was how she discovered him, his legs half in the ditch and his coat bunched and furled around his ankles, his arms trailing off in the dirt to either side. She pulled him upright by the shirt collar and shook him until the color came back into his face and shoulders, then forced him to stand and, one arm braced against his back to steady him, led him up to the villa.

THE VALLEY, APRIL — JULY 1938

Else set the pot and cups on a lacquered tray and brought it in to him where he sat propped up on the bed with his swaddled legs spread in a V over the quilting. There was dust in the room and she couldn’t see his face clearly for the sunbeams but she knew he was awake. He shifted heavily as she entered and the loose bed frame creaked under him. — I’ve made coffee, she said, as though it were the most natural thing in the world for him to be there.

Voxlauer stared at her a moment. She was standing over him, gracious and matronlike, waiting for him to speak. — Thank you, Fräulein, he said finally. He took the cup offered him and levered it slowly up to his mouth. — It’s wonderfully bright in here.

She frowned at this. — Should I pull the curtains?

— No. Leave them open, please.

— I thought you might like some air, she said, going to the window. — It’s not warm outside, but the air is fine.

— Thank you. Open it if you want to.

— What?

— I said open it if you want to. The window. Please do as you would on any other day.

She turned to him and smiled. — On any other day, Herr Voxlauer?

— I’d like not to put you to any sort of trouble.

— Well, she said, turning to the window again and pulling it carefully open with both hands, as though a pane might fall— aside from the trouble of hauling a full-grown body up into my kitchen and spending a night keeping it from bleeding all over my bedsheets, and three nights after that listening to it muttering all sorts of horrors, and making my bed here on the parlor couch, which, as you can see, she said, turning to smile at him — is losing its stuffing, you’ve not put me out so very much. Besides, having put yourself to the trouble, Herr Voxlauer, of falling on a loaded gun, it doesn’t seem so much for me to open my own parlor window.

Voxlauer was quiet a moment. — I thought this was the bedroom, he said.

— Where you are is the bedroom, said Else, opening a second window. — Where I am, Herr Voxlauer, is the parlor. She brought a footstool over to the bed and sat down on it. — So.

— So, said Voxlauer. He smiled shamefacedly. — I suppose a knock on your front door might have been simpler.

She had brought a pair of boots from under the bed and was working her feet into them, frowning slightly. They closed with buckles across the ankles and she drew them snug and then raised her eyes to look at him. The coffee she had given him was cold but strong and he passed his tongue back and forth across his teeth, grateful for its bitterness.

— How did you get me up here, Fräulein? With pulleys?

Else shrugged. — I’m heavy-boned, thank you. Built for the country life. Unlike yourself, if I may say so.

— Yes, Fräulein. I’m sure you’re right. He passed a hand over his forehead. — Have I had a fever?

She nodded, letting out a mock-weary breath. — A right plague of it. You were very talkative, as I’ve said, but a bit weak on specifics. Her fine straight hair wisped outward with her breath and her head tilted back from him distrustfully. The light behind her was whorled and dark, like river water. — How on God’s earth did you manage it?

Voxlauer looked down at his legs. A band of black stains traversed his thighs from right to left, fanning out along his left leg, graceful and intricate as a tattoo. He shook his head. — Fool’s luck, he said at last, grinning at her.

In the evening she undid the wraps and cleaned the cuts and painted them with Mercurochrome and he saw that they were not very deep. The strangeness of what had happened was dawning on him now, coldly and steadily, but Else seemed perfectly at ease and happy to have him there to complain about and tend to. She showed him some loose bits of shot on a saucer and pointed to the holes each had come from, thin rust-colored grooves bordered by a dull, lifeless white. The skin was flayed in ribbons above his knee-caps and the muscle underneath showed a bright garish red, like the inside of a deerskin, but he found he could move both legs slowly up and down without too much pain. — Sit back now, Else said angrily. — You’ll only start them going again. And in fact as he brought his legs together he felt a warmth welling under the bandages and a prickling seeping into the bone just above the cuts. He lay back very carefully and closed his eyes.

When he opened them again the light was ebbing from the room and he saw her highlighted through the glass, working a round patch of earth in the garden with a spade. She had come and gone all day from the room, taking little notice of him as he lay on the bed, rarely staying long in his sight. Her attitude toward him was so different now from what it had been on their walk down the hill, so inexplicably mild and gracious, indulgent and disinterested at once, as though his presence there on her bed were a given, not to be fretted over — his confusion had grown steadily more complete since the morning. Now he watched her in quiet detail as she fussed somewhat coquettishly over the ground, worrying it with sharp quick gouges of the spade. After every few passes she stepped back and surveyed the plot, her round face twisting into a smile as though acknowledging her foolishness. Her hair caught the last weak light in its gloss and darkened her smooth, ageless, nearly sexless features. Voxlauer closed his eyes for a long time and when he opened them she was still in the garden, crouched down pulling roots from the spaded ground, the color almost gone from the windowpanes. As he watched her, the twilight wandered down across them, stooping like a willow bough. A few minutes later she came inside.

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