Belinda McKeon - Tender

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A searing novel about longing, intimacy and obsession from the award-winning author of
When they meet in Dublin in the late nineties, Catherine and James become close as two friends can be. She is a sheltered college student, he an adventurous, charismatic young artist. In a city brimming with possibilities, he spurs her to take life on with gusto. But as Catherine opens herself to new experiences, James's life becomes a prison; as changed as the new Ireland may be, it is still not a place in which he feels able to truly be himself. Catherine, grateful to James and worried for him, desperately wants to help — but as time moves on, and as life begins to take the friends in different directions, she discovers that there is a perilously fine line between helping someone and hurting them further. When crisis hits, Catherine finds herself at the mercy of feelings she cannot control, leading her to jeopardize all she holds dear.
By turns exhilarating and devastating,
is a dazzling exploration of human relationships, of the lies we tell ourselves and the lies we are taught to tell. It is the story of first love and lost innocence, of discovery and betrayal. A tense high-wire act with keen psychological insights, this daring novel confirms McKeon as a major voice in contemporary fiction, belonging alongside the masterful Edna O'Brien and Anne Enright.

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Belinda McKeon

Tender

For K

He was the friend of my life. You know, you only have one friend like that; there can’t be two.

James Salter, Light Years

Awake (1997)

Dreams fled away, and something about a bedroom, and something about a garden, seen through an open window; and a windfall, something about a windfall — a line which made Catherine see apples, bruising and shriveling and rotting into the ground. Windfall-sweetened soil; that was it. And, the flank of an animal, rubbing against a bedroom wall — though that could not be right, could it? But it was in there somewhere, she knew it was; something of it had bobbed up in her consciousness as she lay on the lawn in front of James’s house, a wool blanket beneath her, one arm thrown over her eyes to do the job of the sunglasses she had not thought to bring.

The French windows were open. They were to the left of the front door, which seemed a bit strange, or pointless or something — if you wanted to walk out to the front of the house, wouldn’t you just use the door? Still, they were nice — elegant, that was what they were, and modern — and through them now came the noise of James and his parents, talking in the loud, excited way this family had. His mother shrieked at something James had said, and James swore at her — the fond, gleeful kind of swearing they did all the time, this family; Catherine could not get over them. They were talking, probably, about the local wedding James’s parents were going to that afternoon; James was also expected to go, but James was staying home, using Catherine’s visit as an excuse. Catherine was not sure how she felt about this: a mixture of panic and guilt and flattery, which did not make it easy to relax, lying here in an old bikini belonging to James’s sister, not that the fact of lying here in a bikini made relaxation easy in the first place. If her parents knew…But her parents did not know, she reminded herself once again, and once again she put the thought out of her mind.

Arrah, for fuck’s sake, Mammy. That was James now, really roaring, and next came Peggy, her Cavan accent laying the words down like cards: I’m telling you, Jem, I am telling you. James was a desperate wee shite, that was something else Peggy had said to him a moment ago; Catherine laughed again at the thought of it. Desperate wee shite; she’d say it to him when he came back out here. It would become another of their lines. Already they had their own way of talking, their private phrases, their language, and they’d only known one another since that morning in June; though it seemed like so much longer, it was only six weeks ago that James had shown up in Catherine’s flat on Baggot Street, the flat she shared, during term time, with James’s old schoolfriends, Amy and Lorraine. It was them he had been looking for, of course, when he had arrived that morning, back from his time in Berlin, but instead he had found Catherine, because Catherine had moved into the bedroom he had left empty the previous October. He had been working for a big-shot photographer over there, someone Catherine, at the time, had never even heard of, but someone big, someone with whom James, despite not even being in college, had managed to get himself a job as an assistant — and this was so typical of James, that he could just go and get something for himself in this way, and it was so unthinkable for Catherine, the guts it would involve, or at least it had been, before meeting James…

There, now, was James’s father, wry and lovely and long-suffering, asking James if he would not get back out into the garden and give James’s mother and himself a bit of peace. That lassie, he said — and Catherine knew he was referring to her, and she thrilled to hear herself mentioned— That lassie will be dying of the thirst. Then he added something in a lower tone, inaudible to Catherine, and Peggy shouted his name, sounding outraged, and James told him he was very smart, very fucking smart, and Now for you, James said then, and Catherine knew that he had done something — maybe had clipped his father on the ear, or pretended to, maybe swiped the last piece of ham from his father’s plate. Something, anyway. Some little moment of contact. The previous evening, she had seen James bend down to where his father was sitting at the table and plant on the crown of his head a quick, firm kiss, like a kiss for the head of a baby; just in passing, just as though it meant nothing at all. Catherine had actually blushed. She had felt as though she had done something wrong, something too much, just by having witnessed it. This family. They were just so — they were amazing . They were just brilliant . And it was so strange, because in so many ways they were so much like Catherine’s own family — farmers, the house on the hill, the kitchen smelling of the same things, the bedsheets in the spare room the same sheets that Catherine’s parents had on their bed — and yet, they were so—

Extraordinary . That was what they were. That was a James word; that was one of the words she had got, over this summer, from James. From all the talking they had done, firstly in Dublin, those intense days after he had returned from Berlin, and then — after Catherine had returned to her parents’ home in Longford for the summer and James had reclaimed his old Baggot Street bedroom — over the phone, James had given her so many new ways of saying things, so many closer, sharper, more questioning ways of looking at the world. They had talked on the phone almost every evening this summer; Catherine would call the pay phone in the hallway on Baggot Street, and James would be there waiting with a cheery hello, and they would be off, sometimes for hours, and in those conversations James had given her so much, so many new things to think about. And so many new things to worry about — or, not new things, just things it had never really occurred to her to think about before. Like how little she knew about, well, everything, really. That had been obvious all this past year — college had made that obvious — but James, her conversations with James, had forced her to see it so much more clearly. James had not said this to her directly — James was not like that, not blunt in the way that, say, her classmate Conor was, ripping the piss out of her, making her feel humiliated and small. It was more that in talking to James, listening to him talk, Catherine had come to realize just how much more carefully she needed to think about everything: about her life, about what she was doing with it, about what she was doing at college, about what she was doing with these summer days. About her relationships, of which there were none; Conor was not a relationship, no matter what James said, however often or hilariously — she loved the way he insisted on talking about the dramas of her life as though they were actually interesting, as though there was actually something happening where there absolutely was not. She even loved when he insisted on talking about her relationship with her parents, which was something she had never even thought about in such terms before — she really needed, James had told her, to start thinking about her parents as people, instead of just as her parents — and about the way things were with them, and about how this influenced pretty much everything she did. Psychology; James was not at college, because James, as he had told Catherine that first day in Baggot Street, had not wanted to go to college, had wanted to do something different, had wanted to go his own way, but if James had gone to college, he told her, it was psychology he would have liked to study. That or theology, he had added, and Catherine had burst out laughing, assuming the theology part to be another of his jokes, because he was hardly religious; but James had insisted: he wanted to understand, he said, what it was, exactly, that people believed.

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