Christopher Sorrentino - The Fugitives

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The Fugitives: краткое содержание, описание и аннотация

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From National Book Award finalist Christopher Sorrentino, a bracing, kaleidoscopic look at love and obsession, loyalty and betrayal, race and identity, compulsion and free will… Sandy Mulligan is in trouble. To escape his turbulent private life and the scandal that’s maimed his public reputation, he’s retreated from Brooklyn to the quiet Michigan town where he hopes to finish his long-overdue novel. There, he becomes fascinated by John Salteau, a native Ojibway storyteller who regularly appears at the local library.
But Salteau is not what he appears to be — a fact suspected by Kat Danhoff, an ambitious Chicago reporter of elusive ethnic origins who arrives to investigate a theft from a nearby Indian-run casino. Salteau’s possible role in the crime could be the key to the biggest story of her stalled career. Bored, emotionally careless, and sexually reckless, Kat’s sudden appearance in town immediately attracts a restive Sandy.
As the novel weaves among these characters uncovering the conflicts and contradictions between their stories, we learn that all three are fugitives of one kind or another, harboring secrets that threaten to overturn their invented lives and the stories they tell to spin them into being. In their growing involvement, each becomes a pawn in the others’ games — all of them just one mistake from losing everything.
The signature Sorrentino touches that captivated readers of Trance are all here: sparkling dialogue, narrative urgency, mordant wit, and inventive, crystalline prose — but it is the deeply imagined interior lives of its characters that set this novel apart. Moving, funny, tense, and mysterious,
is at once a love story, a ghost story, and a crime thriller. It is also a cautionary tale of twenty-first century American life — a meditation on the meaning of identity, on the role storytelling plays in our understanding of ourselves and each other, and on the difficulty of making genuine connections in a world that’s connected in almost every way.
Exuberantly satirical, darkly enigmatic, and completely unforgettable,
is an event that reaffirms Sorrentino’s position as an American writer of the first rank.

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“Why did you kill them?”

“Kill who, Kat?”

“Did you know about the whole thing from the beginning? Were you part of it?”

“What whole thing, Kat? Part of what?”

“Asshole!”

“For Christ’s sake. Do you really have to resort to name-calling?” He raised the gun. “Don’t make me lose my temper. All I need are these fucking drunk Indians around here to start swarming out of these shacks.”

“How did you even find her? Did Saltino help you? Is he here?”

“Jesus,” said Argenziano. “I said enough already with that. It was a good bluff, but you couldn’t have picked a wronger person to try it on.”

“Well, where is he?” Kat said.

Everyone was quiet for a long moment.

“He’s been buried in a hole behind the nuthouse in Cherry City since last Spring,” Argenziano said finally. “Jackie’s dead.”

EARLIER TODAY

Jeramy steered the truck to the side of the road and turned off the lights.

“The ignition,” said Hanshaw.

“It be cold, yo.”

“So? Stick your hands in your armpits.”

The boy didn’t say anything but shifted heavily, causing the truck to bounce on its busted struts, and Hanshaw sighed. He didn’t want the kid to go into a funk.

“Oh, go ahead and leave it on.” He eased open the passenger door.

“Where you going?”

“Where do you think?” Hanshaw shut the door softly and leaned against it to latch it. The cold of the metal was harsh on his palms, and he reached into the pocket of his field jacket for his gloves. He began trudging toward the house, moving to the middle of the road because his footsteps through the frozen unshoveled snow on the roadside crunched loud in the stillness. The house was the only one without the shifting light of the TV showing through its windows; without any light at all, in fact. But there was a big F-150 parked in the driveway. No sign of Argenziano’s Mercedes, though.

He heard a rustling to one side and turned to encounter a crow, standing on a fencepost. He and the animal regarded each other.

“Hello, Crow,” said Hanshaw. “Owl’s going to get you. Get back to your roost.”

The crow leaned forward, huffed its feathers, and cawed at him. It took off and flew into the darkness.

Hanshaw came up the driveway alongside the house. At its end was a detached garage, the door closed. That was where the Mercedes had to be. He felt the hairs on his body stand on end, rising in a wave, like when the barber ran clippers over the back of his neck. He had an uneasy feeling. Crows were messengers from the other world. He stopped short of the garage and listened intently, pressed close against the house. He could sense occupancy inside, but there was something wrong. He took two steps forward, bringing the backyard into view, and tripped a motion sensor light attached to the side of the house. Something thudded on the other side of the wall to his right and the structure shuddered slightly. He double-timed it heavily toward the backyard, coming around the rear of the house, where more light trickled thinly onto the ground to illuminate a rectangular pad of concrete containing two plastic chairs and a plastic table, all heaped with old snow. The light came from the other side of the sliding glass door that opened onto the patio. The view into the room inside was hidden behind the pale blue curtain pulled across the length of the glass, but Hanshaw could see the blood splattered across the fabric, soaking through it. A shadow entered the lit space inside; Hanshaw’s hairs rose again, and he held his breath. The shadow moved first to his left, and then to his right. It paused and Hanshaw could feel it, on the other side of the glass. He stared at it, and it seemed as if it stared back. He knew it was only Bobby Argenziano in there, standing over and maybe even admiring his handiwork. But he also could feel that the shadow existed quite apart from Bobby; that the shadow had passed into, inhabited, Bobby as he did whatever had painted the curtain with those kinetic splashes, and now the shadow was taking his, Hanshaw’s, measure.

“Go away,” he whispered. “Get the fuck away from me.”

The shadow drew near to the curtain, growing bigger and more diffuse, and then abruptly resolved itself into Bobby’s sharp little silhouette. Then the light disappeared and, letting out his breath, Hanshaw could feel the room empty of life. The curtain hung gray, streaked with its darker gray splashes. He shook his head, disgusted with himself: and now the cops would have his own size fifteens imprinted in the snow to look at.

He heard the door slam at the front of the house, and moved deeper into the shadows to watch Argenziano come up the driveway. He took mincing little steps. When the motion sensor light clicked on he turned and looked sharply at it, as if it were someone who’d spoken out of turn. He carried a stained towel, and his shirt and slacks were splattered with blood. He also carried his shoes, which explained the funny walk. As he reached the garage he stuffed the towel under his arm and reached down to grasp the garage door, lifting it with an audible grunt. The door moved up and back noisily on its tracks. He disappeared inside and lowered the door about halfway. Hanshaw thought about following him inside and shooting him right there, but he knew that would lead to complications. Deviating from the plan always did. He sternly reminded himself that the unfortunate people in that house, whoever they were, had nothing to do with his business. He’d caught a glimpse of a boy’s bicycle inside the garage: still nothing to do with him. And plus there were the size fifteens, plain as day in the snow. He didn’t think there was any purpose in bringing unnecessary trouble down on himself. He would answer the questions he needed to answer when the time came. He edged closer to the garage and got on his hands and knees to look inside. The cold, wet snow instantly soaked through the knees of his jeans. Argenziano stood before the open trunk of the Mercedes in his underwear, stuffing his clothes and the towel into a plastic garbage bag. He was shaking with the cold, and the loose flesh on his torso quivered. He carried his shoes to a utility sink in the rear and rinsed them off. Then he washed his hands. As he watched, Hanshaw was reminded of the meticulous cleansing motions performed by flies.

He got to his feet. His knees were stinging. He looked down at the dark circles of moisture and involuntarily recalled the appearance of the blood-saturated curtain. He moved down the driveway, leaving Bobby to his ritual cleansing. He could wait, and think, in the truck.

TODAY

“I don’t appreciate this,” Argenziano said. He sat in the backseat of the Mercedes beside Kat, his gun hand resting on his knee. “At our age, we really shouldn’t play these sorts of games. If we feel that we’re in possession of information that has a certain value, we present a proposal. Or we hang on to the information, for whatever reason. Discretion, strategy, what have you. We don’t play games. And this is a game for children. An imaginary friend. Come on. That’s the idea you come up with? Which one? Which one of you hatched the brilliant plan to intimidate me with the notion that Jackie Crackers was walking and, more pertinently, talking?” They were entering the outskirts of Cherry City, and Argenziano studied the landscape morosely for a moment. “Was it you? The noted author ?” He smiled. “I knew an author once, a long time ago. He said he wanted to write a book about people like me as he put it. He wanted to know things. What he said was he wanted to learn things, he knew enough to say that, but what he really wanted was to know things. There’s a difference, you know. People know all sorts of things but that doesn’t mean that they learn . If it did, they wouldn’t write stupid, lying books that embarrass people, that lie about people. Would they?”

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