Christopher Sorrentino - The Fugitives

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The Fugitives: краткое содержание, описание и аннотация

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From National Book Award finalist Christopher Sorrentino, a bracing, kaleidoscopic look at love and obsession, loyalty and betrayal, race and identity, compulsion and free will… Sandy Mulligan is in trouble. To escape his turbulent private life and the scandal that’s maimed his public reputation, he’s retreated from Brooklyn to the quiet Michigan town where he hopes to finish his long-overdue novel. There, he becomes fascinated by John Salteau, a native Ojibway storyteller who regularly appears at the local library.
But Salteau is not what he appears to be — a fact suspected by Kat Danhoff, an ambitious Chicago reporter of elusive ethnic origins who arrives to investigate a theft from a nearby Indian-run casino. Salteau’s possible role in the crime could be the key to the biggest story of her stalled career. Bored, emotionally careless, and sexually reckless, Kat’s sudden appearance in town immediately attracts a restive Sandy.
As the novel weaves among these characters uncovering the conflicts and contradictions between their stories, we learn that all three are fugitives of one kind or another, harboring secrets that threaten to overturn their invented lives and the stories they tell to spin them into being. In their growing involvement, each becomes a pawn in the others’ games — all of them just one mistake from losing everything.
The signature Sorrentino touches that captivated readers of Trance are all here: sparkling dialogue, narrative urgency, mordant wit, and inventive, crystalline prose — but it is the deeply imagined interior lives of its characters that set this novel apart. Moving, funny, tense, and mysterious,
is at once a love story, a ghost story, and a crime thriller. It is also a cautionary tale of twenty-first century American life — a meditation on the meaning of identity, on the role storytelling plays in our understanding of ourselves and each other, and on the difficulty of making genuine connections in a world that’s connected in almost every way.
Exuberantly satirical, darkly enigmatic, and completely unforgettable,
is an event that reaffirms Sorrentino’s position as an American writer of the first rank.

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“Yes!” shouted Kat. “I wish this thing had a sunroof so I could stand up!” As she said it, we were approaching the crest of a steady incline at which point the road gently, but abruptly, veered to the left. We rocketed over the top and sailed through the air for a long free moment. Although it’s impossible that we could have had the time, I would swear that we exchanged a charged look, erotic and unafraid. We landed, jarringly, bottoming out near the right-hand shoulder and the ditch that lay beyond, and with tires shrieking I managed to pull the truck back onto the road without flipping over. I drove the rest of the way down the peninsula more slowly, and by the time I turned onto the east-west highway that connected us to Cherry City I was observing the limit.

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SHE HAD Aroom at the Holiday Inn where I’d stayed when I first arrived in town. It felt odd, familiar in an uncomfortable way, to pull into the parking lot for the first time in months, to recall the ulcerous pang that inhabited my stomach for weeks, the feeling of loss that accompanied my abandonment of everything, the now-whatness of life. I’d really believed that I was coming to Michigan to write a book in relative peace, but when I was standing at the window of that hotel room at night looking down at the harbor lights, or driving deep into Manitou County, late, restless and panicky behind the wheel, I think I must have known that I’d come for nothing.

In the lobby, two of the clerks I’d seen every day during the weeks I stayed there were on duty at the front desk, but if either of them recognized me as we weaved past them toward the elevator, they gave no sign. I didn’t take it personally. After growing up in a town where strangers waved as they passed one another in their cars and then living for years in a city where people you knew pretended to be checking their cell phones when they passed you on the sidewalk, I was perfectly balanced between perfunctory neighborliness and mystifying rudeness. Two teenage girls got off the elevator when the doors opened. They eyed us and, without exchanging a word, began to giggle. I didn’t take that personally either. We rode up amid the sweet smell of cheap perfume and cinnamon gum.

She opened the door to her room and then stood leaning against it, waiting for me to pass.

“You going to come inside or are you just going to stand in the hall like a Bible salesman?”

I came inside and she let the door close behind us. I looked around. A large suitcase sat on the luggage rack. There was a laptop open on the desk, with a cylindrical container of nicotine lozenges and a half-full plastic cup of wine beside it. The wine bottle floated awkwardly in a plastic ice bucket filled with what was now water. On the laptop screen I saw a half-composed e-mail message, evidence of the other life far from here, all the thousands of things that I didn’t know about this woman. Did I really want this all over again? Another history, another pathology? This was the tension few humans could resist, between excitement and uncertainty, the push of one’s resistance to the unknown braided with the undeniable biological imperative. People decided on espresso machines more carefully than they chose lovers.

“That’s a big bag.” I gestured at the suitcase. “Planning on staying awhile?”

“Maybe.”

She reached for my parka and began undoing the snaps, the zipper, various flaps and cords. Despite the bulk of the garment, and the sweater and turtleneck beneath it, the gesture was persuasively seductive. I draped the parka over the back of the desk chair, she moved beside me and poured out a cup of the wine, then handed it to me. The peculiar play of accidental touching. Same as it was at the age of eight. Skin against skin, the foundation of every crude hope since the origin of time.

“Your husband know you’re thinking about staying?”

“God no.”

“But he knows something.” I looked at the bag again, pictured a corresponding set of forlornly depleted bureau drawers, empty hangers swinging on a closet rod back in Chicago. I tried to muster sympathy for him, couldn’t manage it.

“Nothing he didn’t already know.”

“What did he say?”

“He didn’t say anything. He wasn’t there.”

“You left him a note.”

“No, I didn’t.”

“He’ll call later and you’ll tell him.”

“Tell him what? He knows I’m here. He doesn’t have to know what I’m thinking about.”

“Or doing.”

“Or doing.”

“It might be better for him,” I said, “if he did.”

“My marriage doesn’t have anything to do with you,” she said. “So stop worrying about it.”

My moral reservations were winded easily, falling far behind me as I felt myself beginning to get aroused. Kat had sat down at the foot of the bed, and was leaning back to lift her right leg to remove her boot. She repeated the act with the left boot, and then reclined, supporting herself on one elbow as she reached out to take the cup of wine from me. She drank, straightening her back and pushing out her breasts, then looked at me.

“OK?”

“OK.” I gazed at her. “You know, I wasn’t sure we were going to see each other again,” I said. I tried to say it lightly, but my voice shuddered as I spoke.

“You knew we would.”

“Yeah, no, you seemed equivocal.”

“I’m a married woman, birdbrain.”

I put my hands on her shoulders and pushed, lightly. She fell back, giggled.

“Why would I write him a note?” she said, returning to the subject. I put my hands on her thighs. “Or is it because I’m a journalist you figured I’d want to, what? Document it?” I straightened my fingers so that the heels of my hands and my thumbs were pressing against her thighs and then moved them slowly up and in. “Or because you’re a writer? Write a note, explain everything.” I put my fingertips on the thin band of flesh that had appeared between the waist of her jeans and the hem of her blouse, moved them up and under the blouse, felt smooth skin and the ridged swell of her rib cage. “It’s like when someone commits suicide. They always ask did he leave a note.” I moved my hands back out from under her blouse and placed them on either side of her torso, put one knee on the bed between her thighs, and leaned over her to kiss her. She grabbed me by the hair and pulled me toward her. For a few minutes it was all tumble and sprawl, friction of clothes against skin, seams twisting the wrong way and digging in, gasps and moans. It was different than it had been in the car — that had been tender and tentative. Here it was clear that a decision had been reached, that all second thoughts would be afterthoughts. I reared back and pulled off my sweater and turtleneck, then helped her remove the blouse. Beneath it she wore a red brassiere, and she sat up to unhook it. I pushed her back down. I wanted to sustain the intermediary stage, half exalted flesh, half responsible grown-ups ready to swing ourselves into business casual and head off to more upright pleasures. But my taste for the intermediary waned as quickly as my initial hesitancy. Her torso was warm and sleek, with uncanny musculature, not worked-out but toned and responsive under the stretched buttery surface. I reached for her waist and undid her jeans, worked them off, slipping, for comic effect, off the edge of the bed onto the carpeted floor and bringing the pants with me. She raised herself on her elbows, an amused smirk on her face. She wore a red satin thong, something I might have found corny in the abstract but here, now, it was the thing I had been put on earth to witness, these sculpted thighs and this plump crotch made salient by the grace note of these panties, the few wiry black pubic hairs spiking above their waistband, the stomach that sprang back from the touch like a freshly baked cake. I bent and undid my shoes, kicked them off, then removed my pants, revealing the dumb familiar sight of my erection holding the fabric at the front of my boxers aloft like a tent pole. Her face had lost the smirk and become candid with anticipation; the playground face that wants, risks, takes, loses; forgets risk and loss to want again. She took my dick and pulled me toward her.

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